{"id":3133,"date":"2025-10-13T22:25:39","date_gmt":"2025-10-13T20:25:39","guid":{"rendered":"https:\/\/elvis.linuxles.be\/?p=3133"},"modified":"2025-10-19T20:51:28","modified_gmt":"2025-10-19T18:51:28","slug":"session-1969-01-13-14","status":"publish","type":"post","link":"https:\/\/elvis.linuxles.be\/?p=3133","title":{"rendered":"Session 1969-01-13\/14"},"content":{"rendered":"\n\n\n
\n
January 13 \/ 14 1969<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n
(+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono)
\n(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n
American Sound Studio – Memphis, Tennessee<\/strong><\/td>\n<\/tr>\n
Producers :<\/strong> Felton Jarvis \/ Chips Moman<\/td>\n<\/tr>\n
Engineer:<\/strong> Al Pachucki \/ Roy Shockley<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n
Musicians:<\/strong><\/td>\n\u00a0<\/td>\nBackup Vocals:<\/strong><\/td>\n<\/tr>\n
Guitar:<\/td>\nElvis Presley<\/td>\nNA<\/td>\n<\/tr>\n
Guitar:<\/td>\nReggie Young<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nGene Chrisman<\/td>\n\u00a0<\/td>\n<\/tr>\n
Organ:<\/td>\nBobby Emmons<\/td>\n\u00a0<\/td>\n<\/tr>\n
Bass:<\/td>\nTommy Cogbill<\/td>\n\u00a0<\/td>\n<\/tr>\n
Bass:<\/td>\nMike Leech<\/td>\n\u00a0<\/td>\n<\/tr>\n
Piano:<\/td>\nBobby Wood<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Long Black Limousine <\/strong><\/div>\n<\/td>\n
\n
XPA5 1142<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nJanuary 13 1969 (Mon: 7.00pm – 10.00pm)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n1:01<\/td>\n“Number one”<\/em> (preceded by rehearsal)<\/td>\nAmerican Sound 1969 1\u00b0\u00b0+The American Way Vol. 3\u00b0~Finding The Way
\nHome\u00b0 (CD1, track 3, part 1)<\/td>\n<\/tr>\n
Take 2<\/td>\nLFS<\/td>\n2:32<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 1\u00b0\u00b0~The American Way Vol. 3\u00b0~Finding The Way
\nHome\u00b0 (1-3-2 faded)<\/td>\n<\/tr>\n
Take 3<\/td>\nFS<\/td>\n0:34<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 1\u00b0\u00b0~The American Way Voume 3\u00b0~A Legendary
\nPerformer Volume 7\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nFS<\/td>\n0:43<\/td>\n“Take number four”<\/em><\/td>\nThe American Way Volume 3\u00b0~Finding The Way Home\u00b0 (1-3-3)<\/td>\n<\/tr>\n
Take 5<\/td>\nFS<\/td>\n0:57<\/td>\n“We’re rolling – number five”<\/em><\/td>\nAmerican Sound 1969 1\u00b0\u00b0~The American Way Volume 3\u00b0~A Legendary
\nPerformer Volume 7\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nPB<\/td>\n4:29<\/td>\n\u00a0<\/td>\nMemphis Sessions (FTD)\u00b0\u00b0+From Elvis In Memphis (FTD)\u00b0\u00b0+American
\nSound 1969 1\u00b0\u00b0 (count-in)~The American Way Voume 3\u00b0~A Legendary
\nPerformer Volume 7\u00b0~Finding The Way Home\u00b0 (1-3-6)~American Crown
\nJewels\u00b0 (faded – 12 seconds)<\/td>\n<\/tr>\n
Take 7<\/td>\nFS<\/td>\n0:37<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 1\u00b0\u00b0~From Elvis In Memphis (FTD)\u00b0\u00b0 (0:16)+The
\nAmerican Way Volume 3\u00b0~Finding The Way Home\u00b0 (1-3-4)<\/td>\n<\/tr>\n
Take 8<\/td>\nFS<\/td>\n0:21<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 1\u00b0\u00b0~From Elvis In Memphis (FTD)\u00b0\u00b0~The American
\nWay Volume 3\u00b0~FindingThe Way Home\u00b0 (1-3-5)<\/td>\n<\/tr>\n
