{"id":2982,"date":"2024-08-27T16:21:39","date_gmt":"2024-08-27T14:21:39","guid":{"rendered":"https:\/\/elvis.linuxles.be\/?p=2982"},"modified":"2024-08-27T16:21:44","modified_gmt":"2024-08-27T14:21:44","slug":"21-06-1967-speedway","status":"publish","type":"post","link":"https:\/\/elvis.linuxles.be\/?p=2982","title":{"rendered":"21\/06\/1967 Speedway"},"content":{"rendered":"\n\n\n
\n
June 21 1967<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n
(+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono)
\n(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n
MGM Sound Stage – Hollywood, California<\/strong><\/td>\n<\/tr>\n
Soundtrack Session for MGM’s Speedway<\/em><\/strong><\/td>\n<\/tr>\n
MGM Producer :<\/strong> Jeffrey Alexander<\/td>\n<\/tr>\n
Engineers :<\/strong> Aaron Rochin \/ Lyle Burbridge<\/td>\n<\/tr>\n
(7.00pm – 11.00pm)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Musicians:<\/strong><\/td>\n\u00a0<\/td>\nBackup Vocals:<\/strong><\/td>\n<\/tr>\n
Guitar:<\/td>\nChip Young<\/td>\nThe Jordanaires: Gordon Stoker; Neal Matthews; Hoyt Hawkins; Ray<\/td>\n<\/tr>\n
Guitar:<\/td>\nHilmer J ‘Tiny’ Timbrell<\/td>\nWalker<\/td>\n<\/tr>\n
Guitar:<\/td>\nTommy Tedesco<\/td>\nRay Walker (‘He’s Your Uncle Not Your Dad’ – record version)<\/td>\n<\/tr>\n
Bass:<\/td>\nBob Moore<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nD.J. Fontana<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nMurrey ‘Buddy’ Harman<\/td>\n\u00a0<\/td>\n<\/tr>\n
Piano:<\/td>\nLarry Muhoberac<\/td>\n\u00a0<\/td>\n<\/tr>\n
Steel Guitar:<\/td>\nPeter Drake<\/td>\n\u00a0<\/td>\n<\/tr>\n
Saxophone:<\/td>\nHomer ‘Boots’ Randolph<\/td>\n\u00a0<\/td>\n<\/tr>\n
Trumpet:<\/td>\nCharlie McCoy<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n
\n
Let Yourself Go<\/strong><\/div>\n<\/td>\n
\n
WPA1 1029<\/strong><\/div>\n<\/td>\n
2010<\/strong><\/td>\nJune 21 1967 (Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 5<\/td>\nComplete<\/td>\n3:10<\/td>\n(1st part used for spliced master)<\/td>\nCelluloid Rock 2-3\u00b0\u00b0 (announcement only)+Speedway (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nComplete<\/td>\n3:14<\/td>\n(used for spliced master)<\/td>\nSpeedway (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\nM<\/b><\/td>\n3:04<\/td>\nSpliced from takes 5 & 6<\/td>\nComplete Elvis Presley Masters 15 (Sony)\u00b0\u00b0~Start Your Engines (Franklin
\nMint Complete Masters Collection 30)\u00b0\u00b0~Speedway (FTD)\u00b0\u00b0~Complete
\nSingle Collection 6\u00b0\u00b0~Double Feat’ – Easy Come, Easy Go \/ Speedway\u00b0\u00b0
\n+Speedway (FTD)\u00b0~The Mono Masters CD3 (Venus)\u00b0 (master only)
\n+Celluloid Rock 2-3\u00b0\u00b0 (with count-in for Take 5)+Speedway (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
\n
Let Yourself Go (movie version – transfer)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
2401<\/strong><\/td>\n(June 22 1967)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n(M)<\/td>\n3:04<\/td>\nMono transfer of 2010-SP<\/a>
\n(3:16 with count-in)<\/td>\n		Acetate\u00b0 (count-in for 2010-05 & 2010-06)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
\n
Let Yourself Go (movie version – transfer) <\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n2547<\/strong><\/td>\n(December 14-15 1967)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n(M)<\/td>\n2:56<\/td>\nMono transfer of 2010-SP<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
\n
Let Yourself Go (movie version – pickup) <\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n2548<\/strong><\/td>\n(December 14-15 1967)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n(M)<\/td>\n0:14<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n
\n
Let Yourself Go (movie version – hand claps) <\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n2565<\/strong><\/td>\n(December 14-15 1967)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/td>\n(M)<\/td>\n0:32<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
\n
Let Yourself Go (movie version – composite) <\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\n(M)<\/td>\n3:00<\/td>\nComposite of 2547-01, 2548-01
\n& 2565-03<\/td>\n		Soundtrack\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
\n
He’s Your Uncle Not Your Dad<\/strong><\/div>\n<\/td>\n
\n
WPA1 1030<\/strong><\/div>\n<\/td>\n
2011<\/strong><\/td>\nJune 21 1967 (Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 5<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 6<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 7<\/td>\nM<\/b><\/td>\n2:26<\/td>\nRecord version
\n(2:38 with count-in)<\/td>\n		Complete Elvis Presley Masters 15 (Sony)\u00b0\u00b0~Start Your Engines (Franklin
\nMint Comp. Masters Collection 30)\u00b0\u00b0~Speedway (FTD)\u00b0\u00b0~Double Features
\n– Easy Come, Easy Go \/ Speedway\u00b0\u00b0+Speedway (FTD)\u00b0 master only)
\n+Speedway (FTD)\u00b0\u00b0~Acetate\u00b0 (count-in)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
\n
He’s Your Uncle Not Your Dad (dubdown) <\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Dubdown<\/td>\n(M)<\/td>\n2:28<\/td>\nBacking vocals erased from
\n2011-07 (2:37 with count-in)<\/td>\n		Celluloid Rock 2-3\u00b0\u00b0 (count-in for 2011-07)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n
\n
He’s Your Uncle Not Your Dad (movie version – transfer) <\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n2527<\/strong><\/td>\n(December 14-15 1967)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\nMono transfer of 2005-03 dubdown
\nwith solo extended<\/td>\n		\u00a0<\/td>\n<\/tr>\n
Take 2<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 5<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 6<\/td>\n(M)<\/td>\n2:51<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n
\n
He’s Your Uncle Not Your Dad (movie version – overdub) <\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n2559<\/strong><\/td>\n(December 14-15 1967)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\nNew backing vocals overdubbed to 2527-06<\/td>\n<\/tr>\n
Take 2<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/td>\n(M)<\/td>\n2:44<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
\n
He’s Your Uncle Not Your Dad (movie version – overdub) <\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n2560<\/strong><\/td>\n(December 14-15 1967)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n(M)<\/td>\n0:10<\/td>\nNew backing vocals – solo lines<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n
\n
He’s Your Uncle Not Your Dad (movie version – overdub) <\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n2561<\/strong><\/td>\n(December 14-15 1967)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\nNew backing vocals – solo lines<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/td>\n(M)<\/td>\n0:29<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
He’s Your Uncle Not Your Dad (movie version – composite) <\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\n(M)<\/td>\n2:46<\/td>\nComposite of 2527-06, 2559-04,
\n2560-01 & 2561-03<\/td>\n		Soundtrack\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n
\n

