{"id":2969,"date":"2024-08-27T16:16:25","date_gmt":"2024-08-27T14:16:25","guid":{"rendered":"https:\/\/elvis.linuxles.be\/?p=2969"},"modified":"2024-08-27T22:21:54","modified_gmt":"2024-08-27T20:21:54","slug":"21-22-02-1967-clambake-sessions","status":"publish","type":"post","link":"https:\/\/elvis.linuxles.be\/?p=2969","title":{"rendered":"21-22\/02\/1967 Clambake"},"content":{"rendered":"\n\n\n
\n
February 21 \/ 22 1967<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n
(+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono)
\n(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n
RCA Studio B – Nashville, Tennessee<\/strong><\/td>\n<\/tr>\n
Soundtrack Session for United Artists’ Clambake<\/em><\/strong><\/td>\n<\/tr>\n
United Artists Producer :<\/strong> Jeffrey Alexander<\/td>\n<\/tr>\n
Producer :<\/strong> Felton Jarvis<\/td>\n<\/tr>\n
Engineer :<\/strong> Jim Malloy<\/td>\n<\/tr>\n
(6.00pm – 6.00am)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Musicians:<\/strong><\/td>\n\u00a0<\/td>\nBackup Vocals:<\/strong><\/td>\n<\/tr>\n
Guitar:<\/td>\nScotty Moore<\/td>\nThe Jordanaires: Gordon Stoker; Neal Matthews; Hoyt Hawkins; Ray<\/td>\n<\/tr>\n
Guitar:<\/td>\nChip Young<\/td>\nWalker<\/td>\n<\/tr>\n
Drums:<\/td>\nMurrey ‘Buddy’ Harman<\/td>\nMillie Kirkham<\/td>\n<\/tr>\n
Drums:<\/td>\nD.J. Fontana<\/td>\n\u00a0<\/td>\n<\/tr>\n
Guitar \/ Harmonica<\/td>\nCharlie McCoy<\/td>\n\u00a0<\/td>\n<\/tr>\n
Piano:<\/td>\nFloyd Cramer<\/td>\n\u00a0<\/td>\n<\/tr>\n
Piano:<\/td>\nHoyt Hawkins<\/td>\n\u00a0<\/td>\n<\/tr>\n
Bass:<\/td>\nBob Moore<\/td>\n\u00a0<\/td>\n<\/tr>\n
Steel Guitar:<\/td>\nPeter Drake<\/td>\n\u00a0<\/td>\n<\/tr>\n
Saxophone:<\/td>\nNorman Ray<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
Who Needs Money? (track)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nFebruary 21 \/ 22 1967 (Tue \/ Wed)<\/strong><\/td>\n<\/tr>\n
Take NA<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n(not used)
\n(New ‘track’ recorded on Feb. 22<\/a>)<\/td>\n		\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
The Girl I Never Loved<\/strong><\/div>\n<\/td>\n
\n
UPA3 8447<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nFebruary 21 \/ 22 1967 (Tue \/ Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 3<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 4<\/td>\nReh’sal
\n+FS<\/td>\n		1:25<\/td>\n“Down in the Alley”<\/em><\/td>\nClambake (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nComplete<\/td>\n2:07<\/td>\n\u00a0<\/td>\nClambake (FTD)\u00b0\u00b0+Sessions From Clambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 7<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 8<\/td>\nFS<\/td>\n0:32<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0~A Legendary Performer Vol 7\u00b0<\/td>\n<\/tr>\n
Take 9<\/td>\nM<\/b><\/td>\n1:50<\/td>\n(1:56 with count-in)<\/td>\nComplete Elvis Presley Masters 14 (Sony)\u00b0\u00b0~Girls! Girls! & More Girls!
\n(Franklin Mint Comp. Masters Collection 17)\u00b0\u00b0~Clambake (remastered
\nsoundtrack)\u00b0\u00b0~Clambake (FTD)\u00b0\u00b0~Double Features – Kissin’ Cousins
\n\/ Clambake \/ Stay Away, Joe\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0
\n(CD1 track 5)+Sessions From Clambake (Victrola)\u00b0 (CD2 track 11)
\n(count-in only – master cut from tape)<\/td>\n<\/tr>\n
Take 10<\/td>\nFS<\/td>\n0:20<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0~A Legendary Performer Vol 7\u00b0<\/td>\n<\/tr>\n
Take 11<\/td>\nComplete<\/td>\n2:00<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0~A Legendary Performer Vol 7\u00b0
\n(count-in)~24 Carat Gold\u00b0<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
\n
The Girl I Never Loved (movie version)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
N\/A<\/td>\n(M)<\/td>\n1:59<\/td>\nStrings overdubbed to Take 9<\/td>\nSessions From Clambake (Victrola)\u00b0~Soundtrack\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
\n
How Can You Lose What You Never Had<\/strong><\/div>\n<\/td>\n
\n
UPA3 8448<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nFebruary 21 \/ 22 1967 (Tue \/ Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n0:55<\/td>\n\u00a0<\/td>\nClambake (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0 (count-in)
\n~Collectors Gold 1\u00b0\u00b0 (“Down In The Alley”<\/em>)<\/td>\n<\/tr>\n
Take 2<\/td>\nComplete<\/td>\n3:20<\/td>\n\u00a0<\/td>\nClambake (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0 (count-in &
\ncomplete)~Collectors Gold 1\u00b0\u00b0 (count-in only)<\/td>\n<\/tr>\n
Take 3<\/td>\nComplete<\/td>\n2:44<\/td>\n\u00a0<\/td>\nClambake (FTD)\u00b0\u00b0 (count-in – 2:37)~Collectors Gold 1\u00b0\u00b0+Come What May\u00b0