Take 9<\/td>\n(M)<\/td>\n4:24<\/td>\nUnrepaired undubbed master
\n(part of vocal track used for master)<\/td>\n		American Sound 1969 1\u00b0\u00b0~From Elvis In Memphis (FTD)\u00b0\u00b0 (complete)
\n~The American Way Volume 3\u00b0 (count-in only – 0:04)<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
V.O.<\/td>\n(M)<\/td>\n4:22<\/td>\nVocal repair on January 22<\/a>
\n(from “Through tear filled eyes I
\nwatch…”<\/em> to end)<\/td>\n		American Sound 1969 1\u00b0\u00b0~From Elvis At American Sound (FTD)\u00b0\u00b0
\n+Memphis 2\u00b0\u00b0 (remix \/ faded – 3:57)<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n\u00a0<\/td>\nBrass and piano (bell) overdubs
\non January 22<\/a><\/td>\n		\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n3:31<\/td>\nBackup v.o’s on January 25<\/a><\/td>\nDraft Mix Tape\u00b0 (track 7)<\/td>\n<\/tr>\n
Overdub<\/td>\nM<\/b><\/td>\n3:40<\/td>\nString overdubs on March 18 (aft)<\/a>
\n(SPA1 4125)<\/td>\n		From Elvis In Memphis (FTD)\u00b0\u00b0~Comp. Elvis Presley Masters 17 (Sony)\u00b0\u00b0
\n~The Memphis Sessions (Franklin Mint Comp. Masters Collection 33)\u00b0\u00b0
\n~From Elvis In Memphis (Legacy)\u00b0\u00b0~From Elvis In Memphis\u00b0\u00b0~Suspicious
\nMinds – The Memphis 1969 Anthology\u00b0\u00b0~60s Box 4\u00b0\u00b0+The Memphis
\nRecord\u00b0\u00b0+The Other Side Of Memphis\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
\n
This Is The Story <\/strong><\/div>\n<\/td>\n
\n
XPA5 1143<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nJanuary 13 1969 (Mon: 10.00pm – 1.00am)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n0:27<\/td>\n“We’re rolling, take number one”<\/em><\/td>\nAmerican Sound 1969 1\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0 (count-in)~Memphis
\nSessions (FTD)\u00b0\u00b0+The American Way Volume 5\u00b0~Tape\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\n(M)<\/td>\n\u00a0<\/td>\nUnrepaired master
\n(vocal track erased)<\/td>\n		\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
V.O.<\/td>\n(M)<\/td>\n3:04<\/td>\nVocals replaced on January 24<\/a>
\nunedited undubbed master<\/td>\n		American Sound 1969 1\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0 (unedited)
\n~Memphis Sessions (FTD)\u00b0\u00b0 (faded)<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n2:32<\/td>\nBackup v.o’s on January 25<\/a><\/td>\nThe American Way Vol. 5\u00b0~Draft Mix Tape\u00b0 (track 6)~American Rejects\u00b0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n\u00a0<\/td>\nString overdubs on May 5<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\nM<\/b><\/td>\n2:28<\/td>\nBrass overdubs on May 6 (eve)<\/a><\/td>\nComplete Elvis Presley Masters 17 (Sony)\u00b0\u00b0~The Memphis Sessions
\n(Franklin Mint Comp. Masters Collection 33)\u00b0\u00b0~From Elvis In Memphis
\n(Legacy)\u00b0\u00b0~Back In Memphis (FTD)\u00b0\u00b0~(24 Bit)\u00b0\u00b0~Suspicious Minds – The
\nMemphis 1969 Anthology\u00b0\u00b0~60s Box 4\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Come Out, Come Out (Wherever You Are) (track) <\/strong><\/span><\/div>\n<\/td>\n
\n
XPA5 1144<\/strong><\/span><\/div>\n<\/td>\n
\u00a0<\/td>\nJanuary 14 1969 (Tue: 2.00am – 5.00am)<\/span><\/strong><\/td>\n<\/tr>\n
