{"id":2793,"date":"2023-11-18T13:20:40","date_gmt":"2023-11-18T12:20:40","guid":{"rendered":"https:\/\/elvis.linuxles.be\/?p=2793"},"modified":"2023-11-18T13:29:57","modified_gmt":"2023-11-18T12:29:57","slug":"fun-in-acapulco-sessions","status":"publish","type":"post","link":"https:\/\/elvis.linuxles.be\/?p=2793","title":{"rendered":"“Fun In Acapulco”-Sessions"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n
\n
January 21 1963<\/div>\n<\/td>\n<\/tr>\n
(+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono)
\n(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)<\/td>\n<\/tr>\n
Radio Recorders Studio B – Hollywood, California<\/strong><\/td>\n<\/tr>\n
Soundtrack Session for Paramount’s Fun In Acapulco<\/em><\/strong><\/td>\n<\/tr>\n
Musical Director for Paramount :<\/strong> Joseph Lilley<\/td>\n<\/tr>\n
Engineer :<\/strong> Dave Wiechman<\/td>\n<\/tr>\n
(10.00am – 6.35pm)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Musicians:<\/strong><\/td>\n\u00a0<\/td>\nBackup Vocals:<\/strong><\/td>\n<\/tr>\n
Guitar:<\/td>\nScotty Moore<\/td>\nThe Jordanaires: Gordon Stoker; Neal Matthews; Hoyt Hawkins; Ray<\/td>\n<\/tr>\n
Guitar:<\/td>\nBarney Kessel<\/td>\nWalker<\/td>\n<\/tr>\n
Guitar \/ Mandolin:<\/td>\nHilmer J ‘Tiny’ Timbrell<\/td>\nThe Amigo’s : Jose Vadiz; Miguel Alciade; German Vega; Pedro Berrios<\/td>\n<\/tr>\n
Bass:<\/td>\nRay Siegel<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nD.J. Fontana<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nHal Blaine<\/td>\n\u00a0<\/td>\n<\/tr>\n
Percussion:<\/td>\nEmil Radocchia<\/td>\n\u00a0<\/td>\n<\/tr>\n
Piano:<\/td>\nDudley Brooks<\/td>\n\u00a0<\/td>\n<\/tr>\n
Trumpet:<\/td>\nAnthony Terran<\/td>\n\u00a0<\/td>\n<\/tr>\n
Trumpet:<\/td>\nRudolph Loera<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n
\n
No Selections Recorded<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\nJanuary 21 1963 (Mon)<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\n\n\n
\n
\n

A whole day of music rehearsals takes place at Radio Recorders.<\/p>\n<\/div>\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

