{"id":2992,"date":"2024-08-27T16:24:57","date_gmt":"2024-08-27T14:24:57","guid":{"rendered":"https:\/\/elvis.linuxles.be\/?p=2992"},"modified":"2024-08-27T16:24:57","modified_gmt":"2024-08-27T14:24:57","slug":"10-11-09-1967","status":"publish","type":"post","link":"https:\/\/elvis.linuxles.be\/?p=2992","title":{"rendered":"10-11\/09\/1967"},"content":{"rendered":"\n\n\n
\n
September 10 \/ 11 1967<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n
(+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono)
\n(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n
RCA Studio B – Nashville, Tennessee<\/strong><\/td>\n<\/tr>\n
Producer :<\/strong> Felton Jarvis<\/td>\n<\/tr>\n
Engineer :<\/strong> Jim Malloy<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Musicians:<\/strong><\/td>\n\u00a0<\/td>\nBackup Vocals:<\/strong><\/td>\n<\/tr>\n
Guitar:<\/td>\nScotty Moore<\/td>\nThe Jordanaires: Gordon Stoker; Neal Matthews; Hoyt Hawkins; Ray<\/td>\n<\/tr>\n
Guitar:<\/td>\nChip Young<\/td>\nWalker<\/td>\n<\/tr>\n
Guitar:<\/td>\nHarold Bradley<\/td>\nMillie Kirkham<\/td>\n<\/tr>\n
Guitar:<\/td>\nJerry Reed (‘Guitar Man’ & ‘Big Boss Man’)<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nD.J. Fontana<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nMurrey ‘Buddy’ Harman<\/td>\n\u00a0<\/td>\n<\/tr>\n
Bass:<\/td>\nBob Moore<\/td>\n\u00a0<\/td>\n<\/tr>\n
Piano:<\/td>\nFloyd Cramer<\/td>\n\u00a0<\/td>\n<\/tr>\n
Saxophone:<\/td>\nHomer ‘Boots’ Randolph<\/td>\n\u00a0<\/td>\n<\/tr>\n
Steel Guitar:<\/td>\nPeter Drake<\/td>\n\u00a0<\/td>\n<\/tr>\n
Organ:<\/td>\nHoyt Hawkins (‘Mine’, ‘Singing Tree’ & ‘Just Call Me Lonesome’)<\/td>\n<\/tr>\n
Organ \/ Guitar \/ Harmonica:<\/td>\nCharlie McCoy<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Guitar Man<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nSept. 10 1967 (Sun: 6.00pm – 12.00am)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n3xFS<\/td>\n1:15<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0 (1st count-in+extra dialogue+3xFS)
\n+Sessions From Clambake (Victrola)\u00b0\u00b0~I’m Going Home\u00b0\u00b0 (2nd count-in
\n+3xFS)<\/td>\n<\/tr>\n
Take 2<\/td>\nLFS<\/td>\n0:40<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0
\n~Tape\u00b0\u00b0~There’s Always Me Volume 2\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nFS<\/td>\n0:56<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0\u00b0~There’s Always Me Volume 2\u00b0\u00b0
\n~I’m Going Home\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nFS+FS<\/td>\n1:10<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0\u00b0~I’m Going Home\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nFS+Comp<\/td>\n3:00<\/td>\n\u00a0<\/td>\nPlatinum 2\u00b0\u00b0~There’s Always Me Vol. 2\u00b0\u00b0 (complete only)+Elvis Sings
\nGuitar Man (FTD)\u00b0\u00b0 (FS+complete)+Sessions From Clambake (Victrola)\u00b0\u00b0
\n~I’m Going Home\u00b0\u00b0 (count-in+FS+complete)<\/td>\n<\/tr>\n
Take 6<\/td>\nFS<\/td>\n0:27+<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0\u00b0 (CD1 track 16 & CD2 track 5)
\n~I’m Going Home\u00b0\u00b0 (tape cut)<\/td>\n<\/tr>\n
Take 7<\/td>\n4xFS<\/td>\n0:17<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0 (count-in)~Sessions From Clambake
\n(Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 8<\/td>\nLFS<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 9<\/td>\nComplete<\/td>\n2:34<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0
\n(extra dialogue)~So High (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 10<\/td>\nComplete<\/td>\n2:56<\/td>\n“What’d I Say”<\/em><\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0
\n~Long Lonely Highway (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 11<\/td>\nFS+LFS<\/td>\n0:52<\/td>\n“High Noon”<\/em><\/td>\nPlatinum 2\u00b0\u00b0 (one-liner inserted before Take 5)+Elvis Sings Guitar
\nMan (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 12<\/td>\nFS+(M)<\/td>\n3:07<\/td>\nUnedited undubbed master
\n(including What’d I Say<\/i> ending)<\/td>\n		Elvis Sings Guitar Man (FTD)\u00b0\u00b0 (count-in+FS+complete)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n
\n
Guitar Man (overdub)<\/strong><\/div>\n<\/td>\n
\n
UPA4 2765<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nSept. 10 1967 (Sun: 6.00pm – 12.00am)<\/strong><\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n3:00<\/td>\nGuitar overdub of Take 12 by
\nJerry Reed<\/a>
\nUnedited overdubbed master<\/td>\n		60s Box 3\u00b0\u00b0+Sessions From Clambake (Victrola)\u00b0\u00b0 (speed corrected)<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Edit<\/td>\nM<\/b><\/td>\n2:21<\/td>\nMaster edited<\/td>\nComplete Elvis Presley Masters 15 (Sony)\u00b0\u00b0~Country Legend (Franklin
\nMint Comp. Masters Collection 18)\u00b0\u00b0~Elvis Sings Guitar Man (FTD)\u00b0\u00b0
\n~Elvis 75 – Good Rockin’ Tonight 3 (Legacy)\u00b0\u00b0~Elvis 75 CD2\u00b0\u00b0
\n~Clambake (FTD)\u00b0\u00b0~Clambake (remastered soundtrack)\u00b0\u00b0~Complete