Rehearsal
\n<\/span><\/td>\n		2:42<\/span><\/td>\n\u00a0<\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nLFS<\/span><\/td>\n1:40<\/span><\/td>\n“Number One ” <\/em>(slow tempo)<\/span><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0 (count-in)~There’s Always Me Vol. 3\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nLFS<\/span><\/td>\n1:47<\/span><\/td>\n“Number two”<\/em><\/span><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nLFS<\/span><\/td>\n0:46<\/span><\/td>\n“Number one “<\/em> (medium tempo)<\/span><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nLFS<\/span><\/td>\n3:07<\/span><\/td>\n“Number two”<\/span><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nLFS<\/span><\/td>\n1:11<\/span><\/td>\n\u00a0<\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\n2x+LFS<\/span><\/td>\n1:37<\/span><\/td>\n“Take one on the new agenda”<\/span><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nLFS+FS<\/span><\/td>\n1:13<\/span><\/td>\n“Number two” <\/em>(announced twice)<\/span><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nFS<\/span><\/td>\n0:34<\/span><\/td>\n\u00a0<\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nLFS<\/span><\/td>\n1:57<\/span><\/td>\n“Number five”<\/span><\/em><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nLFS<\/span><\/td>\n3:15<\/span><\/td>\n“Six”<\/span><\/em><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\n3xFS<\/span><\/td>\n1:05<\/span><\/td>\n“Number seven gentlemen”<\/span><\/em><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nFS<\/span><\/td>\n0:35<\/span><\/td>\n“Here we go number eight”<\/span><\/em><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nFS+FS<\/span><\/td>\n0:46<\/span><\/td>\n“Here we go number… nine”<\/span><\/em><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nLFS<\/span><\/td>\n0:18<\/span><\/td>\n“Number ten… Here we go”<\/span><\/em><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\n2xFS+PB<\/span><\/td>\n3:37<\/span><\/td>\n“Take eleven “<\/span><\/em><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nFS<\/span><\/td>\n0:12<\/span><\/td>\n\u00a0<\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nLFS<\/span><\/td>\n2:48<\/span><\/td>\n\u00a0<\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nFS<\/span><\/td>\n0:47<\/span><\/td>\n(Dan Penn – guide vocal)
\n“Love Is Strange”<\/em><\/span><\/td>\n		Unsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nFS<\/span><\/td>\n0:32<\/span><\/td>\n\u00a0<\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Reh’sal<\/span><\/td>\nLFS<\/span><\/td>\n1:19<\/span><\/td>\n(Jam \/ Blues)<\/span><\/td>\nUnsurpassed Masters 4-15\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\nPB<\/span><\/td>\n2:26+<\/span><\/td>\n“Funky Track (Slow)”
\n(preceded by rehearsal)<\/span><\/td>\n		Unsurpassed Masters 4-15\u00b0\u00b0 (rehearsal – faded)+Draft Mix Tape\u00b0
\n(track 4) (cut)<\/span><\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n2:46<\/span><\/td>\n“Funky Track (Fast)” (not used)<\/span><\/td>\nFrom Elvis At American Sound (FTD)\u00b0\u00b0~Draft Mix Tape\u00b0 (track 3)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Thanks to Mark Nicholson for identifying Dan Penn singing part of ‘Love Is Strange’ during the rehearsal of ‘Come Out, Come Out (Wherever You Are)’ – This was originally thought to have been Bobby Wood, and is even listed as being Roy Hamilton on the bootleg box-set Elvis ’69<\/em> by “Gravel Road”.<\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Wearin’ That Loved On Look <\/strong><\/div>\n<\/td>\n