ikke<\/p>\n\n\n\n
\n
January 22 1963<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
(+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono)
\n(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n
Radio Recorders Studio B – Hollywood, California<\/strong><\/td>\n<\/tr>\n
Soundtrack Session for Paramount’s Fun In Acapulco<\/em><\/strong><\/td>\n<\/tr>\n
Musical Director for Paramount :<\/strong> Joseph Lilley<\/td>\n<\/tr>\n
Engineer :<\/strong> Dave Wiechman<\/td>\n<\/tr>\n
(9.30am – 11.35am (rehearsal)
\n(1.00pm – 7.00pm \/ 8.00pm – 1.15am (recording)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Musicians:<\/strong><\/td>\n\u00a0<\/td>\nBackup Vocals:<\/strong><\/td>\n<\/tr>\n
Guitar:<\/td>\nScotty Moore<\/td>\nThe Jordanaires: Gordon Stoker; Neal Matthews; Hoyt Hawkins; Ray<\/td>\n<\/tr>\n
Guitar:<\/td>\nBarney Kessel<\/td>\nWalker<\/td>\n<\/tr>\n
Guitar \/ Mandolin:<\/td>\nHilmer J ‘Tiny’ Timbrell<\/td>\nThe Amigo’s : Jose Vadiz; Miguel Alciade; German Vega; Pedro Berrios<\/td>\n<\/tr>\n
Bass:<\/td>\nRay Siegel<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nD.J. Fontana<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nHal Blaine<\/td>\n\u00a0<\/td>\n<\/tr>\n
Percussion:<\/td>\nEmil Radocchia<\/td>\n\u00a0<\/td>\n<\/tr>\n
Piano:<\/td>\nDudley Brooks<\/td>\n\u00a0<\/td>\n<\/tr>\n
Trumpet:<\/td>\nAnthony Terran<\/td>\n\u00a0<\/td>\n<\/tr>\n
Trumpet:<\/td>\nRudolph Loera<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Bossa Nova Baby<\/strong><\/div>\n<\/td>\n
\n
PPA3 4431<\/strong><\/div>\n<\/td>\n
AO<\/strong><\/td>\nJanuary 22 1963 (Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n0:20<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nComplete<\/td>\n2:37<\/td>\n\u00a0<\/td>\nPlatinum 2\u00b0\u00b0~Elvis Chante Leiber & Stoller\u00b0\u00b0+Fun In Acapulco (FTD)\u00b0\u00b0
\n(count-in – clipped)+The Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0 (count-in)<\/td>\n<\/tr>\n
Take 3<\/td>\nComplete<\/td>\n2:49<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0 (2:35)+Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nFS<\/td>\n0:18<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0~Elvis For Everyone (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nComplete<\/td>\n2:13<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0~Elvis For Everyone (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nComplete<\/td>\n2:23<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 7<\/td>\nLFS<\/td>\n0:40<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 8<\/td>\nComplete<\/td>\n2:22<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 9<\/td>\nComplete<\/td>\n2:28<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 10<\/td>\nLFS<\/td>\n0:49<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 11<\/td>\nM<\/b><\/td>\n2:00<\/td>\n(2:24 with count-in)<\/td>\nComplete Elvis Presley Masters 9 (Sony)\u00b0\u00b0~Around The World (Franklin
\nMint Comp. Masters Collection 20)\u00b0\u00b0~Elvis 75 – Good Rockin’ Tonight 3
\n(Legacy)\u00b0\u00b0~Elvis 75 CD2\u00b0\u00b0~Fun In Acapulco (remastered somdtrack)\u00b0\u00b0
\n~Fun In Acapulco (FTD)\u00b0\u00b0~Second To None\u00b0\u00b0~Complete Single Coll’n 3\u00b0\u00b0
\n~Elvis Chante Leiber & Stoller\u00b0\u00b0~Double Features – It Happened At The
\nWorlds Fair \/ Fun In Acapulco\u00b0\u00b0~The Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0
\n+The Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0~Elvis Acetates Vol 1 (Memory)\u00b0
\n(count-in)+Top Ten Hits\u00b0 (remix – SPA1 4191)+The Mono Masters CD1
\n(Venus)\u00b0+Latino\u00b0\u00b0 (extended – 5:10)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
Bossa Nova Baby (movie version)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\n(M)<\/td>\n1:47<\/td>\nInstrumental solo removed & last
\n“Bossa Nova, Bossa Nova”<\/em> repeated<\/td>\n		Tape\u00b0\u00b0~Soundtrack\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
I Think I’m Gonna Like It Here<\/strong><\/div>\n<\/td>\n
\n
PPA3 4430<\/strong><\/div>\n<\/td>\n
BO<\/strong><\/td>\nJanuary 22 1963 (Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nComplete<\/td>\n2:53<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:15<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nFS<\/td>\n0:23<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nLFS<\/td>\n0:49<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nComplete<\/td>\n3:01<\/td>\n(announced again as Take 4)<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nFS<\/td>\n0:22<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 7<\/td>\nComplete<\/td>\n3:01<\/td>\n(used for spliced master –
\n2nd to last line)<\/p>\n

