{"id":3160,"date":"2025-10-19T20:57:12","date_gmt":"2025-10-19T18:57:12","guid":{"rendered":"https:\/\/elvis.linuxles.be\/?p=3160"},"modified":"2025-10-19T20:57:12","modified_gmt":"2025-10-19T18:57:12","slug":"session-1969-01-22-23","status":"publish","type":"post","link":"https:\/\/elvis.linuxles.be\/?p=3160","title":{"rendered":"Session 1969-01-22\/23"},"content":{"rendered":"\n\n\n
\n
January 22 \/ 23 1969<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n
(+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono)
\n(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n
American Sound Studio – Memphis, Tennessee<\/strong><\/td>\n<\/tr>\n
Producers :<\/strong> Felton Jarvis \/ Chips Moman<\/td>\n<\/tr>\n
Engineer:<\/strong> Al Pachucki<\/td>\n<\/tr>\n
Technician:<\/strong> Roy Shockley<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n
Musicians:<\/strong><\/td>\n\u00a0<\/td>\nHarmony Vocal:<\/strong><\/td>\n<\/tr>\n
Guitar:<\/td>\nElvis Presley<\/td>\nElvis Presley (‘Suspicious Minds’)<\/td>\n<\/tr>\n
Guitar:<\/td>\nReggie Young<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nGene Chrisman<\/td>\n\u00a0<\/td>\n<\/tr>\n
Organ:<\/td>\nBobby Emmons<\/td>\n\u00a0<\/td>\n<\/tr>\n
Bass:<\/td>\nTommy Cogbill<\/td>\n\u00a0<\/td>\n<\/tr>\n
Bass:<\/td>\nMike Leech<\/td>\n\u00a0<\/td>\n<\/tr>\n
Piano:<\/td>\nBobby Wood<\/td>\n\u00a0<\/td>\n<\/tr>\n
Piano:<\/td>\nElvis Presley (‘I’ll Hold You In My Heart’)<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
\n
No Selections Recorded<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nJanuary 22 1969 (Wed: 8.00pm – 12.00am)<\/strong><\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Without Love (There Is Nothing)<\/strong><\/div>\n<\/td>\n
\n
XPA5 1159<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nJanuary 23 1969 (Thur: 12.30am – 3.30am)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nPB<\/td>\n3:17<\/td>\nAlternate master<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0 (additional dialogue)
\n~Suspicious Minds – The Memphis ’69 Anthology\u00b0\u00b0~Let It Roll\u00b0\u00b0 (listed as
\nTake 5)~The American Way Volume 5\u00b0 ~Finding The Way Home\u00b0 (2-7-1
\n– listed as Take 4)~Draft Mix Tape\u00b0 (track 11)~American Rejects\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:31<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0+Let It Roll\u00b0\u00b0~The
\nAmerican Way Volume 5\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nFS<\/td>\n0:42<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0~Let It Roll\u00b0\u00b0
\n~Memphis Sessions (FTD)\u00b0+The American Way Volume 5\u00b0 (additional
\ndialogue)~Finding The Way Home\u00b0 (1-8-1 – listed as Take 1)<\/td>\n<\/tr>\n
Take 4<\/td>\nPB<\/td>\n3:09<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0~Memphis Sessions
\n(FTD)\u00b0 ~The American Way Volume 5\u00b0~Finding The Way Home\u00b0 (1-8-2
\n– listed as Take 2)+Let It Roll\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\n(M)<\/td>\n2:56<\/td>\nUndubbed master<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0~Let It Roll\u00b0\u00b0 (listed
\nas Take 1)~The American Way Vol. 5\u00b0~American Crown Jewels\u00b0 (listed
\nas Take 3)+Memphis 2\u00b0\u00b0 (remixed)<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n\u00a0<\/td>\nString overdubs on May 7 (aft)<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n\u00a0<\/td>\nBrass overdubs on May 7 (eve)<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\nM<\/b><\/td>\n4:31<\/td>\nBackup v.o’s on May 8 (aft)<\/a>
\n(SPA1 4141)<\/td>\n		Complete Elvis Presley Masters 17 (Sony)\u00b0\u00b0~The Memphis Sessions
\n(Franklin Mint Comp. Masters Collection 33)\u00b0\u00b0~From Elvis In Memphis
\n(Legacy)\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0~(24 Bit)\u00b0\u00b0~Suspicious Minds –
\nThe Memphis 1969 Anthology\u00b0\u00b0~60s Box 4\u00b0\u00b0+The Memphis Record\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
