{"id":3124,"date":"2025-10-08T00:21:15","date_gmt":"2025-10-07T22:21:15","guid":{"rendered":"https:\/\/elvis.linuxles.be\/?p=3124"},"modified":"2025-10-08T00:21:15","modified_gmt":"2025-10-07T22:21:15","slug":"08-09-08-1960","status":"publish","type":"post","link":"https:\/\/elvis.linuxles.be\/?p=3124","title":{"rendered":"08-09\/08\/1960"},"content":{"rendered":"\n\n\n
\n
August 8 \/ 9 1960<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n
(+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono)
\n(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n
Radio Recorders Studio B – Hollywood, California<\/strong><\/td>\n<\/tr>\n
Soundtrack Session for 20th Century Fox’s Black Star <\/em>(Flaming Star<\/em>) <\/strong><\/td>\n<\/tr>\n
20th Century Fox Producer :<\/strong> Steve Urban Thielmann<\/td>\n<\/tr>\n
Engineer :<\/strong> Thorne Nogar<\/td>\n<\/tr>\n
(8.00pm – 4.00am)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n
Musicians:<\/strong><\/td>\n\u00a0<\/td>\nBackup Vocals:<\/strong><\/td>\n<\/tr>\n
Guitar:<\/td>\nHoward Roberts<\/td>\nThe Jordanaires: Gordon Stoker; Neal Matthews; Hoyt Hawkins; Ray<\/td>\n<\/tr>\n
Guitar:<\/td>\nHilmer J. ‘Tiny’ Timbrell<\/td>\nWalker<\/td>\n<\/tr>\n
Bass:<\/td>\nMichael ‘Myer’ Rubin<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nBernie Mattinson<\/td>\n\u00a0<\/td>\n<\/tr>\n
Piano:<\/td>\nDudley Brooks<\/td>\n\u00a0<\/td>\n<\/tr>\n
Accordion:<\/td>\nJimmie Haskell<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Black Star<\/strong><\/div>\n<\/td>\n
\n
WPA5 2502<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nAugust 8 \/ 9 1960 (Mon \/ Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nComplete<\/td>\n2:49<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/td>\nComplete<\/td>\n2:39<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/td>\nComplete<\/td>\n2:33<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/td>\nComplete<\/td>\n2:42<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 5<\/td>\nComplete<\/td>\n2:30<\/td>\n“<- ALSO PRINT”<\/em><\/td>\nFlaming Star (FTD)\u00b0\u00b0+The Comp. Movie Masters 1960-62 3 (MRS)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nComplete<\/td>\n2:33<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 7<\/td>\nLFS<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 8<\/td>\nComplete<\/td>\n2:30<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 9<\/td>\nFS<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 10<\/td>\nFS<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 11<\/td>\nFS<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 12<\/td>\nFS<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 13<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n(no Take 13 announced)<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 14<\/td>\n(M)<\/td>\n2:29<\/td>\n(used for composite master)
\n“EDITED – THIS REEL ONLY
\n<- PRINT”<\/em><\/td>\n		Complete Elvis Presley Masters 28 (Sony)\u00b0\u00b0~Double Features – Flaming
\nStar \/ Wild In The Country \/ Follow That Dream\u00b0\u00b0~Collectors Gold 1\u00b0\u00b0
\n~Flaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n
\n
Black Star (insert #1 – ending)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nAugust 8 \/ 9 1960 (Mon \/ Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nComplete<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/td>\nComplete<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/td>\nComplete<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/td>\nComplete<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 5<\/td>\n(M)<\/td>\n\u00a0<\/td>\n(used for composite master)<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
Black Star (composite)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\nM<\/b><\/td>\n2:28<\/td>\nComposite of Take 14
\n& insert #1 – Take 5<\/td>\n		Black Star (Bilko 12″ EP)\u00b0 (acetate)~Flaming Star (Double G)\u00b0 (acetate)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
\n
Black Star (end title)<\/strong><\/div>\n<\/td>\n
\n
WPA5 2510<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nAugust 8 \/ 9 1960 (Mon \/ Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n0:18<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:11<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nComplete<\/td>\n0:39<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/td>\nLFS<\/td>\n0:29<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0+The Comp. Movie Masters 1960-62 3 (MRS)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nComplete<\/td>\n0:56<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0+The Comp. Movie Masters 1960-62 3 (MRS)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nM<\/b><\/td>\n0:40<\/td>\n“<- PRINT”<\/em><\/td>\nFlaming Star (FTD)\u00b0\u00b0~Collectors Gold 1\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