 <\/p>\n<\/td>\n

The Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 8<\/td>\nLFS<\/td>\n1:05<\/td>\n“it’s beginning to get B.O.”<\/em><\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 9<\/td>\nLFS<\/td>\n2:57<\/td>\n“body odour”<\/em><\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 10<\/td>\nComplete<\/td>\n3:08<\/td>\n(used for spliced master –
\n0:00-2:37 \/ 2:43-2:53)<\/td>\n		\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\nM<\/b><\/td>\n2:53<\/td>\nSpliced from takes 10 & 7<\/td>\nComplete Elvis Presley Masters 9 (Sony)\u00b0\u00b0~Around The World (Franklin
\nMint Complete Masters Collection 20)\u00b0\u00b0~Fun In Acapulco (remastered
\nsoundtrack)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0~Double Features – It Happened
\nAt The Worlds Fair \/ Fun In Acapulco\u00b0\u00b0~The Fun In Acapulco Sessions 1
\n(FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/a> (track 25)~The Elvis
\nAcetates Volume 1 (Memory)\u00b0<\/a> (3:08 – with count-in for Take 10)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
\n
Mexico<\/strong><\/div>\n<\/td>\n
\n
PPA3 4425<\/strong><\/div>\n<\/td>\n
CO<\/strong><\/td>\nJanuary 22 1963 (Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n0:36<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0
\n(count-in)~Hard Knocks (Venus)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nComplete<\/td>\n2:05<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0
\n~Today, Tomorrow And Forever 2\u00b0\u00b0~Hard Knocks (Venus)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nLFS<\/td>\n1:32<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nLFS<\/td>\n1:45<\/td>\n“Almost”<\/em><\/td>\nThe Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nM<\/b><\/td>\n1:58<\/td>\n(2:10 with count-in)<\/td>\nComplete Elvis Presley Masters 9 (Sony)\u00b0\u00b0~Around The World (Franklin
\nMint Complete Masters Collection 20)\u00b0\u00b0~Fun In Acapulco (remastered
\nsoundtrack)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0~Double Features – It Happened
\nAt The Worlds Fair \/ Fun In Acapulco\u00b0\u00b0~The Fun In Acapulco Sessions 1
\n(FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0~The Elvis Acetates
\nVolume 1 (Memory)\u00b0 (count-in)<\/td>\n<\/tr>\n
Take 6<\/td>\nComplete<\/td>\n2:12<\/td>\n(same lyrics as boy’s vocal
\noverdub of movie version)<\/td>\n		The Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 7<\/td>\n(M)<\/td>\n2:07<\/td>\nAlternate master<\/td>\nOut In Hollywood (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0 (clipped)+The Fun
\nIn Acapulco Sessions 2 (FTD)\u00b0\u00b0 (count-in)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
Mexico (vocal overdub – movie version)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
COV ?<\/strong><\/td>\nJanuary 22 1963 (Tue)<\/strong><\/td>\n<\/tr>\n
Take NA<\/td>\n(M)<\/td>\n2:07<\/td>\nOverdub of CO-05<\/a> by Larry Domasin<\/td>\nThe Elvis Acetates Volume 1 (Memory)\u00b0~Silver Screen Treasures Vol. 2\u00b0
\n~Soundtrack\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n
\n
Mexico (instrumental)<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
COD<\/span><\/strong><\/td>\nJanuary 22 1963 (Tue)<\/span><\/strong><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\nFS<\/span><\/td>\n0:18<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 2<\/span><\/td>\nFS<\/span><\/td>\n0:11<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n(M)<\/span><\/td>\n0:50<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
The Bullfighter Was A Lady<\/strong><\/div>\n<\/td>\n
\n
PPA3 4428<\/strong><\/div>\n<\/td>\n
DO<\/strong><\/td>\nJanuary 22 1963 (Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n0:49<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nLFS<\/td>\n1:23<\/td>\n“he wanted to fuck her that night”<\/em><\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nComplete<\/td>\n2:19<\/td>\n(Elvis laughing during the song)<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nFS<\/td>\n0:50<\/td>\n(preceded by rehearsal)<\/td>\nFun In Acapulco (FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nFS<\/td>\n0:45<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nComplete<\/td>\n2:22<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 7<\/td>\nComplete<\/td>\n2:13<\/td>\n“Hold”<\/em> (used for spliced master)<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 8<\/td>\nFS<\/td>\n0:22<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 9<\/td>\nComplete<\/td>\n2:12<\/td>\n(used for spliced master)<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\nM<\/b><\/td>\n2:04<\/td>\nSpliced from Takes 9 & 7
\nRecord version<\/td>\n		Complete Elvis Presley Masters 9 (Sony)\u00b0\u00b0~Girls! Girls! & More Girls!
\n(Franklin Mint Complete Masters Collection 17)\u00b0\u00b0~Fun In Acapulco
\n(remastered soundtrack)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0~Double Features –
\nIt Happened At The Worlds Fair \/ Fun In Acapulco\u00b0\u00b0~The Fun In Acapulco
\nSessions 1 (FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0
\n+The Elvis Acetates Volume 1 (Memory)\u00b0 (with count-in for Take 9)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n
\n
Marguerita<\/strong><\/div>\n<\/td>\n
\n
PPA3 4427<\/strong><\/div>\n<\/td>\n
EO<\/strong><\/td>\nJanuary 22 1963 (Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nLFS<\/td>\n2:58<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:11<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nLFS<\/td>\n1:24<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nFS<\/td>\n0:13<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nLFS<\/td>\n2:21<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nComplete<\/td>\n3:03<\/td>\n\u00a0<\/td>\nFun In Acapulco (FTD)\u00b0\u00b0~Hard Knocks (Venus)\u00b0\u00b0+The Fun In Acapulco
\nSessions 2 (FTD)\u00b0\u00b0 (count-in)<\/td>\n<\/tr>\n
Take 7<\/td>\nFS<\/td>\n0:34<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0~Hard Knocks (Venus)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 8<\/td>\nM<\/b><\/td>\n2:42<\/td>\n(2:51 with count-in)<\/td>\nComplete Elvis Presley Masters 9 (Sony)\u00b0\u00b0~Girls! Girls! & More Girls!
\n(Franklin Mint Complete Masters Collection 17)\u00b0\u00b0~Fun In Acapulco
\n(remastered soundtrack)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0~Double Features –
\nIt Happened At The Worlds Fair \/ Fun In Acapulco\u00b0\u00b0~The Fun In Acapulco
\nSessions 1 (FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0 (count-in)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n
\n
Vino, Dinero Y Amor<\/strong><\/div>\n<\/td>\n
\n
PPA3 4424<\/strong><\/div>\n<\/td>\n
FO<\/strong><\/td>\nJanuary 22 1963 (Tue)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nComplete<\/td>\n2:19<\/td>\n\u00a0<\/td>\nElvis For Everyone (FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:33<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nComplete<\/td>\n1:59<\/td>\n“Hold”<\/em><\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nComplete<\/td>\n2:17<\/td>\n“Hold”<\/em><\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nM<\/b><\/td>\n1:56<\/td>\n(2:22 with count-in)<\/td>\nComplete Elvis Presley Masters 9 (Sony)\u00b0\u00b0~Around The World (Franklin
\nMint Complete Masters Collection 20)\u00b0\u00b0~Fun In Acapulco (remastered
\nsoundtrack)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0~Double Features – It Happened
\nAt The Worlds Fair \/ Fun In Acapulco\u00b0\u00b0~The Fun In Acapulco Sessions 1
\n(FTD)\u00b0\u00b0~The Elvis Acetates Volume 1 (Memory)\u00b0+The Fun In Acapulco
\nSessions 2 (FTD)\u00b0\u00b0 (count-in)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n
\n
Vino, Dinero Y Amor (The Amigo’s – bridge to club version) <\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
GO<\/span><\/strong><\/td>\nJanuary 22 1963 (Tue)<\/span><\/strong><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\nComplete<\/span><\/td>\n1:19<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 2<\/span><\/td>\nComplete<\/span><\/td>\n1:16<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 3<\/span><\/td>\nComplete<\/span><\/td>\n1:17<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 4<\/span><\/td>\n(M)<\/span><\/td>\n1:06<\/span><\/td>\n(1:18 with count-in)<\/span><\/td>\nSoundtrack\u00b0 (0:24)+The Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0 (count-in)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n
\n
Vino, Dinero Y Amor (The Amigo’s – boat version) <\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
HO<\/span><\/strong><\/td>\nJanuary 22 1963 (Tue)<\/span><\/strong><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\nFS<\/span><\/td>\n0:23<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 2<\/span><\/td>\nFS<\/span><\/td>\n0:36<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 3<\/span><\/td>\n(M)<\/span><\/td>\n1:25<\/span><\/td>\n(1:33 with count-in)<\/span><\/td>\nSoundtrack\u00b0 (0:30)+The Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0 <\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\n\n\n
\n
\n