\n~Sessions From Clambake (Victrola)\u00b0 (additional dialogue & count-in)<\/td>\n<\/tr>\n
Take 4<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 5<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 6<\/td>\nM<\/b><\/td>\n2:28<\/td>\n\u00a0<\/td>\nComplete Elvis Presley Masters 14 (Sony)\u00b0\u00b0~Sun Sand & Surf (Franklin
\nMint Comp. Masters Collection 14)\u00b0\u00b0~Clambake (remastered r’track)\u00b0\u00b0
\n~Clambake (FTD)\u00b0\u00b0~Double Features – Kissin’ Cousins \/ Clambake
\n\/ Stay Away, Joe\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
You Don’t Know Me<\/strong><\/div>\n<\/td>\n
\n
UPA3 8449<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nFebruary 21 \/ 22 1967 (Tue \/ Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS+LFS<\/td>\n2:35<\/td>\n(preceded by rehearsal)<\/td>\n24 Carat Gold\u00b0 (1:51)+Sessions From Clambake (Victrola)\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:45<\/td>\n\u00a0<\/td>\n24 Carat Gold\u00b0 (0:32)+Sessions From Clambake (Victrola)\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nComplete<\/td>\n2:43<\/td>\n\u00a0<\/td>\nToday, Tomorrow And Forever 3\u00b0\u00b0+Clambake (FTD)\u00b0\u00b0~Sessions From
\nClambake (Victrola)\u00b0\u00b0 (echo)+24 Carat Gold\u00b0 (count-in – dry)<\/td>\n<\/tr>\n
Take 4<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 5<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 6<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 7<\/td>\nFS<\/td>\n0:47<\/td>\n\u00a0<\/td>\nClambake (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 8<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 9<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 10<\/td>\nComplete<\/td>\n2:29<\/td>\n\u00a0<\/td>\nClambake (FTD)\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 11<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 12<\/td>\nFS<\/td>\n0:31<\/td>\n\u00a0<\/td>\n24 Carat Gold\u00b0 (0:24)+Sessions From Clambake (Victrola)\u00b0<\/td>\n<\/tr>\n
Take 13<\/td>\nComplete<\/td>\n2:38<\/td>\n <\/td>\n24 Carat Gold\u00b0 (2:34)+Sessions From Clambake (Victrola)\u00b0<\/td>\n<\/tr>\n
Take 14<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 15<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 16<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 17<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 18<\/td>\nComplete<\/td>\n2:35<\/td>\n\u00a0<\/td>\n24 Carat Gold\u00b0+Sessions From Clambake (Victrola)\u00b0 (count-in)<\/td>\n<\/tr>\n
Take 19<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 20<\/td>\nM<\/b><\/td>\n2:12<\/td>\n(2:20 with count-in) (WPA5 2501)<\/td>\nComplete Elvis Presley Masters 14 (Sony)\u00b0\u00b0~Double Features – Kissin’
\nCousins \/ Clambake \/ Stay Away, Joe\u00b0\u00b0~Command Performances –
\nEssential 60’s Masters II\u00b0\u00b0 (master only)+Clambake (FTD)\u00b0\u00b0 (count-in)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
\n
You Don’t Know Me (movie version)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
N\/A<\/td>\n(M)<\/td>\n2:34<\/td>\nStrings overdubbed to Take 20<\/td>\nSessions From Clambake (Victrola)\u00b0~Soundtrack\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n
\n
A House That Has Everything<\/strong><\/div>\n<\/td>\n
\n
UPA3 8445<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\nFebruary 21 \/ 22 1967 (Tue \/ Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:34<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0~24 Carat Gold\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nLFS<\/td>\n2:22<\/td>\n\u00a0<\/td>\nSessions From Clambake (Victrola)\u00b0~24 Carat Gold\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nFS<\/td>\n0:28<\/td>\n\u00a0<\/td>\nClambake (FTD)\u00b0\u00b0 (added echo)+Sessions From Clambake (Victrola)\u00b0
\n~Tape\u00b0 (dry)<\/td>\n<\/tr>\n
Take 5<\/td>\nFS<\/td>\n0:57<\/td>\n\u00a0<\/td>\nClambake (FTD)\u00b0\u00b0 (echo)+24 Carat Gold\u00b0+Sessions From Clambake
\n(Victrola)\u00b0~Tape\u00b0 (extra dialogue – dry)<\/td>\n<\/tr>\n
Take 6<\/td>\nComplete<\/td>\n2:34<\/td>\n\u00a0<\/td>\nClambake (FTD)\u00b0\u00b0 (echo)+Sessions From Clambake (Victrola)\u00b0~Tape\u00b0
\n(count-in)~24 Carat Gold\u00b0 (dry)<\/td>\n<\/tr>\n
Take 7<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Take 8<\/td>\nM<\/b><\/td>\n2:16<\/td>\n\u00a0<\/td>\nComplete Elvis Presley Masters 14 (Sony)\u00b0\u00b0~Sun Sand & Surf (Franklin
\nMint Comp. Masters Collection 14)\u00b0\u00b0~Clambake (remastered s’track)\u00b0\u00b0
\n~Clambake (FTD)\u00b0\u00b0~Double Features – Kissin’ Cousins \/ Clambake \/ Stay
\nAway, Joe\u00b0\u00b0~Sessions From Clambake (Victrola)\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n
\n

