{"id":3012,"date":"2024-08-27T21:40:25","date_gmt":"2024-08-27T19:40:25","guid":{"rendered":"https:\/\/elvis.linuxles.be\/?p=3012"},"modified":"2024-08-27T21:40:25","modified_gmt":"2024-08-27T19:40:25","slug":"17-21-11-1966-double-trouble","status":"publish","type":"post","link":"https:\/\/elvis.linuxles.be\/?p=3012","title":{"rendered":"17-21\/11\/1966 Double Trouble"},"content":{"rendered":"\n\n\n
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November 17, 18 & 21 1966<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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(+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono)
\n(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n
MGM Sound Stage – Hollywood, California<\/strong><\/td>\n<\/tr>\n
Scoring Session for MGM’s Double Trouble<\/em><\/strong><\/td>\n<\/tr>\n
MGM Producer :<\/strong> Jeffrey Alexander<\/td>\n<\/tr>\n
Engineers :<\/strong> Aaron Rochin \/ Lyle Burbridge<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Orchestra:<\/strong><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Manager:<\/td>\nGerald Whelan<\/td>\nViolin: Lou Raderman; Sally Raderman; Bernard Kundell; Joy Lyle;<\/td>\n<\/tr>\n
Horn:<\/td>\nJack Cave<\/td>\n_<\/span>A. Lustgarten; Harry Bluestone; Murray Kellner; Kurt Dieterle; Anatol <\/td>\n<\/tr>\n
Piano:<\/td>\nArtie Kane<\/td>\n_<\/span>Kaminsky; Ambrose Russo; Arnold Jurasky; Jerome Kasin;<\/td>\n<\/tr>\n
Accordian:<\/td>\nCarl Fortina<\/td>\nViola: V. Majewski; Cecil Figelski; Reuben Marcus; Myra Kestenbaum<\/td>\n<\/tr>\n
Bass:<\/td>\nKeith Mitchell; Ray Siegal<\/td>\nCello: Raphael Kramer; F. Seykora; G. Strassner; Lucien LaPorte<\/td>\n<\/tr>\n
Oboe:<\/td>\nArnold Koblentz<\/td>\nTrumpet: Uan Rasey; George Werth<\/td>\n<\/tr>\n
Flute:<\/td>\nTed Nash<\/td>\nTrombone: Richard Noel; Randall Miller; George Roberts<\/td>\n<\/tr>\n
Drums:<\/td>\nFrank Carlson<\/td>\nClarinet: Don Lodice; Hugo Raimondi<\/td>\n<\/tr>\n
Flute:<\/td>\nRonald Langinger<\/td>\nHarp: C. Gotthoffer<\/td>\n<\/tr>\n
Bassoon:<\/td>\nFowler Friedlander<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n\n
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End Title<\/strong><\/span><\/div>\n<\/td>\n
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\u00a0<\/div>\n<\/td>\n
2501<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 5<\/span><\/td>\n(M)<\/span><\/td>\n0:11<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:04)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
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On To Antwerp<\/strong><\/span><\/div>\n<\/td>\n
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\u00a0<\/div>\n<\/td>\n
2502<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:18<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:10)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
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From Left To Right<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2503<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:10<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
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Piggy Back March<\/strong><\/span><\/div>\n<\/td>\n
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\u00a0<\/div>\n<\/td>\n
2504<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:05<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
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Bearded Mother #1<\/strong><\/span><\/div>\n<\/td>\n
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\u00a0<\/div>\n<\/td>\n
2505<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:13<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
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Sweet Seventeen<\/strong><\/span><\/div>\n<\/td>\n
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\u00a0<\/div>\n<\/td>\n
2506<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:53<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0(0:50)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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\n
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<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
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Girl In His Life (Jill & Guy’s Theme)<\/strong><\/span><\/div>\n<\/td>\n
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\u00a0<\/div>\n<\/td>\n
2507<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n1:33<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (1:14 & 1:28)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
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Struck Out<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2508<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/span><\/td>\n(M)<\/span><\/td>\n0:41<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Bearded Mother #2<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2509<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:07<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n\n
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Girl In His Life Melody<\/strong><\/span><\/div>\n<\/td>\n
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\u00a0<\/div>\n<\/td>\n
2510<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 5<\/span><\/td>\n(M)<\/span><\/td>\n1:38<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (1:19)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
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Black Hand #1<\/strong><\/span><\/div>\n<\/td>\n
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\u00a0<\/div>\n<\/td>\n
2511<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:08<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
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Black Hand #2<\/strong><\/span><\/div>\n<\/td>\n
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\u00a0<\/div>\n<\/td>\n
2512<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/span><\/td>\n(M)<\/span><\/td>\n0:10<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Iceman #1<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2513<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:33<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:04)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Black Hand #3<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2514<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:06<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
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\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Black Hand #4<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2515<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:08<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n
\n
Karate<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2516<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n(M)<\/span><\/td>\n0:34<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:30)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Prolog To Main Title<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2517<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:12<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Brussels<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2518<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:16<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Iceman #3<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2519<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:40<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:14)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Iceman #2<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2520<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:16<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Cooky Costume<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2521<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:14<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
More Girl In His Life<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2522<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:32<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:28)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Wine Biz<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2523<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:05<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:18 & 0:06)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n
\n
There Is So Much World To See (overdub)<\/strong><\/div>\n<\/td>\n
UPA3 3941<\/strong><\/td>\n2524<\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\nScore overdubbed to 2004-01<\/a><\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/td>\nM<\/b><\/td>\n1:53<\/td>\nMovie version<\/td>\nComp. Elvis Presley Masters 14 (Sony)\u00b0\u00b0~Around The World (Franklin
\nMint Complete Masters Collection 20)\u00b0\u00b0~Double Trouble (FTD)\u00b0\u00b0
\n~Double Features – Spinout \/ Double Trouble\u00b0\u00b0~Celluloid Rock 2-3\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Could I Fall In Love<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2525<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n2:02<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Could I Fall In Love (pickup – 1st 10 bars)<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2526<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:23<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/p>\n\n\n\n\n
\n
Could I Fall In Love (movie version)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n2:02<\/td>\n2525 & 2526 overdubbed
\nto 2012-01 – edited<\/a><\/td>\n		Soundtrack\u00b0 (1:27)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Fine British Oil<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2527<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:11<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Enter Jill<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2528<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:12<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
Main Title (Sec. 1)<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2529<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/span><\/td>\n(M)<\/span><\/td>\n1:32<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Main Title (Sec. 2)<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2530<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:06<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