The definitive release of these sessions can be found on Follow That Dream’s limited edition The Fun In Acapulco Sessions<\/em> 3xCD set, where everything has been restored, remixed and remastered from scratch, and all masters and outtakes are presented in the best possible sound.<\/p>\n

An extended (5:10) mix of ‘Bossa Nova Baby’ was released on a 12″ Single in March 1987, and can also be found on the bootleg Loose Ends Volume 3<\/em>.<\/p>\n

The record version master of ‘I Think I’m Gonna Like It Here’ is Take 10 spliced with the second from last line from Take 7, as follows:
\n0:00 – 2:37: BO-10 (Start to “I think i’m gonna like it here…”<\/em>)
\n2:38 – 2:42: BO-07 (“I think i’m gonna like it here…”<\/em>)
\n2:43 – 2:53: BO-10 (Jordanaires: “I think i’m gonna like it here”<\/em> to end)<\/p>\n

The line from BO Take 10 of ‘I Think I’m gonna Like It Here’ was physically cut from the tape reel and replaced with the same line from BO Take 7, meaning the complete Take 10 now does not exist on tape.<\/p>\n

The record version master of ‘The Bullfighter Was A Lady\u2019 is spliced from takes 9 & 7:
\n0:00 – 0:41: GO-09 (\u201cPedro the bull\u201d\u00a0<\/em>to\u00a0\u201cbut he met his master that day\u201d<\/em>)
\n0:41 – 2:02: GO-07 (\u201cThe Bullfighter\u201d<\/em>\u00a0to end)<\/p>\n

In March of 2007, Sony decided to go through all of Elvis’ masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy<\/em> releases, the 30 disc Complete Elvis Presley Masters<\/em> collection and the Franklin Mint<\/em> package.<\/p>\n

Thanks to Rudolf Stiller for identifying the splice on the record version master of ‘The Bullfighter Was A Lady’.<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