\n
XPA5 1145<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nJanuary 14 1969 (Tue: 2.00am – 5.00am)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n0:20<\/td>\n“Take number one”<\/em><\/td>\nAmerican Sound 1969 1\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:17<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 1\u00b0\u00b0~The American Way Voume 2\u00b0~A Legendary
\nPerformer Volume 6\u00b0 (listed as Take 1)~Finding The Way Home\u00b0 (1-1-1)<\/td>\n<\/tr>\n
Take 3<\/td>\nFS<\/td>\n0:42<\/td>\n“A Little Less Conversation”<\/em><\/td>\nAmerican Sound 1969 1\u00b0\u00b0~From Elvis In Memphis (FTD)\u00b0\u00b0~Memphis
\nSessions (FTD)\u00b0\u00b0~The American Way Vol. 2\u00b0~Finding The Way Home\u00b0
\n(1-1-2)<\/td>\n<\/tr>\n
Take 4<\/td>\nSFS<\/td>\n0:07<\/td>\n“Oh… shit, man…”<\/em><\/td>\nThe American Way Volume 2\u00b0~Finding The Way Home\u00b0 (1-1-3)<\/td>\n<\/tr>\n
Take 5<\/td>\nLFS<\/td>\n1:03<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 1\u00b0\u00b0+The American Way Volume 2\u00b0~Finding The
\nWay Home\u00b0 (1-1-4 faded)<\/td>\n<\/tr>\n
Take 6<\/td>\nFS<\/td>\n0:22<\/td>\n\u00a0<\/td>\nThe American Way Volume 2\u00b0~Finding The Way Home\u00b0 (1-1-5)<\/td>\n<\/tr>\n
Take 7<\/td>\nFS<\/td>\n0:30<\/td>\n\u00a0<\/td>\nThe American Way Volume 2\u00b0~Finding The Way Home\u00b0 (1-1-6)<\/td>\n<\/tr>\n
Take 8<\/td>\nFS<\/td>\n0:06<\/td>\n\u00a0<\/td>\nThe American Way Volume 2\u00b0~Finding The Way Home\u00b0 (1-1-7)<\/td>\n<\/tr>\n
Take 9<\/td>\nFS<\/td>\n0:32<\/td>\n\u00a0<\/td>\nThe American Way Volume 2\u00b0~A Legendary Performer Volume 6\u00b0<\/td>\n<\/tr>\n
Take 10<\/td>\nPB<\/td>\n3:05<\/td>\n\u00a0<\/td>\nFrom Elvis In Memphis (FTD)\u00b0\u00b0+American Sound 1969 1\u00b0\u00b0~The American
\nWay Volume 2\u00b0~A Legendary Performer Volume 6\u00b0~Finding The Way
\nHome\u00b0 (1-1-8)<\/td>\n<\/tr>\n
Take 11<\/td>\nLFS<\/td>\n1:39<\/td>\n\u00a0<\/td>\nThe American Way Volume 2\u00b0~Finding The Way Home\u00b0 (2-8-1 faded)<\/td>\n<\/tr>\n
Take 12<\/td>\nFS+FS<\/td>\n0:30<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 1\u00b0\u00b0~From Elvis In Memphis (FTD)\u00b0\u00b0~Finding The
\nWay Home\u00b0 (2-8-2 – 2nd FS)+The American Way Volume 2\u00b0 (2xFS)<\/td>\n<\/tr>\n
Take 13<\/td>\nLFS<\/td>\n1:10<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 1\u00b0\u00b0~From Elvis In Memphis (FTD)\u00b0\u00b0 (additional
\ndialogue)~The American Way Vol. 2\u00b0~Finding The Way Home\u00b0 (2-8-3
\nfaded)<\/td>\n<\/tr>\n
Take 14<\/td>\nPB<\/td>\n3:14<\/td>\n\u00a0<\/td>\nAmerican Sound 1969 1\u00b0\u00b0~From Elvis In Memphis (FTD)\u00b0\u00b0 (additional
\ndialogue)~The American Way Vol. 2\u00b0 ~Finding The Way Home\u00b0 (2-8-4
\nfaded)~American Crown Jewels\u00b0 (faded)+Memphis Sessions (FTD)\u00b0\u00b0
\n~Rhythm & Blues (Time Life Elvis Presley Collection Vol. 8)\u00b0\u00b0 (listed as
\nTake 10)<\/td>\n<\/tr>\n