The acetate of ‘Black Star’, as released on the Black Star<\/em> bootleg EP by Bilko, is the original composite master, with repaired ending (spliced from Take 14 & Insert #1 Take 5). The “master” of ‘Black Star’ on Double Features – Flaming Star \/ Wild In The Country \/ Follow That Dream<\/em>, Collectors Gold, <\/em> Sony’s Complete Elvis Presley Masters<\/em> collection and even FTD’s extended soundtrack of Flaming Star<\/em> is just Take 14 without the repaired ending (Insert #1 Take 5).<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Summer Kisses, Winter Tears<\/strong><\/div>\n<\/td>\n
\n
M2PB 1986<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nAugust 8 \/ 9 1960 (Mon \/ Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n0:15<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0~The Comp. Movie Masters 1960-62 3 (MRS)\u00b0\u00b0
\n(count-in)~Close Up 2\u00b0\u00b0 (not listed – 0:08)<\/td>\n<\/tr>\n
Take 2<\/td>\nComplete<\/td>\n2:34<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0~Close Up 2\u00b0\u00b0~The Complete Movie Masters
\n1960-62 3 (MRS)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nLFS<\/td>\n0:52<\/td>\n“Hold it – Take it down”<\/em><\/td>\nFlaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nFS<\/td>\n0:38<\/td>\n“laughing – stammer”<\/em><\/td>\nFlaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nFS<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 6<\/td>\nFS<\/td>\n\u00a0<\/td>\n“wild guitar start now”<\/em><\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 7<\/td>\nLFS<\/td>\n1:51<\/td>\n“”Bullshit” says E”<\/em>
\n(used for movie version – track)<\/td>\n		Flaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 8<\/td>\nFS<\/td>\n0:14<\/td>\n“higher cord?”<\/em><\/td>\nFlaming Star (FTD)\u00b0\u00b0~Silver Screen Stereo (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 9<\/td>\nComplete<\/td>\n2:31<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0~Silver Screen Stereo (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 10<\/td>\nLFS<\/td>\n1:07<\/td>\n“stop! \/ hold it”<\/em><\/td>\nFlaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 11<\/td>\nFS<\/td>\n\u00a0<\/td>\n“there is a track”<\/em><\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 12<\/td>\nFS<\/td>\n0:15<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 13<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n“no 13 – total break up w\/chicks”<\/em><\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 14<\/td>\nComplete<\/td>\n2:26<\/td>\n“feedback”<\/em><\/td>\nFlaming Star (FTD)\u00b0\u00b0 (count-in)~Collectors Gold 1\u00b0\u00b0 (listed as Take 1
\nand Take 14)<\/td>\n<\/tr>\n