 <\/p>\n\n\n\n
\n
January 23 1963<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
(+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono)
\n(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n
Radio Recorders Studio B – Hollywood, California<\/strong><\/td>\n<\/tr>\n
Soundtrack Session for Paramount’s Fun In Acapulco<\/em><\/strong><\/td>\n<\/tr>\n
Musical Director for Paramount :<\/strong> Joseph Lilley<\/td>\n<\/tr>\n
Engineer :<\/strong> Dave Wiechman<\/td>\n<\/tr>\n
(1.00pm – 5.25pm \/ 6.45pm – 11.50pm \/ 12.30am – 3.50am)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Musicians:<\/strong><\/td>\n\u00a0<\/td>\nBackup Vocals:<\/strong><\/td>\n<\/tr>\n
Guitar:<\/td>\nScotty Moore<\/td>\nThe Jordanaires: Gordon Stoker; Neal Matthews; Hoyt Hawkins; Ray<\/td>\n<\/tr>\n
Guitar:<\/td>\nBarney Kessel<\/td>\nWalker<\/td>\n<\/tr>\n
Guitar \/ Mandolin:<\/td>\nHilmer J ‘Tiny’ Timbrell<\/td>\nThe Amigo’s : Jose Vadiz; Miguel Alciade; German Vega; Pedro Berrios<\/td>\n<\/tr>\n
Bass:<\/td>\nRay Siegel<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nD.J. Fontana<\/td>\n\u00a0<\/td>\n<\/tr>\n
Drums:<\/td>\nHal Blaine<\/td>\n\u00a0<\/td>\n<\/tr>\n
Percussion:<\/td>\nEmil Radocchia<\/td>\n\u00a0<\/td>\n<\/tr>\n
Piano:<\/td>\nDudley Brooks<\/td>\n\u00a0<\/td>\n<\/tr>\n
Trumpet:<\/td>\nAnthony Terran<\/td>\n\u00a0<\/td>\n<\/tr>\n
Trumpet:<\/td>\nRudolph Loera<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
(There’s) No Room To Rhumba In A Sports Car <\/strong><\/div>\n<\/td>\n
\n
PPA3 4429<\/strong><\/div>\n<\/td>\n
JO<\/strong><\/td>\nJanuary 23 1963 (Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nM<\/b><\/td>\n1:51<\/td>\n(2:02 with count-in)<\/td>\nComplete Elvis Presley Masters 9 (Sony)\u00b0\u00b0~Around The World (Franklin
\nMint Complete Masters Collection 20)\u00b0\u00b0~Fun In Acapulco (remastered
\nsoundtrack)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0~Double Features – It Happened
\nAt The Worlds Fair \/ Fun In Acapulco\u00b0\u00b0~The Fun In Acapulco Sessions 1
\n(FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0+The Elvis Acetates
\nVolume 1 (Memory)\u00b0 (count-in)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n
\n
Fun In Acapulco<\/strong><\/div>\n<\/td>\n
\n
PPA3 4423<\/strong><\/div>\n<\/td>\n
KO<\/strong><\/td>\nJanuary 23 1963 (Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nM<\/b><\/td>\n2:30<\/td>\n(2:40 with count-in)<\/td>\nComplete Single Collection 10\u00b0\u00b0~Double Features – It Happened At The
\nWorlds Fair \/ Fun In Acapulco\u00b0\u00b0 (faded)+The Complete Elvis Presley
\nMasters 9 (Sony)\u00b0\u00b0~Around The World (Franklin Mint Complete Masters
\nCollection 20)\u00b0\u00b0~Fun In Acapulco (remastered soundtrack)\u00b0\u00b0~Fun In
\nAcapulco (FTD)\u00b0\u00b0~The Fun In Acapulco Sessions 1 (FTD)\u00b0\u00b0+The Elvis
\nAcetates Volume 1 (Memory)\u00b0~The Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0
\n(count-in)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n
\n
El Toro<\/strong><\/div>\n<\/td>\n
\n
PPA3 4426<\/strong><\/div>\n<\/td>\n
LO<\/strong><\/td>\nJanuary 23 1963 (Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nComplete<\/td>\n3:30<\/td>\n(used for spliced master)<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nLFS<\/td>\n1:08<\/td>\n(used for spliced master)<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\nM<\/b><\/td>\n2:43<\/td>\nSpliced from takes 2 & 1<\/td>\nComplete Elvis Presley Masters 9 (Sony)\u00b0\u00b0~Around The World (Franklin
\nMint Complete Masters Collection 20)\u00b0\u00b0~Fun In Acapulco (remastered
\nsoundtrack)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0~Double Features – It Happened
\nAt The Worlds Fair \/ Fun In Acapulco\u00b0\u00b0~The Fun In Acapulco Sessions 1
\n(FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0~The Elvis Acetates
\nVolume 1 (Memory)\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
I Think I’m Gonna Like It Here (remake)<\/strong><\/div>\n<\/td>\n
\n
WPA5 2540<\/strong><\/div>\n<\/td>\n
BO<\/strong><\/td>\nJanuary 23 1963 (Wed)<\/strong><\/td>\n<\/tr>\n
Take 11<\/td>\nFS+FS<\/td>\n0:49<\/td>\n(take numbering continued<\/a>)<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 12<\/td>\nFS<\/td>\n0:25<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 13<\/td>\nComplete<\/td>\n2:48<\/td>\n\u00a0<\/td>\nFun In Acapulco (FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 14<\/td>\nLFS<\/td>\n1:20<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 15<\/td>\nComplete<\/td>\n2:35<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0~Elvis For Everyone (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 16<\/td>\nFS<\/td>\n0:43<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 17<\/td>\nFS<\/td>\n0:22<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 18<\/td>\nComplete<\/td>\n2:41<\/td>\n(used for spliced master)<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 19<\/td>\nComplete<\/td>\n3:07<\/td>\n(intro used for spliced master)<\/td>\nThe Fun In Acapulco Sessions 2 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\nM<\/b><\/td>\n2:37<\/td>\nSpliced from Takes 19 & 18
\nMovie version<\/td>\n		Fun In Acapulco (FTD)\u00b0\u00b0~Silver Screen Stereo (FTD)\u00b0\u00b0~The Fun In
\nAcapulco Sessions 3 (FTD)\u00b0\u00b0+The Elvis Acetates Volume 1 (Memory)\u00b0
\n(with count-in for Take 18)~Soundtrack\u00b0 (edited – 1:43)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n