I’ll Hold You In My Heart (Till I Can Hold You In My Arms)<\/strong><\/div>\n<\/td>\n
\n
XPA5 1160<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nJanuary 23 1969 (Thur: 12.30am – 3.30am)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n2xFS+M<\/b><\/td>\n4:35<\/td>\nMaster includes 2 x false starts and
\nis without overdubs (SPA1 4127)<\/td>\n		From Elvis In Memphis (FTD)\u00b0\u00b0~Comp. Elvis Presley Masters 17 (Sony)\u00b0\u00b0
\n~Country Roots (Franklin Mint Complete Masters Collection 8)\u00b0\u00b0~From
\nElvis In Memphis (Legacy)\u00b0\u00b0~Great Country Songs (DSD)\u00b0\u00b0~Suspicious
\nMinds – The Memphis 1969 Anthology\u00b0\u00b0~60s Box 4\u00b0\u00b0+The Memphis
\nRecord\u00b0\u00b0+Draft Mix Tape\u00b0 (track 10)+Country (1999)\u00b0\u00b0 (intro edited)
\n+The Other Side Of Memphis\u00b0\u00b0+From Elvis At American Sound (FTD)\u00b0\u00b0
\n~American Sound 1969 3\u00b0\u00b0+Memphis 2\u00b0\u00b0 (remixed)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
I’ll Be There <\/strong><\/div>\n<\/td>\n
\n
XPA5 1161<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nJanuary 23 1969 (Thur: 4.00am – 7.00am)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n\u00a0<\/td>\n0:17<\/td>\n(talk only)<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~From Elvis At American Sound (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nLFS<\/td>\n1:39<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~From Elvis At American Sound (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\n(M)<\/td>\n2:42<\/td>\nUndubbed master<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~From Elvis At American Sound (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nLFS<\/td>\n0:39<\/td>\n(overdone vocal echo)<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~From Elvis At American Sound (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nFS<\/td>\n0:04<\/td>\n(overdone vocal echo)<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~From Elvis At American Sound (FTD)\u00b0\u00b0~The
\nAmerican Way Volume 5\u00b0~Draft Mix Tape\u00b0 (track 9a)<\/td>\n<\/tr>\n
Take 6<\/td>\nPB<\/td>\n2:30<\/td>\n(overdone vocal echo)
\nAlternate master<\/td>\n		American Sound 1969 3\u00b0\u00b0~From Elvis At American Sound (FTD)\u00b0\u00b0~Keep
\nRollin’ On (Venus)\u00b0\u00b0 (intro clipped \/ not faded)+The American Way Volume
\n5\u00b0~Draft Mix Tape\u00b0 (track 9b)<\/a>~Tape\u00b0<\/a><\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n\u00a0<\/td>\nString overdubs on May 5<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\nM<\/b><\/td>\n2:24<\/td>\nBrass overdubs on May 6 (eve)<\/a><\/td>\nComplete Elvis Presley Masters 17 (Sony)\u00b0\u00b0~The Memphis Sessions
\n(Franklin Mint Comp. Masters Collection 33)\u00b0\u00b0~From Elvis At American
\nSound (FTD)\u00b0\u00b0~From Elvis In Memphis (Legacy)\u00b0\u00b0+Suspicious Minds –
\nThe Memphis 1969 Anthology\u00b0\u00b0~60s Box 4\u00b0\u00b0 (different mixes)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Suspicious Minds <\/strong><\/div>\n<\/td>\n
\n
XPA5 1227<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nJanuary 23 1969 (Thur: 4.00am – 7.00am)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nLFS<\/td>\n1:46<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0 (count-in & extra
\ndialogue)~The American Way Vol. 1\u00b0 ~Finding The Way Home\u00b0 (1-11-1
\n– faded)<\/td>\n<\/tr>\n
Take 2<\/td>\nLFS<\/td>\n0:40<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0 (extra dialogue)
\n~The American Way Volume 1\u00b0~Finding The Way Home\u00b0 (1-11-2 – faded)<\/td>\n<\/tr>\n
Take 3<\/td>\nFS<\/td>\n0:36<\/td>\n(preceded by rehearsal)<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0~The American Way
\nVolume 1\u00b0 (rehearsal+FS)~Finding The Way Home\u00b0 (1-11-3 – rehearsal only)<\/td>\n<\/tr>\n
Take 4<\/td>\nLFS<\/td>\n1:25<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0~The American Way