All songs on the Double Features<\/em> release have left and right channels reversed.<\/p>\n

Take 1 of ‘How Can You Lose What You Never Had’ on Collectors Gold<\/em> has Elvis singing a line of ‘Down In The Alley’. This is actually from before Take 4 of ‘The Girl I Never Loved’ and can be found in the correct place on FTD’s Clambake<\/em> extended soundtrack.<\/p>\n

On the CD Movie Session Memories<\/em> (FG 973001), rip-off bootlegger Famous Groove spliced the intro of ‘How Can You Lose What You Never Had’Take 1 with the rest of Take 3, calling it “Take 2”. There was a “Take 2” announcement only, on BMG’s Collectors Gold<\/em> that it was appended to. Not only pathetic, but a waste of time. All such home-spliced outtakes will be revealed eventually.<\/p>\n

The original matrix number for ‘You Don’t Know Me’ (Movie Version) (UPA3 8449) was changed when it was eventually released on Double Features<\/em> (WPA5 2501).<\/p>\n

In March of 2007, Sony decided to go through all of Elvis’ masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy<\/em> releases, the 30 disc Complete Elvis Presley Masters<\/em> collection and the Franklin Mint<\/em> package.<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

February 21 \/ 22 1967 (+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono) (SFS = Short False Start | FS […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[181],"tags":[],"class_list":["post-2969","post","type-post","status-publish","format-standard","hentry","category-1967-sessions"],"acf":[],"_links":{"self":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2969"}],"version-history":[{"count":2,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2969\/revisions"}],"predecessor-version":[{"id":3022,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2969\/revisions\/3022"}],"wp:attachment":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}