Take 15<\/td>\nLFS<\/td>\n1:30<\/td>\n“Guitar back – Elvis is besotted”<\/em><\/td>\nFlaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 16<\/td>\nComplete<\/td>\n2:23<\/td>\n“<- PRINT”<\/em><\/td>\nFlaming Star (FTD)\u00b0\u00b0~The Comp. Movie Masters 1960-62 3 (MRS)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 17<\/td>\nComplete<\/td>\n2:30<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0~The Comp. Movie Masters 1960-62 3 (MRS)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 18<\/td>\nLFS<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 19<\/td>\nComplete<\/td>\n2:39<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0~The Comp. Movie Masters 1960-62 3 (MRS)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 20<\/td>\nM<\/b><\/td>\n2:21<\/td>\n(2:38 with count-in) “<- PRINT”<\/em><\/td>\nFlaming Star (FTD)\u00b0\u00b0~Complete Elvis Presley Masters 6 (Sony)\u00b0\u00b0~Big
\nScreen Drama (Franklin Mint Comp. Masters Collection 32)\u00b0\u00b0~Double
\nFeatures – Flaming Star \/ Wild In The Country \/ Follow That Dream\u00b0\u00b0
\n~Elvis For Everyone (FTD) \u00b0\u00b0~The Comp Movie Masters 60-62 1 (MRS)\u00b0\u00b0
\n+Celluloid Rock 2-1\u00b0~The Wild In The Country & Flaming Star Sessions
\n(Flashlight)\u00b0<\/td>\n<\/tr>\n
Take 21<\/td>\nFS<\/td>\n0:20<\/td>\n\u00a0<\/td>\nA Legendary Performer Volume 7\u00b0~Celluloid Rock Volume 2-1\u00b0~The Wild
\nIn The Country & Flaming Star Sessions (Flashlight)\u00b0<\/td>\n<\/tr>\n
Take 22<\/td>\nLFS<\/td>\n0:47<\/td>\n“NO I.D.”<\/em><\/td>\nA Legendary Performer Volume 7\u00b0~Celluloid Rock Volume 2-1\u00b0 ~The Wild
\nIn The Country & Flaming Star Sessions (Flashlight)\u00b0<\/td>\n<\/tr>\n
Take 23<\/td>\nLFS<\/td>\n2:24<\/td>\n\u00a0<\/td>\nA Legendary Performer Volume 7\u00b0~Celluloid Rock Volume 2-1\u00b0~There’s
\nAlways Me Volume 2\u00b0~The Wild In The Country & Flaming Star Sessions
\n(Flashlight)\u00b0<\/td>\n<\/tr>\n
Take 24<\/td>\nComplete<\/td>\n2:33<\/td>\n\u00a0<\/td>\nCelluloid Rock 2-1\u00b0~The Wild In The Country & Flaming Star Sessions
\n(Flashlight)\u00b0+The Complete Movie Masters 1960-62 3 (MRS)\u00b0\u00b0 (digitally
\nextracted stereo)<\/td>\n<\/tr>\n
Take 25<\/td>\nComplete<\/td>\n2:34<\/td>\n\u00a0<\/td>\nCelluloid Rock Volume 2-1\u00b0~There’s Always Me Volume 2\u00b0~The Wild In
\nThe Country & Flaming Star Sessions (Flashlight)\u00b0+The Complete Movie
\nMasters 1960-62 3 (MRS)\u00b0\u00b0 (digitally extracted stereo)<\/td>\n<\/tr>\n
Take 26<\/td>\nLFS<\/td>\n1:30<\/td>\n(full Indian backing vocals)<\/td>\nFlaming Star (FTD)\u00b0 (faded)+Celluloid Rock Volume 2-1\u00b0~There’s Always
\nMe Vol. 2\u00b0~The Wild In The Country & Flaming Star Sessions (Flashlight)\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