\nVolume 1\u00b0~Finding The Way Home\u00b0 (1-11-4 – faded – 1:20)<\/td>\n<\/tr>\n
Take 5<\/td>\nLFS<\/td>\n4:06<\/td>\n(1st rehearsal+LFS+2nd reh’sal)<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0 (rehearsal+LFS
\n+rehearsal – complete) +The American Way Vol. 1\u00b0 (1st rehearsal – edited
\nbut additional dialogue at start+LFS)~Finding The Way Home\u00b0 (1-11-5
\n– 1st reh’sal – faded & 2-2-1 – LFS)+Memphis Sessions (FTD)\u00b0\u00b0 (2nd
\nrehearsal – edited)+Tape<\/td>\n<\/tr>\n
Take 6<\/td>\n2xFS+PB<\/td>\n3:51<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0 (additional dialogue
\n& FS+FS+PB)~Memphis Sessions (FTD)\u00b0\u00b0 (2nd FS+PB only)~The
\nAmerican Way Volume 1\u00b0 (FS+FS+PB)~Finding The Way Home\u00b0 (2-2-2
\n– FS+FS+PB)~60s Box 5\u00b0\u00b0 (PB only)<\/td>\n<\/tr>\n
Take 7<\/td>\nPB<\/td>\n3:52<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 3\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0 (count-in & extra
\ndialogue)~Suspicious Minds – The Memphis 1969 Anthology\u00b0\u00b0~Platinum
\n3\u00b0\u00b0 (faded)~The American Way Vol. 1\u00b0 ~Finding The Way Home\u00b0 (1-11-6)<\/td>\n<\/tr>\n
Take 8<\/td>\n(M)<\/td>\n4:06<\/td>\n“I’m saving the last take for me”<\/em>
\nUndubbed master<\/td>\n		The American Way Vol. 1\u00b0 (count-in – 0:43)+American Sound 1969 3\u00b0\u00b0
\n~Back In Memphis (FTD)\u00b0\u00b0+Memphis 2\u00b0\u00b0 (remixed – 3:26)<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n\u00a0<\/td>\nBackup v.o’s on January 24<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
V.O.<\/td>\n(M)<\/td>\n3:23<\/td>\nHarmony vocal overdub by Elvis
\non January 24<\/a><\/td>\n		The American Way Vol. 5\u00b0~Draft Mix Tape\u00b0 (track 8)~Edge Of Reality\u00b0
\n+E1 (30 #1 Hits DVD-A)\u00b0 (part only – isolated harmony vocal only)<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n3:24<\/td>\nString overdubs on May 7 (aft) <\/a>
\n(SPA1 4124)<\/td>\n		The Complete Kid Galahad Session Vol. 3\u00b0\u00b0 (LP) (original mix – acatate)
\n~The Memphis Record\u00b0\u00b0 (remix)<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n3:24<\/td>\nBrass overdubs for stereo master<\/b>
\non August 7<\/a><\/td>\n		\u00a0<\/td>\n<\/tr>\n
Extend<\/td>\n(M)<\/td>\n4:25<\/td>\nSplice of 0:00-3:03+2:47-3:03
\n+2:47-3:03+2:47-3:03+2:47-3:24<\/td>\n		Worldwide Gold Award Hits Volume 1 (CD)\u00b0\u00b0<\/td>\n<\/tr>\n
Faded<\/td>\nM<\/b><\/td>\n4:23<\/td>\nFade out 3:19-3:34 \/ fade in
\n3:34-3:47 of extended master<\/td>\n		Complete Elvis Presley Masters 17 (Sony)\u00b0\u00b0~The Memphis Sessions
\n(Franklin Mint Complete Masters Collection 33)\u00b0\u00b0~Elvis 75 – Good
\nRockin’ Tonight 3 (Legacy)\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0~Elvis 75 CD3\u00b0\u00b0
\n~Heart & Soul (DSD)\u00b0\u00b0~From Elvis In Memphis (2000)\u00b0\u00b0~Comp. Single
\nCollection 6\u00b0\u00b0~Suspicious Minds – The Memphis 1969 Anthology\u00b0\u00b0
\n~60s Box 4\u00b0\u00b0~Greatest Hits Volume 1\u00b0\u00b0~The Sound Of Your Cry\u00b0\u00b0
\n+E1 (30 #1 Hits)\u00b0\u00b0~Elvis’ Gold Records Volume 5\u00b0\u00b0+The Definitive
\nCountry Album\u00b0\u00b0 (faded)<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n3:24<\/td>\nBrass overdubs for mono master<\/b>
\non August 7<\/a><\/td>\n		\u00a0<\/td>\n<\/tr>\n
Extend<\/td>\n(M)<\/td>\n4:23<\/td>\nSplice of 0:00-3:03+2:47-3:03
\n+2:47-3:03+2:47-3:03+2:47-3:20<\/td>\n		\u00a0<\/td>\n<\/tr>\n
Faded<\/td>\nM<\/b><\/td>\n4:23<\/td>\nFade out 3:19-3:34 & fade in
\n3:34-3:47 of extended master<\/td>\n		From Elvis In Memphis (Legacy Ed’n)\u00b0~The Mono Masters CD3 (Venus)\u00b0
\n~Worldwide Gold Award Hits Volume 1 (LP)\u00b0~The Elvis Medley\u00b0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Re-Recording<\/td>\n3:41<\/td>\nRe-recorded backing track<\/td>\nThe Wonder Of You\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