\n
The Bullfighter Was A Lady (remake)<\/strong><\/div>\n<\/td>\n
\n
WPA5 2541<\/strong><\/div>\n<\/td>\n
DO<\/strong><\/td>\nJanuary 23 1963 (Wed)<\/strong><\/td>\n<\/tr>\n
Take 10<\/td>\nComplete<\/td>\n2:16<\/td>\n(take numbering continued<\/a>)<\/td>\nElvis For Everyone (FTD)\u00b0\u00b0 (1:55)+Hard Knocks (Venus)\u00b0\u00b0+The Fun In
\nAcapulco Sessions 3 (FTD)\u00b0\u00b0 (count-in)<\/td>\n<\/tr>\n
Take 11<\/td>\nFS<\/td>\n0:22<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 12<\/td>\nLFS<\/td>\n0:49<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 13<\/td>\nLFS<\/td>\n0:57<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 14<\/td>\nComplete<\/td>\n2:04<\/td>\n“Hold”<\/em><\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 15<\/td>\nLFS<\/td>\n1:17<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 16<\/td>\nFS<\/td>\n0:25<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 17<\/td>\nM<\/b><\/td>\n1:55<\/td>\nMovie version (2:06 with count-in)<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0~The
\nElvis Acetates Vol. 1 (Memory)\u00b0 (count-in)~Silver Screen Stereo (FTD)\u00b0\u00b0
\n~Soundtrack\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Malaguena (track)<\/strong><\/span><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
MO<\/span><\/strong><\/td>\nJanuary 23 1963 (Wed)<\/span><\/strong><\/td>\n<\/tr>\n
Take 1<\/span><\/td>\nComplete<\/span><\/td>\n3:31<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 2<\/span><\/td>\nFS<\/span><\/td>\n0:13<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 3<\/span><\/td>\nFS<\/span><\/td>\n0:35<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 4<\/span><\/td>\nFS<\/span><\/td>\n0:24<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 5<\/span><\/td>\nFS<\/span><\/td>\n0:38<\/span><\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 6<\/span><\/td>\nLFS<\/span><\/td>\n3:11<\/span><\/td>\n(used for spliced master track)<\/span><\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 7<\/span><\/td>\nFS<\/span><\/td>\n0:27<\/span><\/td>\n(Ending)<\/em><\/span><\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 8<\/span><\/td>\nComplete<\/span><\/td>\n1:06<\/span><\/td>\n(Bar 85)<\/em><\/span><\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 9<\/span><\/td>\nComplete<\/span><\/td>\n0:56<\/span><\/td>\n <\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
Take 10<\/span><\/td>\nComplete<\/span><\/td>\n0:59<\/span><\/td>\n(Ending)<\/em>
\n(used for spliced master track)<\/span><\/td>\n		The Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/span><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/span><\/td>\n(M)<\/span><\/td>\n3:12<\/span><\/td>\nSpliced from takes 6 & 10<\/span><\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0+The Elvis Acetates Volume 1
\n(Memory)\u00b0 (with count-in for Take 6)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n
\n
You Can’t Say No In Acapulco<\/strong><\/div>\n<\/td>\n
\n
PPA3 4432<\/strong><\/div>\n<\/td>\n
NO<\/strong><\/td>\nJanuary 23 1963 (Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n0:24<\/td>\n\u00a0<\/td>\nFun In Acapulco (FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0
\n(count-in)<\/td>\n<\/tr>\n
Take 2<\/td>\nFS<\/td>\n0:19<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nFS<\/td>\n0:35<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nComplete<\/td>\n2:00<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nM<\/b><\/td>\n1:54<\/td>\n(2:05 with count-in)<\/td>\nComplete Elvis Presley Masters 9 (Sony)\u00b0\u00b0~Around The World (Franklin
\nMint Comp. Masters Collection 20)\u00b0\u00b0~Fun In Acapulco (remastered
\nsoundtrack)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0~Double Features – It Happened
\nAt The Worlds Fair \/ Fun In Acapulco\u00b0\u00b0~The Fun In Acapulco Sessions 1
\n(FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0~The Elvis Acetates
\nVolume 1 (Memory)\u00b0 (count-in)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Guadalajara (track)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
PO<\/strong><\/td>\nJanuary 23 1963 (Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nFS<\/td>\n1:09<\/td>\n(used for spliced master track)<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nLFS<\/td>\n2:33<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 3<\/td>\nFS<\/td>\n0:23<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nLFS<\/td>\n2:00<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 5<\/td>\nComplete<\/td>\n2:55<\/td>\n(used for spliced master track)<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nComplete<\/td>\n0:38<\/td>\n(Ending)<\/em><\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 7<\/td>\nComplete<\/td>\n0:50<\/td>\n(Ending)<\/em>
\n(used for spliced master track)<\/td>\n		The Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\n(M)<\/td>\n3:02<\/td>\nSpliced from takes 1, 5 & 7<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0+The Elvis Acetates Volume 1
\n(Memory)\u00b0 (with count-in for Take 1)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/p>\n\n\n\n\n
\n
Guadalajara (track – overdub)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Overdub<\/td>\n(M)<\/td>\n2:48<\/td>\nBackup vocals, strings & drum roll
\nending overdubbed to spliced track
\n– intro edited
\n(Vocal overdub on February 27<\/a>)<\/td>\n		\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\n\n\n
\n
\n