Take 15<\/td>\n(M)<\/td>\n\u00a0<\/td>\nUnrepaired master (vocals 1:07
\n-1:22 used for final master)<\/td>\n		\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n\u00a0<\/td>\nBackup v.o’s on January 19 (morning)<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n\u00a0<\/td>\nGuitar overdub on January 22<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
V.O.<\/td>\n(M)<\/td>\n3:06<\/td>\nElvis’ vocal replaced on January 24<\/a><\/td>\nAmerican Sound 1969 1\u00b0\u00b0~From Elvis In Memphis (FTD)\u00b0\u00b0+Memphis 2\u00b0\u00b0
\n(remix) (no backing vocals)+The Memphis Record\u00b0\u00b0 (with backing vocals
\n– 2:43) (SPA1 4126)<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Composite (Draft)<\/td>\n2:46<\/td>\nUnused composite of :-
\nreplaced vocals (0:00 – 0:55)
\noriginal vocals (0:56 – 1:24)
\nreplaced vocals (1:24 – 2:48)
\n(after backup v.o’s & guitar overdub)<\/td>\n		The American Way Volume 5\u00b0~Draft Mix Tape\u00b0 (with Elvis’ mock voice
\nat beginning)<\/td>\n<\/tr>\n
Composite (M)<\/td>\n\u00a0<\/td>\nComposite of :-
\nreplaced vocals (0:00 – 1:06)
\noriginal vocals (1:07 – 1:22)
\nreplaced vocals (1:23 – 2:48)
\n(after backup v.o’s & guitar overdub)<\/td>\n		\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\nM<\/strong><\/td>\n2:47<\/td>\nAdditional backup v.o’s to master
\ncomposite on March 20 <\/a><\/td>\n		From Elvis In Memphis (FTD)\u00b0\u00b0~Comp. Elvis Presley Masters 17 (Sony)\u00b0\u00b0
\n~The Memphis Sessions (Franklin Mint Comp. Masters Collection 33)\u00b0\u00b0
\n~From Elvis In Memphis (Legacy)\u00b0\u00b0~From Elvis In Memphis\u00b0\u00b0~Suspicious
\nMinds – The Memphis 1969 Anthology\u00b0\u00b0~60s Box 4\u00b0\u00b0+The Other Side Of
\nMemphis\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Just after Take 3 of ‘Wearin’ That Loved On Look’ on Memphis Sessions<\/em> (FTD) Elvis can be heard singing a couple of lines of ‘A Little Less Conversation’. The same two lines of ‘A Little Less Conversation’ can be heard spliced to the beginning of ‘I’m Movin’ On’ on Suspicious Minds – The Memphis 1969 Anthology<\/em>.<\/p>\n

 <\/p>\n

 <\/p>\n

\n

There are two draft mono mix tapes, of which at least one is dated February 28, 1969. A tape log of a later tape copy of both these tapes (except for\u00a0the last three tracks of the second tape – ‘Don’t Cry Daddy’, ‘A Little Bit Of Green’ & ‘You’ll Think Of Me’) was shown in the magazine The Man and His Music<\/em> #13 listed as “Basic + Alt. Vocals”. This source is referred to as the “Draft Mix Tape”. This mono tape was actually the source of the 1992 bootleg American Rejects<\/em> (AR 1569), although the notes claimed acetate source for that.\u00a0The tape contains nothing recorded after January 26 1969.<\/p>\n

The tape is a later copy of two draft rough mix tapes of January 1969 recordings (Tape 1:\u00a0‘I’m Movin’ On’ – ‘Without Love (There Is Nothing)’, dated February 28, 1969, and Tape 2:\u00a0‘From A Jack To A King’ – ‘You’ll Think Of Me’). A breakdown of what the tape contains is as follows:
\n1. I’m Movin’ On<\/strong> – draft composite of Elvis’ original and re-recorded vocals (January 22), containing overdubbed backing vocals (January 19 morning) and band and brass overdubs (January 19 evening).