\n

No songs were recorded at this evening’s first session, as Elvis went into the studio early to see Roy Hamilton, who is recording another album for Chips Moman. Elvis offers Roy one of the songs he is planning to record himself, ‘Angelica’ and spends a few hours with him before resuming his own recording session at 12.30am (January 23).<\/p>\n

There are two draft mono mix tapes, of which at least one is dated February 28, 1969. A tape log of a later tape copy of both these tapes (except for\u00a0the last three tracks of the second tape – ‘Don’t Cry Daddy’, ‘A Little Bit Of Green’ & ‘You’ll Think Of Me’) was shown in the magazine The Man and His Music<\/em> #13 listed as “Basic + Alt. Vocals”. This source is referred to as the “Draft Mix Tape”. This mono tape was actually the source of the 1992 bootleg American Rejects<\/em> (AR 1569), although the notes claimed acetate source for that.\u00a0The tape contains nothing recorded after January 26 1969.<\/p>\n

The tape is a later copy of two draft rough mix tapes of January 1969 recordings (Tape 1:\u00a0‘I’m Movin’ On’ – ‘Without Love (There Is Nothing)’, dated February 28, 1969, and Tape 2:\u00a0‘From A Jack To A King’ – ‘You’ll Think Of Me’). A breakdown of what the tape contains is as follows:
\n1. I’m Movin’ On<\/strong> – draft composite of Elvis’ original and re-recorded vocals (January 22), containing overdubbed backing vocals (January 19 morning) and band and brass overdubs (January 19 evening).
\n2. Wearin’ That Loved On Look<\/strong> – with overdubbed backing vocals (January 19 morning), guitar overdub (January 22) and Elvis’ replaced vocals (January 24).
\n3. Come Out Come Out (Wherever You Are)<\/strong> – fast instrumental track (January 14).
\n4. Come Out Come Out (Wherever You Are)<\/strong> – slow instrumental track (January 14), with tape cut.
\n5. This Is The Story<\/strong> – with Elvis’ replaced vocals (January 24) and overdubbed backing vocals (January 25).
\n6. Gentle On My Mind<\/strong> – with track replacement overdubs and Elvis’ vocal repair (January 20).
\n7. Long Black Limousine<\/strong> – with Elvis’ vocal repair (January 22), brass and piano overdubs (January 22) and overdubbed backing vocals (January 25).
\n8. Suspicious Minds<\/strong> – with overdubbed backing vocals (January 24) and Elvis’ harmony vocal overdub (January 24).
\n9. I’ll Be There<\/strong> – takes 5 (false start) and 6 (alternate master) with overdone vocal echo (January 23).
\n10. I’ll Hold You In My Heart (Till I Can Hold You In My Arms)<\/strong> (January 23).
\n11. Without Love (There Is Nothing)<\/strong> – take 1 (alternate master) (January 23).
\n12. From A Jack To A King<\/strong> – with Elvis’ original mock voice at end (January 22) and overdubbed backing vocals (January 26).
\n13. Hey Jude<\/strong> – take 7 (undubbed master) (January 21).
\n14. Rubberneckin’<\/strong> – with partially overdubbed backing vocals (January 26).
\n15. In The Ghetto<\/strong> – with Elvis’ original take 22 vocals (January 20) and overdubbed backing vocals (January 25).
\n16. My Little Friend<\/strong> – Elvis’ vocal overdub to track (undubbed master) (January 21) with short count-in at start.
\n17. Mama Liked The Roses<\/strong> – with Elvis’ master vocal overdub to track (January 21) and Elvis’ harmony vocal overdub (January 24), with short count-in at start.
\n18. Inherit The Wind<\/strong> – draft composite of vocal overdub takes 1 and 2 (January 21), containing overdubbed backing vocals (January 26).
\n19. Poor Man’s Gold<\/strong> – instrumental track (January 15).
\n20. Don’t Cry Daddy<\/strong> – Elvis’ vocal overdub to track (January 22) and Elvis’ two harmony vocal overdubs (January 24).
\n21. A Little Bit Of Green<\/strong> – with Elvis’ original take 3 vocals (January 15).
\n22. You’ll Think Of Me<\/strong> – take 23 rhythm track with Elvis’ replaced vocals (January 24).<\/p>\n