The master of ‘Summer Kisses, Winter Tears’ on Double Features<\/em> and Elvis For Everyone<\/em> has the left and right channels swapped.<\/p>\n

\n\n\n\n\n
\n
Britches (track)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nAugust 8 \/ 9 1960 (Mon \/ Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n(M)<\/td>\n1:59<\/td>\n“Lonely Man”<\/em><\/td>\nCelluloid Rock Volume 2-1\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
\n
Britches (vocal overdub)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nAugust 8 \/ 9 1960 (Mon \/ Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nLFS<\/td>\n0:49<\/td>\nVocal overdub of ‘track-01’<\/td>\nFlaming Star (FTD)\u00b0 (with count-in for ‘track’)~Celluloid Rock Vol 2-1\u00b0
\n~There’s Always Me Vol. 2\u00b0~The Wild In The Country & Flaming Star
\nSessions (Flashlight)\u00b0+The Complete Movie Masters 1960-62 3 (MRS)\u00b0\u00b0
\n(digitally extracted stereo)<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:42<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0~Celluloid Rock Vol. 2-1\u00b0~The Wild In The Country
\n& Flaming Star Sessions (Flashlight)\u00b0+The Complete Movie Masters
\n1960-62 3 (MRS)\u00b0\u00b0 (digitally extracted stereo)<\/td>\n<\/tr>\n
Take 3<\/td>\nLFS<\/td>\n0:58<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0~Celluloid Rock Vol. 2-1\u00b0~The Wild In The Country
\n& Flaming Star Sessions (Flashlight)\u00b0+The Complete Movie Masters
\n1960-62 3 (MRS)\u00b0\u00b0 (digitally extracted stereo)<\/td>\n<\/tr>\n
Take 4<\/td>\nLFS<\/td>\n1:00<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0~Celluloid Rock Vol. 2-1\u00b0~The Wild In The Country
\n& Flaming Star Sessions (Flashlight)\u00b0+The Complete Movie Masters
\n1960-62 3 (MRS)\u00b0\u00b0 (digitally extracted stereo)<\/td>\n<\/tr>\n
Take 5<\/td>\nLFS<\/td>\n1:11<\/td>\n“<- PRINT”<\/em>
\n(used for composite master)<\/td>\n		Flaming Star (FTD)\u00b0~Celluloid Rock Volume 2-1\u00b0~There’s Always Me
\nVolume 2\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nLFS<\/td>\n0:58<\/td>\n\u00a0<\/td>\nCelluloid Rock Volume 2-1\u00b0~The Wild In The Country & Flaming Star
\nSessions (Flashlight)\u00b0+The Complete Movie Masters 1960-62 3 (MRS)\u00b0\u00b0
\n(digitally extracted stereo)<\/td>\n<\/tr>\n
Take 7<\/td>\nLFS<\/td>\n1:39<\/td>\n“<- PRINT”<\/em>
\n(used for composite master)<\/td>\n		Flaming Star (FTD)\u00b0~Celluloid Rock Volume 2-1\u00b0~There’s Always Me
\nVolume 2\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
Britches (vocal overdub – insert #1)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nAugust 8 \/ 9 1960 (Mon \/ Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n(M)<\/td>\n0:59<\/td>\n“<- PRINT”<\/em>
\n(used for composite master<\/a>)<\/td>\n		Flaming Star (FTD)\u00b0~Celluloid Rock Volume 2-1\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
Britches (vocal overdub – composite)<\/strong><\/div>\n<\/td>\n
\n
SPA3 6744<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\nM<\/b><\/td>\n1:41<\/td>\nComposite of Takes 5 & 7<\/a>
\nand insert #1 – Take 1<\/a>
\n(HPA5-6338)<\/td>\n		Flaming Star (FTD)\u00b0\u00b0~Complete Elvis Presley Masters 6 (Sony)\u00b0\u00b0
\n~Double Features – Flaming Star \/ Wild In The Country \/ Follow That
\nDream\u00b0\u00b0~A Legendary Performer Volume 3 (LP)\u00b0+Celluloid Rock Vol. 2-1\u00b0\u00b0
\n(binaural – not listed)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

The overdubbed master of ‘Britches’ is spliced from Take 5 (0:00-0:33), Take 7 (0:33-1:12) and insert – Take 1 (1:12-1:42). The stereo release on Double Features<\/em> has a left channel delay on the track of 100ms. The left vocal channel has been mixed with the mono track instead of releasing the song in binaural stereo.<\/p>\n

A 2:51 edit of ‘Britches’ was used on a 8-Track Stereo only (CPS1 3082) release of Elvis – A Legendary Performer Volume 3<\/em>.<\/p>\n