\nSingle Collection 5\u00b0\u00b0~Tomorrow Is A Long Time\u00b0\u00b0+The Mono Masters CD3
\n(Venus)\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Big Boss Man<\/strong><\/div>\n<\/td>\n
\n
UPA4 2766<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nSept. 10 1967 (Sun: 6.00pm – 12.00am)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS+LFS<\/td>\n1:35<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0 (count-in+FS+LFS+extra dialogue, with
\nextra dialogue from after Take 2)~Sessions From Clambake (Victrola)\u00b0\u00b0
\n~How Great Thou Art Sessions Volume 3\u00b0\u00b0 (LFS only)<\/td>\n<\/tr>\n
Take 2<\/td>\n2xFS+
\nComplete<\/td>\n		3:48<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0~60s Box 5\u00b0\u00b0 (faded+dialogue from after
\ntake inserted before take)+Sessions From Clambake (Victrola)\u00b0\u00b0~How
\nGreat Thou Art Sessions Volume 3\u00b0\u00b0 (extra dialogue)<\/td>\n<\/tr>\n
Take 3<\/td>\nFS+FS<\/td>\n0:53<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0+Sessions From Clambake (Victrola)\u00b0\u00b0
\n~How Great Thou Art Sessions Vol. 3\u00b0\u00b0~There’s Always Me Volume 4\u00b0\u00b0
\n(count-in)<\/td>\n<\/tr>\n
Take 4<\/td>\nFS<\/td>\n0:33<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0
\n~How Great Thou Art Sessions Volume 3\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nLFS<\/td>\n0:50<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0+Sessions From Clambake (Victrola)\u00b0\u00b0
\n~How Great Thou Art Sessions Vol. 3\u00b0\u00b0~There’s Always Me Volume 4\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n(not announced)<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 7<\/td>\nFS<\/td>\n0:50<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0+Sessions From Clambake (Victrola)\u00b0\u00b0
\n~How Great Thou Art Sessions Volume 3\u00b0\u00b0 (additional dialogue)<\/td>\n<\/tr>\n
Take 8<\/td>\nFS<\/td>\n0:19<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0\u00b0~How Great Thou Art Sessions
\nVolume 3\u00b0\u00b0~There’s Always Me Volume 4\u00b0\u00b0<\/td>\n<\/tr>\n
Take 9<\/td>\nFS+Comp<\/td>\n3:03<\/td>\n\u00a0<\/td>\nToday, Tomorrow & Forever 3\u00b0\u00b0 (FS+comp)+Elvis Sings Guitar Man
\n(FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0~How Great Thou Art
\nSessions Vol. 3\u00b0\u00b0 (count-in+FS+Complete)~There’s Always Me Vol. 4\u00b0\u00b0<\/td>\n<\/tr>\n
Take 10<\/td>\n\u00a0<\/td>\n0:12+<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0\u00b0 (0:06)+How Great Thou Art
\nSessions Volume 3\u00b0\u00b0 (dialogue after Take 9 only)<\/td>\n<\/tr>\n
Take 11<\/td>\nM<\/b><\/td>\n2:51<\/td>\n\u00a0<\/td>\nComplete Elvis Presley Masters 15 (Sony)\u00b0\u00b0~Rhythm & Blues (Franklin
\nMint Comp. Masters Collection 9)\u00b0\u00b0~Elvis Sings Guitar Man (FTD)\u00b0\u00b0
\n~Elvis 75 – Good Rockin’ Tonight 3 (Legacy)\u00b0\u00b0~Clambake (remastered
\nsoundtrack)\u00b0\u00b0~Clambake (FTD)\u00b0\u00b0~Complete Single Collection 5\u00b0\u00b0
\n~Tomorrow Is A Long Time\u00b0\u00b0~60s Box 3\u00b0\u00b0~Sessions From Clambake
\n(Victrola)\u00b0\u00b0+The Mono Masters CD3 (Venus)\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Mine<\/strong><\/div>\n<\/td>\n
\n
UPA4 2767<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nSept. 11 1967 (Mon: 1.00am – 5.30am)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n0:22<\/td>\n\u00a0<\/td>\nSpeedway (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0~How Great
\nThou Art Sessions Volume 3\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:19<\/td>\n\u00a0<\/td>\nSpeedway (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0~How Great
\nThou Art Sessions Volume 3\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nLFS<\/td>\n1:53<\/td>\n\u00a0<\/td>\nSpeedway (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0~How Great
\nThou Art Sessions Volume 3\u00b0\u00b0~There’s Always Me Volume 4\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nComplete<\/td>\n3:13<\/td>\n(preceded by rehearsal)<\/td>\nSo High (FTD)\u00b0\u00b0 (edited dialogue)+Speedway (FTD)\u00b0\u00b0+Sessions From <\/a>
\nClambake (Victrola)\u00b0\u00b0~How Great Thou Art Sessions Volume 3\u00b0\u00b0
\n~There’s Always Me Volume 4\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nFS<\/td>\n0:14<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0\u00b0~How Great Thou Art Sessions
\nVolume 3\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nFS<\/td>\n0:13<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0\u00b0~How Great Thou Art Sessions
\nVolume 3\u00b0\u00b0<\/td>\n<\/tr>\n
Take 7<\/td>\nFS+Comp<\/td>\n2:50<\/td>\n(unused instrumental track)<\/td>\nSessions From Clambake (Victrola)\u00b0\u00b0~How Great Thou Art Sessions
\nVolume 3\u00b0\u00b0~There’s Always Me Volume 4\u00b0\u00b0<\/td>\n<\/tr>\n
Take 8<\/td>\nFS+FS<\/td>\n0:56<\/td>\n(off mic’)<\/td>\nClose Up 3\u00b0\u00b0 (last part of 2nd FS only)+Speedway (FTD)\u00b0\u00b0 (2nd FS)
\n+Sessions From Clambake (Victrola)\u00b0\u00b0~How Great Thou Art Sessions