The definitive release of these sessions can be found on Follow That Dream’s limited edition The Fun In Acapulco Sessions<\/em> 3xCD set, where everything has been restored, remixed and remastered from scratch, and all masters and outtakes are presented in the best possible sound.<\/span><\/p>\n

\u2018El Toro\u2019 is spliced from takes 2 & 1, as follows:<\/span>
\n0:00 – 0:37: LO-02 (\u201cThere\u2019s a legend\u201d\u00a0<\/em>to\u00a0\u201cbrought him defeat and pain\u201d<\/em>)<\/span>
\n0:37 – 2:41: LO-01 (\u201cand to his sorrow” <\/em>to end)<\/span><\/p>\n

The movie version master of ‘I Think I’m Gonna Like It here’ is the intro of Take 19 spliced with the rest of Take 18, as follows:
\n0:00 – 0:12 Take 19 (Start to “…no-one seems to worry”<\/em>)
\n0:13 – 2:37 Take 18 (“Why they’re all so happy is very clear”<\/em> to end)<\/p>\n

The movie version of ‘(There’s) No Room To Rhumba In A Sports Car’ is edited (1:24) and has overdubbed instruments.<\/p>\n

The movie version of ‘You Can’t Say No In Acapulco’ has overdubbed instruments.<\/p>\n

The master track for \u2018Guadalajara\u2019 doesn\u2019t match the backing track Elvis does his vocal overdub to, on FTD’s The Fun In Acapulco Sessions<\/em> or the acetate containing the spliced master track, in that there are additional voices and instruments heard on the track used for the vocal overdub, which are not heard on the actual spliced master track. This means that an overdub was done either at this session or before Elvis actually recorded his own vocals on February 27.<\/p>\n

In March of 2007, Sony decided to go through all of Elvis’ masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy<\/em> releases, the 30 disc Complete Elvis Presley Masters<\/em> collection and the Franklin Mint<\/em> package.<\/p>\n