I Love Only One Girl #1<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2531<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n1:12<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
I Love Only One Girl #2<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2532<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:12<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Little Girl Polka<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2533<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:08<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Little Fraulien<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2534<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:09<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
I Love Only One Girl #3<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2535<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:09<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Malaga<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2536<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:25<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n
\n
Belly Dancers & Clown<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2537<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n(M)<\/span><\/td>\n0:34<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n
\n
Clown Chase<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2538<\/span><\/strong><\/td>\nNovember 17 1966 (Thur)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n(M)<\/span><\/td>\n0:08<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n
\n
I Love Only One Girl (Reprise)<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2539<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n(M)<\/span><\/td>\n0:50<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Lock Step March<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2540<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:07<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Jazz Leading To Playback<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2541<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:10<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Weir Bros. Finale<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2542<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:22<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:11)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
End Cast<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2543<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:22<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Croaks Shnooks #1<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2544<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:13<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:10)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Over Carousel Music #2<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2545<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:24<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:39 & 0:25)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
The Goyem Gavotte<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2546<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:29<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:09)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Claire & Babcock & Brown<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2547<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:59<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n
\n
Over Carousel Music #1<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2548<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n(M)<\/span><\/td>\n0:12<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:37)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
The Iceman Goeth<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2549<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:16<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n
\n
Croaks Shnooks #2<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2550<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n(M)<\/span><\/td>\n0:25<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:19)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Iceman #4<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2551<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:24<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:06)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Mendlebaum Spring Song<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2552<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:16<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:05)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Graceless Exit<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2553<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:14<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n
\n
Vicuna (Claire’s Theme)<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2554<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n(Originally recorded as ‘Fast
\nDiscotheque’ on July 14)<\/a><\/span><\/td>\n		\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n(M)<\/span><\/td>\n1:19<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
V.W. Chase<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2555<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:43<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Weir Chase<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2556<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:19<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Chase Devine 1<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2557<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:25<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Chase Devine 2<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2558<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:16<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Chase Devine 3<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2559<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:19<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Antwerp Carousel (Wild)<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2560<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n1:44<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0 (0:16)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Brussels Carousel (Wild)<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2561<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n1:24<\/span><\/td>\n(not used)<\/span><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Bruges Carousel (Wild)<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2562<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n1:25<\/span><\/td>\n(not used)<\/span><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Pickup From Bar #9<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2563<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:11<\/span><\/td>\n(not used)<\/span><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n
\n
Bruges Carousel<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2564<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n(M)<\/span><\/td>\n0:32<\/span><\/td>\n(not used)<\/span><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
Chase Interlude 1, 2, 3 & 4<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2565<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/span><\/td>\n(M)<\/span><\/td>\n0:30<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Chase Interlude #5<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2566<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:17<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
For Backplay On Boat<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2567<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:11<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Small March<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2568<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:23<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
Small March #2<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2569<\/span><\/strong><\/td>\nNovember 18 1966 (Fri)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:44<\/span><\/td>\n\u00a0<\/td>\nSoundtrack\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n\n
\n
I Love Only One Girl<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2569<\/span><\/strong><\/td>\nNovember 21 1966 (Mon)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n14 singers to track<\/span><\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n\u00a0<\/td>\n(used for spliced master)<\/span><\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n(M)<\/span><\/td>\n\u00a0<\/td>\n(used for spliced master)<\/span><\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/span><\/td>\n(M)<\/span><\/td>\n3:00<\/span><\/td>\nSpliced from 2569-02 & 2569-03<\/span><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n
\n
I Love Only One Girl (Short)<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2570<\/span><\/strong><\/td>\nNovember 21 1966 (Mon)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n(M)<\/span><\/td>\n0:46<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/p>\n\n\n\n\n
\n
I Love Only One Girl (movie version)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n3:37<\/td>\n2531<\/a>, 2532<\/a>, 2533<\/a>, 2534<\/a>, 2535<\/a>,
\n2536<\/a>, 2537<\/a>, 2538<\/a>, 2539<\/a>, 2569<\/a>
\n& 2570<\/a> overdubbed to 2008-02<\/a><\/td>\n		Soundtrack\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n
\n
\n
<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/div>\n\n\n\n\n\n\n\n
\n
Main Title Sweetener<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2571<\/span><\/strong><\/td>\nNovember 21 1966 (Mon)<\/strong><\/span><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/span><\/td>\n(M)<\/span><\/td>\n0:10<\/span><\/td>\n5 male singers<\/span><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/p>\n\n\n\n\n
\n
Double Trouble (overdub)<\/strong><\/div>\n<\/td>\n
UPA3 3934<\/strong><\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\nM<\/b><\/td>\n1:40<\/td>\n2571<\/a> overdubbed to revised
\ncomposite<\/a><\/td>\n		Comp. Elvis Presley Masters 14 (Sony)\u00b0\u00b0~Around The World (Franklin
\nMint Complete Masters Collection 20)\u00b0\u00b0~Double Trouble (FTD)\u00b0\u00b0~Double
\nFeatures – Spinout \/ Double Trouble\u00b0\u00b0~Celluloid Rock 2-3\u00b0\u00b0 (faded)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n
\n