\nVolume 3\u00b0\u00b0<\/td>\n<\/tr>\n
Take 9<\/td>\nComplete<\/td>\n2:44<\/td>\n\u00a0<\/td>\nClose Up 3\u00b0\u00b0 (edited dialogue)+Speedway (FTD)\u00b0\u00b0~Sessions From
\nClambake (Victrola)\u00b0\u00b0~How Great Thou Art Sessions Vol. 3\u00b0\u00b0~There’s
\nAlways Me Volume 4\u00b0\u00b0<\/td>\n<\/tr>\n
Take 10<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 11<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 12<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 13<\/td>\nComplete<\/td>\n2:44<\/td>\n <\/td>\nSpeedway (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 14<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 15<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 16<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 17<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 18<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 19<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 20<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 21<\/td>\n(M)<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
Mine (dubdown)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Dub<\/td>\n(M)<\/td>\n2:38<\/td>\nDubdown of Take 21 to instrumental
\ntrack – Elvis’ vocals removed<\/td>\n		\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
Mine (vocal overdub)<\/strong><\/div>\n<\/td>\n
\n
UPA4 2767<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nSept. 11 1967 (Mon: 1.00am – 5.30am)<\/strong><\/td>\n<\/tr>\n
V.O.<\/td>\nM<\/b><\/td>\n2:38<\/td>\nVocal overdub of Take 21 – dubdown<\/td>\nComplete Elvis Presley Masters 15 (Sony)\u00b0\u00b0~In The Mood (Franklin Mint
\nComplete Masters Collection 24)\u00b0\u00b0~Elvis Sings Guitar Man (FTD)\u00b0\u00b0
\n~Speedway (FTD)\u00b0\u00b0~We Love Elvis Volume 2-2\u00b0\u00b0~Tomorrow Is A Long
\nTime\u00b0\u00b0~60s Box 3\u00b0\u00b0+Speedway (FTD)\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Singing Tree<\/strong><\/div>\n<\/td>\n
\n
UPA4 2768<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nSept. 11 1967 (Mon: 1.00am – 5.30am)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nComplete<\/td>\n3:11<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0~So High (FTD)\u00b0\u00b0+Sessions From
\nClambake (Victrola)\u00b0\u00b0 (different mix)<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:28<\/td>\n(preceded by rehearsal)<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/td>\nComplete<\/td>\n3:00<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0
\n(count-in)~Close Up 3\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 6<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 7<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 8<\/td>\nComplete<\/td>\n3:03<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 9<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 10<\/td>\nFS<\/td>\n0:47<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 11<\/td>\nFS<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 12<\/td>\nComplete<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 13<\/td>\n(M)<\/td>\n2:59<\/td>\nAlternate master<\/td>\nTreasures ’64-’69 (Time Life Vol. 12)\u00b0\u00b0 (Complete only)+Elvis Sings
\nGuitar Man (FTD)\u00b0\u00b0~Long Lonely Highway (FTD)\u00b0\u00b0~Unsurp. Mast. 4-12\u00b0\u00b0
\n(count-in+comp.)~There’s Always Me Volume 2\u00b0\u00b0 (listed as alt. take)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
\n
Just Call Me Lonesome<\/strong><\/div>\n<\/td>\n
\n
UPA4 2769<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nSept. 11 1967 (Mon: 1.00am – 5.30am)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nM<\/b><\/td>\n2:06<\/td>\n\u00a0<\/td>\nComp. Elvis Presley Masters 15 (Sony)\u00b0\u00b0~Country Roots (Franklin Mint
\nComplete Masters Collection 8)\u00b0\u00b0~Elvis Sings Guitar Man (FTD)\u00b0\u00b0
\n~Clambake (remastered soundtrack)\u00b0\u00b0~Clambake (FTD)\u00b0\u00b0~Tomorrow
\nIs A Long Time\u00b0\u00b0~60s Box 3\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/td>\n3xFS<\/td>\n0:46<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0 (3xFS+extra dialogue)~So High (FTD)\u00b0\u00b0
\n(2xFS)~Sessions From Clambake (Victrola)\u00b0\u00b0 (last FS only – not listed)<\/td>\n<\/tr>\n
Take 4<\/td>\nComplete<\/td>\n2:08<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0~So High (FTD)\u00b0\u00b0~Sessions From
\nClambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nFS<\/td>\n0:30<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nComplete<\/td>\n2:01<\/td>\n\u00a0<\/td>\nElvis Sings Guitar Man (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0
\n(count-in)~Great Country Songs\u00b0\u00b0~Come What May\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n
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\u00a0<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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There’s Always Me Volume 2<\/em> has takes 1, 2 and 5 of ‘Guitar Man’ listed, but actually has takes 2, 3 and only the complete take of Take 5.<\/p>\n

