Memphis To Nashville ’61 (FTD)

Something For Everybody – Mono album

There’s Always Me – mt10
Give Me The Right – mt4
It’s A Sin – mt4
Sentimental Me – mt2
Starting Today – mt3
Gently – mt5
I’m Comin’ Home – mt7
In Your Arms – mt2
Put The Blame On Me – mt5
Judy – mt8
I Want You With Me – mt2
I Slipped, I Stumbled, I Fell – mt13

Bonus

Press Conference – Hotel Claridge, Memphis, Tennessee, 610225
Elvis Presley is made an honorary Colonel at the Stte Legislature – Tennessee State Capitol, Nashville, Tennessee, march 8, 1961

Session 1969-01-21/22
January 21 / 22 1969 (+ means you need both ~ means same material °° means stereo or binaural ° means mono) (SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take) American Sound Studio – Memphis, Tennessee Producers : Felton Jarvis / Chips Moman Engineer: Al Pachucki Technician: Roy Shockley Musicians: Harmony Vocal: Guitar: Elvis Presley Elvis Presley (‘Mama Liked The Roses’ & ‘Don’t Cry Daddy’) Guitar: Reggie Young Steel Guitar: John Hughey (‘From A Jack To A King’) Drums: Gene Chrisman Organ: Bobby Emmons Bass: Tommy Cogbill Bass: Mike Leech Piano: Bobby Wood Hey Jude (track – see note) XPA5 1157 January 21 1969 (Tues: 8.00pm – 11.00pm) Take 1 FS+PB 4:45 (preceded by FS & LFS & reh’sal) American Sound 1969 3°°~From Elvis At American Sound (FTD)°° +Memphis Sessions (FTD)°° (part of PB only – spliced with Take 5) Take 2 LFS Take 3 FS 0:18 American Sound 1969 3°°~From Elvis At American Sound (FTD)°° Take 4 FS Take 5 LFS 1:03 American Sound 1969 3°°~From Elvis At American Sound (FTD)°° +Memphis Sessions (FTD)°° (spliced with Take 1) Take 6 FS 0:11 American Sound 1969 3°°~From Elvis At American Sound (FTD)°° Take 7 (M) 4:52 Undubbed master American Sound 1969 3°°~From Elvis At American Sound (FTD)°° ~The American Way Volume 5°~Draft Mix Tape° (track 13)~American Rejects°+Memphis 2°° (remix / faded before “laugh”- 4:14) Overdub (M) Brass overdubs on March 18 (eve) (listed as ‘track only’) Overdub (M) String overdubs on March 19 (aft) Overdub M 4:31 Backup v.o’s on March 20 Complete Elvis Presley Masters 17 (Sony)°°~The Memphis Sessions (Franklin Mint Comp. Masters Collection 33)°°~From Elvis At American Sound (FTD)°°~From Elvis In Memphis (Legacy)°°~Elvis Now (FTD)°° ~(20 Bit)°°~Suspicious Minds – Memphis 1969 Anthology°°~60s Box 4°° +Memphis Memories° (LP) (acetate – no backup vocals) (too fast) My Little Friend (vocal overdub) XPA5 1153 January 21 1969 (Tues: 8.00pm – 11.00pm) Take NA (M) 3:11 Vocal overdub of January 16 track Unedited undubbed master American Sound 1969 2°°~From Elvis At American Sound (FTD)°° (unedited)+The American Way Volume 4°~Draft Mix Tape° (track 16)~A Legendary Performer Volume 4° (bootleg)~Unedited Masters – The Next Generation (Venus)°~Unedited Masters – Life (Venus)° (2:48) Overdub (M) Brass overdubs on March 18 (eve) Overdub (M) String overdubs on March 19 (aft) Overdub (M) Backup v.o’s on March 20 Unedited master Faded M 2:43 Master faded Complete Elvis Presley Masters 17 (Sony)°°~The Memphis Sessions (Franklin Mint Complete Masters Collection 33)°°~From Elvis At American Sound (FTD)°°~U.S. Male (LP / CD)°°+Complete Single Collection 6°°~Suspicious Minds – The Memphis 1969 Anthology°° ~60s Box 4°° (Different Mix)+From Elvis In Memphis (Legacy)°~The Mono Masters CD4 (Venus)° Inherit The Wind (vocal overdub) XPA5 1151 January 21 1969 (Tues: 8.00pm – 11.00pm) V.O. 1 PB 3:22 Vocal overdub of Jan 16 track (0:00-0:41, 0:55-1:36 & 1:48-2:29 used for master) American Sound 1969 2°°~Back In Memphis (FTD)°° (CD1, track 12) V.O. 2 PB 3:23 Vocal overdub of Jan 16 track (0:42-0:54, 1:37-1:47 & 2:30-2:53 used for master) Back In Memphis (FTD)°° (CD2, track 7) Overdub (M) Backup v.o’s to Jan 16 track on January 26 (without Elvis’ vocal overdubs) Composite (Draft) 2:58 Unused composite of :- v.o. 1 (0:00 – 0:44) v.o. 2 (0:45 – 0:54) (“Inherit the wind, inherit the wind”) v.o. 1 (0:55 – 1:36) v.o. 2 (1:37 – 1:47)(no breath) v.o. 1 (1:48 – 2:29) v.o. 2 (2:30 – 2:56) (after backup v.o’s to track) The American Way Volume 5°~Draft Mix Tape° (track 18)~American Rejects° (too fast)~A Legendary Performer Volume 3° (bootleg) Composite (M) 2:56 Composite of :- v.o. 1 (0:00 – 0:41) v.o. 2 (0:42 – 0:54) (“That’s how it is when you inherit the wind, inherit the wind”) v.o. 1 (0:55 – 1:36) v.o. 2 (1:37 – 1:47)(breath) v.o. 1 (1:48 – 2:29) v.o. 2 (2:30 – 2:56) (after backup v.o’s to track) Acetate° Overdub (V.O. 1) 3:11 String overdubs on May 5 (SPA1 4139) (not used) The Memphis Record°° Overdub (V.O. 2) 3:29 String overdubs on May 5 (not used) Keep Rollin’ On (Venus)°° Overdub (M) String overdubs on May 5 Overdub M 2:56 Brass overdubs on May 6 (eve) Complete Elvis Presley Masters 17 (Sony)°°~The Memphis Sessions (Franklin Mint Complete Masters Collection 33)°°~From Elvis In Memphis (Legacy)°°~Back In Memphis (FTD)°°~(24 Bit)°°~Suspicious Minds – The Memphis 1969 Anthology°°~60s Box 4°° Mama Liked The Roses (vocal overdub) XPA5 1152 January 21 1969 (Tues: 8.00pm – 11.00pm) V.O. 1 PB

Love Me Tender (FTD)
De eerste Elvis-film was meteen een schot in de roos in 1956. Er zouden er nog vele volgen, de ene al succesvoller dan de andere. Datzelfde jaar was een heuse rollercoaster voor Elvis. Het was een jaar waarin hij twee LP's uitbracht en flink wat singles en extended plays. Naast een record aantal voorverkochte singles, mag ook de EP "Love Me Tender" ook op een aangenaam verkoopscijfer rekenen. Op de tweede schijf van deze uitgave prijkt dan weer de unieke opname van de shows die Elvis in diezelfde periode gaf in zijn geboortestad Tupelo, Mississippi. Joan Deary zorgde er in 1984 voor dat dit verscheen op de "Golden Celebration" 6LP-box.

Close Up 4CD

15/12/2014

Live In L.A. (FTD)

15/12/2014