This is a scoring session for the movie Double Trouble<\/em>.<\/p>\n

Strings are overdubbed to the master take (2004-01) of ‘There Is So Much World To See’ – originally recorded on June 28 1966<\/a>. It is this movie version that RCA originally chose to release on the Double Trouble<\/em> album, rather than the intended record version (2003-10<\/a>), which was in fact not used.<\/p>\n

The released master of ‘Double Trouble’ was also overdubbed during this scoring session.<\/p>\n

Except for masters and alternate masters – all original 3-Track tapes are lost.<\/p>\n

Celluloid Rock Volume 2<\/em> (Cool Romeo) has a binaural mix used for the masters.<\/p>\n

An approximation of how the musical score fits into the movie is shown below, but this is just an educated guess as some timings of tracks do not match timings on MGM’s Daily Music Reports from the scoring sessions.<\/p>\n

All timings in the ‘Musical Breakdown’ below are taken from the DVD release of the movie.<\/p>\n

In March of 2007, Sony decided to go through all of Elvis’ masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy<\/em> releases, the 30 disc Complete Elvis Presley Masters<\/em> collection and the Franklin Mint<\/em> package.<\/p>\n

Thanks to DarkShade on FECC<\/a> for providing information on the production numbers.<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

November 17, 18 & 21 1966 (+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono) (SFS = Short False Start | […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[182],"tags":[],"class_list":["post-3012","post","type-post","status-publish","format-standard","hentry","category-1966-sessions"],"acf":[],"_links":{"self":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3012"}],"version-history":[{"count":1,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3012\/revisions"}],"predecessor-version":[{"id":3013,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/3012\/revisions\/3013"}],"wp:attachment":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}