\n

 <\/p>\n\n\n\n\n\n\n\n\n\n
\n
A Cane And A High Starched Collar<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nAugust 8 \/ 9 1960 (Mon \/ Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n0:30<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nLFS<\/td>\n0:56<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0~A Legendary Performer Volume 2 (LP)\u00b0
\n~The Heartbreaker (Mexican “Promo” Single – CD)\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nFS<\/td>\n0:56<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0~The Complete Movie Masters 1960-62 3 (MRS)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nFS<\/td>\n0:38<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0~The Complete Movie Masters 1960-62 3 (MRS)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nLFS<\/td>\n1:35<\/td>\n“<- PRINT”<\/em><\/td>\nFlaming Star (FTD)\u00b0\u00b0~The Complete Movie Masters 1960-62 3 (MRS)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\n(M)<\/td>\n1:58<\/td>\n“<- PRINT”<\/em>
\n(used for composite master<\/a>)<\/td>\n		Flaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
\n
A Cane And A High Starched Collar (insert – last 2 bars)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nAugust 8 \/ 9 1960 (Mon \/ Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nComplete<\/td>\n0:15<\/a><\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nComplete<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/td>\nComplete<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/td>\nFS<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 5<\/td>\nComplete<\/td>\n0:18<\/a><\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\n(M)<\/td>\n0:12<\/a><\/td>\n“<- PRINT”<\/em>
\n(used for composite master<\/a>)<\/td>\n		Flaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
A Cane And A High Starched Collar (composite)<\/strong><\/div>\n<\/td>\n
\n
SPA3 6743<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\nM<\/b><\/td>\n1:49<\/td>\nComposite of Take 6<\/a>
\n& insert – Take 6<\/a><\/td>\n		Flaming Star (FTD)\u00b0\u00b0~Complete Elvis Presley Masters 6 (Sony)\u00b0\u00b0~Big
\nScreen Drama (Franklin Mint Complete Masters Collection 32)\u00b0\u00b0~Double
\nFeatures – Flaming Star \/ Wild In The Country \/ Follow That Dream\u00b0\u00b0
\n~The Complete Movie Masters 60-62 1 (MRS)\u00b0\u00b0+A Legendary Performer
\nVolume 2 (LP)\u00b0 (part of count-in)~The Heartbreaker (Mexican “Promo”
\nSingle – CD)\u00b0 (part of count-in)+Celluloid Rock Volume 2-1\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
\n
A Cane And A High Starched Collar (movie version)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n1:44<\/td>\nBacking vocals overdubbed to
\ncomposite master<\/td>\n		Flaming Star (FTD)\u00b0+Soundtrack\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

The master of ‘A Cane And A High Starched Collar’ on Double Features<\/em> has the left and right channels swapped.<\/p>\n

‘A Cane And A High Starched Collar’ on the Mexican “Promo” D The Heartbreaker<\/em> is taken from a vinyl source – probably from Elvis – A Legendary Performer Volume 2<\/em>.<\/p>\n

\n\n\n\n\n
\n
Summer Kisses, Winter Tears (movie version – guide track)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nAugust 8 \/ 9 1960 (Mon \/ Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n(M)<\/td>\n1:35<\/td>\nDubdown to ‘track’ of Take 7 – Elvis’ and The Jordanaires’ vocals removed<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n
\n
Summer Kisses, Winter Tears (movie version – v.o.)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nAugust 8 \/ 9 1960 (Mon \/ Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n(M)<\/td>\n1:15<\/td>\nVocal overdub of ‘guide track’<\/a>
\n(Drums overdubbed on August 11<\/a>)<\/td>\n		Flaming Star (FTD)\u00b0 (vocal only)<\/td>\n<\/tr>\n
Take 2<\/td>\nComplete<\/td>\n1:33<\/td>\n\u00a0<\/td>\nFlaming Star (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nComplete<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

The movie version of ‘Summer Kisses, Winter Tears’ was recorded as follows:-<\/p>\n

Take 7 of ‘Summer Kisses, Winter Tears’ was dubbed down to a rhythm track by eliminating Elvis’ and The Jordanaires’ vocals from the multi-track tape (as much as could be eliminated) and leaving just the backing track.<\/p>\n

Elvis then did a new vocal overdub to this guide track, of which three takes were completed, with Take 1 being picked as the master vocal.<\/p>\n

Drums (bongos) and maracas were then overdubbed to Elvis’ vocal overdub, with the bongos and maracas continuing on for another minute after Elvis stops singing.<\/p>\n

What can be heard in the movie at around 42 minutes are the bongos and maracas after Elvis stops singing, with Elvis’ singing part being cut from the movie, where Elvis is sitting around with the indians smoking a peace pipe.<\/p>\n

\n
\n

The running title of this movie at this time was Black Star<\/em> instead of Flaming Star<\/em>.<\/p>\n

In March of 2007, Sony decided to go through all of Elvis’ masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy<\/em> releases, the 30 disc Complete Elvis Presley Masters<\/em> collection and the Franklin Mint<\/em> package.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

August 8 \/ 9 1960 (+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono) (SFS = Short False Start | FS […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[187],"tags":[],"class_list":["post-3124","post","type-post","status-publish","format-standard","hentry","category-1960-sessions"],"acf":[],"_links":{"self":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3124"}],"version-history":[{"count":1,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3124\/revisions"}],"predecessor-version":[{"id":3125,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3124\/revisions\/3125"}],"wp:attachment":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}