Except for masters and alternate masters – all original 4-Track tapes are lost.<\/p>\n

Celluloid Rock Volume 2<\/em> (Cool Romeo) has a binaural mix used for the masters taken from the 4-Track tapes.<\/p>\n

The master of ‘Let Yourself Go’ is spliced from the first part of Take 5 and the second half of Take 6 (from “Let’s go…”<\/em>).<\/p>\n

On the record version of ‘He’s Your Uncle Not Your Dad’ are certain lines sung by Ray Walker, but in the movie these lines are sung by other people. With the binaural mix on Celluloid Rock Volume 2<\/em>, CD3, you can hear how these lines were erased to have the opportunity for overdubbing for the movie (in bold<\/strong> below).<\/p>\n

He’s your uncle, not your dad
\nHe’s the best friend you ever had
\nSo come on dig, dig, dig in until it hurts
\nJust remember Pearl Harbor
\nThe Alamo and nothing could be worse<\/b><\/i><\/p>\n

He’s your favorite relative
\nAnd he needs a lot to live
\nSo just bring, bring, bring everything until you bleed
\nAnd he’ll send back what he don’t need<\/b><\/p>\n

If you’re naughty for ten-forty’s your salvation
\nBy deprivation of temptation
\nStock and blondes I hear are not deductable<\/b>
\nOh say can you see if there’s anything left for me
\nWhen he calls you, as he may do
\nDon’t be frightened, red, white and blue
\nJust be thankful you don’t live in Leningrad
\nHe’s your uncle, not your dad<\/p>\n

(Longer solo)<\/b><\/p>\n

If you’re honest you don’t have to shake and shiver
\nThe food is lousy up the river
\nIt’s give and take and he does all the taking<\/b>
\nOh say can you see if there’s anything left for me
\nLife has two things you can subtract
\nDeath and taxes, to be exact<\/b>
\nSo just pay, pay, pay, periodically be glad
\nHe’s your uncle – he’s your uncle, not your dad<\/i><\/p>\n

The additional lines for the movie version were recorded on December 14 1967.<\/p>\n

In March of 2007, Sony decided to go through all of Elvis’ masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy<\/em> releases, the 30 disc Complete Elvis Presley Masters<\/em> collection and the Franklin Mint<\/em> package.<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

June 21 1967 (+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono) (SFS = Short False Start | FS = False […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[181],"tags":[],"class_list":["post-2982","post","type-post","status-publish","format-standard","hentry","category-1967-sessions"],"acf":[],"_links":{"self":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2982"}],"version-history":[{"count":1,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2982\/revisions"}],"predecessor-version":[{"id":2983,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2982\/revisions\/2983"}],"wp:attachment":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}