Elvis can be heard singing part of ‘High Noon’ before take 5 of ‘Guitar Man’ on Platinum – A Life In Music<\/em>, but this is actually from before Take 11.<\/p>\n

The takes of ‘Big Boss Man’ on There’s Always Me Volume 4<\/em> have the left and right channels swapped, and they are not in the order they are listed on the cover.<\/p>\n

The takes of ‘Mine’ on There’s Always Me Volume 4<\/em> have the left and right channels swapped.<\/p>\n

The unused instrumental track of ‘Mine’ was called out for by Elvis hoping to get a satisfactory take, but he carried on recording live.<\/p>\n

The takes of ‘Just Call Me Lonesome’ on So High<\/em> and Great Country Songs<\/em> have the left and right channels swapped.<\/p>\n

Take 6 of ‘Just Call Me Lonesome’ was used instead of the master in 1980 for the Guitar Man<\/em> overdub sessions.<\/p>\n

In March of 2007, Sony decided to go through all of Elvis’ masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy<\/em> releases, the 30 disc Complete Elvis Presley Masters<\/em> collection and the Franklin Mint<\/em> package.<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

September 10 \/ 11 1967 (+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono) (SFS = Short False Start | FS […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[181],"tags":[],"class_list":["post-2992","post","type-post","status-publish","format-standard","hentry","category-1967-sessions"],"acf":[],"_links":{"self":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2992"}],"version-history":[{"count":1,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2992\/revisions"}],"predecessor-version":[{"id":2993,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2992\/revisions\/2993"}],"wp:attachment":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}