Thanks to Rudolf Stiller for identifying the splice on the master of ‘El Toro’.<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n\n\n\n
\n
February 27 1963<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
(+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono)
\n(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n
Radio Recorders Studio B – Hollywood, California<\/strong><\/td>\n<\/tr>\n
Soundtrack Session for Paramount’s Fun In Acapulco<\/em><\/strong><\/td>\n<\/tr>\n
Musical Director for Paramount :<\/strong> Joseph Lilley<\/td>\n<\/tr>\n
Engineer :<\/strong> Dave Wiechman<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
Musicians:<\/strong><\/td>\n\u00a0<\/td>\nBackup Vocals:<\/strong><\/td>\n<\/tr>\n
Vocals:<\/td>\nElvis Presley<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Guadalajara (vocal overdub)<\/strong><\/div>\n<\/td>\n
\n
\u00a0<\/div>\n<\/td>\n
PVX<\/strong><\/td>\nFebruary 27 1963 (Wed)<\/strong><\/td>\n<\/tr>\n
Take 1<\/td>\nLFS<\/td>\n1:36<\/td>\nVocal overdub of spliced ‘track’<\/a><\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 2<\/td>\nComplete<\/td>\n2:57<\/td>\n(ending used for spliced master)
\n“needs fade”<\/em><\/td>\n		Fun In Acapulco (FTD)\u00b0\u00b0 (faded – 2:29)+A Legendary Performer Vol. 3
\n(vinyl)\u00b0\u00b0+The Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0 (count-in)<\/td>\n<\/tr>\n
Take 3<\/td>\nFS<\/td>\n0:17<\/td>\n“Tempo is wrong – it will never happen”<\/em><\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 4<\/td>\nComplete<\/td>\n2:57<\/td>\n“needs fade”<\/em><\/td>\nFun In Acapulco (FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0
\n(count-in)<\/td>\n<\/tr>\n
Take 5<\/td>\nFS<\/td>\n0:46<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 6<\/td>\nComplete<\/td>\n2:58<\/td>\n(used for spliced master)
\n“different ending”<\/em><\/td>\n		The Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 7<\/td>\nLFS<\/td>\n1:22<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 8<\/td>\nLFS<\/td>\n1:39<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 9<\/td>\nFS<\/td>\n0:40<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
Take 10<\/td>\nLFS<\/td>\n1:39<\/td>\n\u00a0<\/td>\nThe Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Spliced<\/td>\nM<\/b><\/td>\n2:45<\/td>\nSpliced from v.o. takes 6 & 2<\/td>\nComplete Elvis Presley Masters 9 (Sony)\u00b0\u00b0~Around The World (Franklin
\nMint Comp. Masters Collection 20)\u00b0\u00b0~Fun In Acapulco (remastered
\nsoundtrack)\u00b0\u00b0~Fun In Acapulco (FTD)\u00b0\u00b0~Double Features – It Happened
\nAt The Worlds Fair \/ Fun In Acapulco\u00b0\u00b0~The Fun In Acapulco Sessions 1
\n(FTD)\u00b0\u00b0+The Fun In Acapulco Sessions 3 (FTD)\u00b0\u00b0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n
\n
\n
\u00a0<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n\n\n\n
\n
\n

The definitive release of these sessions can be found on Follow That Dream’s limited edition The Fun In Acapulco Sessions<\/em> 3xCD set, where everything has been restored, remixed and remastered from scratch, and all masters and outtakes are presented in the best possible sound.<\/p>\n

The master is spliced from Take 6 and the last word from Take 2.<\/p>\n

The master track for \u2018Guadalajara\u2019 doesn\u2019t match the backing track Elvis does his vocal overdub to, on FTD’s The Fun In Acapulco Sessions<\/em> or the acetate containing the spliced master track, in that there are additional voices and instruments heard on the track used for the vocal overdub, which are not heard on the actual spliced master track. This means that an overdub was done either at the session on January 23 or before Elvis actually recorded his own vocals on this day.<\/p>\n

There once was some information about ‘Guadalajara’ (v.o. take 2) being released on Double Features<\/em> by mistake, but at least one copy of that CD has the spliced master as it should have.<\/p>\n

Take 2 on the Follow That Dream extended soundtrack of Fun In Acapulco<\/em> is faded – It is complete on the vinyl Elvis – A Legendary Performer Volume <\/em>3.<\/p>\n

The left and right channels are swapped on Double Features<\/em>.<\/p>\n

In March of 2007, Sony decided to go through all of Elvis’ masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy<\/em> releases, the 30 disc Complete Elvis Presley Masters<\/em> collection and the Franklin Mint<\/em> package.<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

January 21 1963 (+ means you need both \u00a0\u00a0 ~ means same material \u00a0\u00a0 \u00b0\u00b0 means stereo or binaural \u00a0\u00a0 \u00b0 means mono) (SFS = Short False Start | FS = False […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2793","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2793"}],"version-history":[{"count":2,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2793\/revisions"}],"predecessor-version":[{"id":2797,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2793\/revisions\/2797"}],"wp:attachment":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}