\n2. Wearin’ That Loved On Look<\/strong> – with overdubbed backing vocals (January 19 morning), guitar overdub (January 22) and Elvis’ replaced vocals (January 24).
\n3. Come Out Come Out (Wherever You Are)<\/strong> – fast instrumental track (January 14).
\n4. Come Out Come Out (Wherever You Are)<\/strong> – slow instrumental track (January 14), with tape cut.
\n5. This Is The Story<\/strong> – with Elvis’ replaced vocals (January 24) and overdubbed backing vocals (January 25).
\n6. Gentle On My Mind<\/strong> – with track replacement overdubs and Elvis’ vocal repair (January 20).
\n7. Long Black Limousine<\/strong> – with Elvis’ vocal repair (January 22), brass and piano overdubs (January 22) and overdubbed backing vocals (January 25).
\n8. Suspicious Minds<\/strong> – with overdubbed backing vocals (January 24) and Elvis’ harmony vocal overdub (January 24).
\n9. I’ll Be There<\/strong> – takes 5 (false start) and 6 (alternate master) with overdone vocal echo (January 23).
\n10. I’ll Hold You In My Heart (Till I Can Hold You In My Arms)<\/strong> (January 23).
\n11. Without Love (There Is Nothing)<\/strong> – take 1 (alternate master) (January 23).
\n12. From A Jack To A King<\/strong> – with Elvis’ original mock voice at end (January 22) and overdubbed backing vocals (January 26).
\n13. Hey Jude<\/strong> – take 7 (undubbed master) (January 21).
\n14. Rubberneckin’<\/strong> – with partially overdubbed backing vocals (January 26).
\n15. In The Ghetto<\/strong> – with Elvis’ original take 22 vocals (January 20) and overdubbed backing vocals (January 25).
\n16. My Little Friend<\/strong> – Elvis’ vocal overdub to track (undubbed master) (January 21) with short count-in at start.
\n17. Mama Liked The Roses<\/strong> – with Elvis’ master vocal overdub to track (January 21) and Elvis’ harmony vocal overdub (January 24), with short count-in at start.
\n18. Inherit The Wind<\/strong> – draft composite of vocal overdub takes 1 and 2 (January 21), containing overdubbed backing vocals (January 26).
\n19. Poor Man’s Gold<\/strong> – instrumental track (January 15).
\n20. Don’t Cry Daddy<\/strong> – Elvis’ vocal overdub to track (January 22) and Elvis’ two harmony vocal overdubs (January 24).
\n21. A Little Bit Of Green<\/strong> – with Elvis’ original take 3 vocals (January 15).
\n22. You’ll Think Of Me<\/strong> – take 23 rhythm track with Elvis’ replaced vocals (January 24).<\/p>\n

In March of 2007, Sony decided to go through all of Elvis’ masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy<\/em> releases, the 30 disc Complete Elvis Presley Masters<\/em> collection and the Franklin Mint<\/em> package.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

January 13 \/ 14 1969 (+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono) (SFS = Short False Start | FS […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[194],"tags":[],"class_list":["post-3133","post","type-post","status-publish","format-standard","hentry","category-1969-sessions"],"acf":[],"_links":{"self":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3133"}],"version-history":[{"count":2,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3133\/revisions"}],"predecessor-version":[{"id":3159,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3133\/revisions\/3159"}],"wp:attachment":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}