Sessions III<\/em> lists ‘Without Love’ <\/a> having backup vocals overdubbed on January 23, but the session log shows that as of February 5 (date of the job number<\/a>) no backup vocals had been overdubbed. According to Mary Holladay Pederson’s logbook, ‘Without Love (There Is Nothing)’ had backup vocals overdubbed on May 8<\/a>.<\/p>\n

On the 1999 Ultimate Collection Series CD Country<\/em>, the two false starts before ‘I’ll Hold You In My Arms (Till I Can Hold You In My Heart)’ have been edited out.<\/p>\n

Remixed versions of ‘Without Love (There Is Nothing)’ and ‘I’ll Hold You In My Arms (Till I Can Hold You In My Heart)’ can be found on The Memphis Record<\/em>.<\/p>\n

Just before take 7 of ‘Suspicious Minds’ on Suspicious Minds – The Memphis 1969 Anthology<\/em> Elvis can be heard singing part of ‘Save The Last Dance (Take) For Me’, this is actually edited in from before Take 8.<\/p>\n

Sessions III<\/em> lists that ‘Suspicious Minds’ had backup vocal overdubs done on January 22, but surely this cannot be the case as the song wasn’t recorded until the early hours of January 23!<\/p>\n

The brass overdubs (August 7) for ‘Suspicious Minds’ only exist on the final mono and stereo masters, and the mono and stereo masters both have different brass performances. According to Bill Porter, the reason for this procedure was that all the eight tracks were full. Porter also persuaded Felton to do the final stereo and mono mixes at the same time as this overdub session. This is also the reason why both the remastered attempts Memphis Record<\/em> (1987, missing the brass) and Elvis 30 #1 Hits (E1)<\/em> (2002, flanging due to mixing stereo master with 8-track) failed. Remastering ‘Suspicious Minds’ must involve faithful re-recording of the brass section. Maybe that even can be justified now that there is no clear definition of “original” master in the first place.<\/p>\n

Remixed versions of ‘Suspicious Minds’ can be found on Elvis 30 #1 Hits (E1)<\/em> and Elvis’ Gold Records Volume 5<\/em>.<\/p>\n

‘Suspicious Minds’ on The Sound Of Your Cry<\/em> which was the first release in the UK of the stereo master, has the left and right channels swapped!<\/p>\n

The re-recording of ‘Suspicious Minds’ can found on the 2016 album\u00a0The Wonder Of You<\/em>, which contained Elvis’ original vocals but with new backings by The Royal Philharmonic Orchestra, and which actually went to number one in the UK album charts.<\/p>\n

By taking out two of the four channels from the rare Japanese Quadraphonic LP of From Elvis In Memphis<\/em> is how the “previously unreleased versions” were created on the bootleg The Other Side Of Memphis<\/em> (Bilko).<\/p>\n

In March of 2007, Sony decided to go through all of Elvis’ masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy<\/em> releases, the 30 disc Complete Elvis Presley Masters<\/em> collection and the Franklin Mint<\/em> package.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

January 22 \/ 23 1969 (+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono) (SFS = Short False Start | FS […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[194],"tags":[],"class_list":["post-3160","post","type-post","status-publish","format-standard","hentry","category-1969-sessions"],"acf":[],"_links":{"self":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3160"}],"version-history":[{"count":1,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3160\/revisions"}],"predecessor-version":[{"id":3161,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3160\/revisions\/3161"}],"wp:attachment":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}