{"id":2525,"date":"2023-10-22T14:45:50","date_gmt":"2023-10-22T12:45:50","guid":{"rendered":"https:\/\/elvis.linuxles.be\/?p=2525"},"modified":"2026-08-19T20:48:46","modified_gmt":"2026-08-19T18:48:46","slug":"follow-that-dream-251-300","status":"publish","type":"post","link":"https:\/\/elvis.linuxles.be\/?p=2525","title":{"rendered":"Follow That Dream 251-300"},"content":{"rendered":"

1-50<\/a> | <\/a>51-100<\/a> | <\/a>101-150<\/a> | <\/a>151-200<\/a> | <\/a>201-250<\/a> |\u00a0<\/a>251-300<\/a><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Nr<\/th>\n\n

Titel<\/p>\n<\/th>\n

\n

Formaat<\/p>\n<\/th>\n

\n

Release<\/p>\n<\/th>\n

\n

Catalogusnr<\/p>\n<\/th>\n

\n

Inhoud<\/p>\n<\/th>\n<\/tr>\n

251<\/td>\n\n

From Vegas To Tahoe<\/a><\/p>\n<\/td>\n

\n

3CD<\/p>\n<\/td>\n

\n

07\/2022<\/p>\n<\/td>\n

\n

506020 975170<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

252<\/td>\nIt Happened At The World’s Fair<\/td>\n\n

2LP<\/p>\n<\/td>\n

\n

11\/2022<\/p>\n<\/td>\n

\n

506020-975165<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

253<\/td>\nLas Vegas ’71<\/a><\/td>\n\n

3CD<\/p>\n<\/td>\n

\n

11\/2022<\/p>\n<\/td>\n

\n

506020 975173<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

254<\/td>\nFrom Louisiana And Memphis<\/a><\/td>\n\n

4CD<\/p>\n<\/td>\n

\n

01\/2023<\/p>\n<\/td>\n

\n

506020 975176<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

255<\/td>\nLet Me Be There<\/a><\/td>\n\n

3CD<\/p>\n<\/td>\n

\n

03\/2023<\/p>\n<\/td>\n

\n

506020 975178<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

256<\/td>\nFrom Elvis Presley Boulevard<\/td>\n\n

2LP<\/p>\n<\/td>\n

\n

03\/2023<\/p>\n

11\/2023 (unnumbered)<\/p>\n<\/td>\n

\n

506020-975163<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

257<\/td>\nAs Recorded At Madison Square Garden<\/a><\/td>\n\n

3CD 8″<\/p>\n<\/td>\n

\n

04\/2023<\/p>\n<\/td>\n

\n

506020-975174<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

258<\/td>\nThe Making Of Blue Hawaii<\/a><\/td>\n\n

boek + 4CD + EP<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

506020-975177<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

259<\/td>\nHouston, Fort Worth, Baton Rouge 1974<\/a><\/td>\n\n

3CD<\/p>\n<\/td>\n

\n

06\/2023<\/p>\n<\/td>\n

\n

506020-975179<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

260<\/td>\nFun In Acapulco<\/td>\n\n

2LP<\/p>\n<\/td>\n

\n

06\/2023<\/p>\n<\/td>\n

\n

506020-975175<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

261<\/td>\nHow Great Thou Art Sessions<\/a><\/td>\n\n

5CD<\/p>\n<\/td>\n

\n

08\/2023<\/p>\n<\/td>\n

\n

506020 975171<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

262<\/td>\nAugust Season In Vegas<\/a><\/td>\n\n

3CD<\/p>\n<\/td>\n

\n

09\/2023<\/p>\n<\/td>\n

\n

506020-975180<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

263<\/td>\nElvis Now In Person 1972<\/a><\/td>\n\n

2 boek + 4CD + 33rpm EP<\/p>\n<\/td>\n

\n

11\/2023<\/p>\n<\/td>\n

\n

506020-975181<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

264<\/td>\nSummer of ’76<\/a><\/td>\n\n

3CD<\/p>\n<\/td>\n

\n

11\/2023<\/p>\n<\/td>\n

\n

506020-975184<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

265<\/td>\nThe Blue Hawaii Sessions<\/a><\/td>\n\n

4CD<\/p>\n<\/td>\n

\n

04\/2024<\/p>\n<\/td>\n

\n

506020-975185<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

266<\/td>\nStateline Sahara 1974<\/a><\/td>\n\n

3CD<\/p>\n<\/td>\n

\n

04\/2024<\/p>\n<\/td>\n

\n

506020-975186<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

267<\/td>\nMoody Blue (Gold Vinyl)<\/a><\/td>\n\n

2LP<\/p>\n<\/td>\n

\n

06\/2024<\/p>\n<\/td>\n

\n

506020-975182<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

268<\/td>\nCelluloid Sell-Out! volume 2<\/a><\/td>\n\n

book+2CD<\/p>\n<\/td>\n

\n

08\/2024<\/p>\n<\/td>\n

\n

506020-975189<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

269<\/td>\nGuitar Man – The ’67\/’68 Sessions<\/a><\/td>\n\n

5CD 8″<\/p>\n<\/td>\n

\n

08\/2024<\/p>\n<\/td>\n

\n

506020-975187<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

270<\/td>\nThe Last Tours Volume 1<\/a><\/td>\n\n

4CD 5″<\/p>\n<\/td>\n

\n

10\/2024<\/p>\n<\/td>\n

\n

506020-975190<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

271<\/td>\nCalifornia Holiday<\/a><\/td>\n\n

2LP<\/p>\n<\/td>\n

\n

12\/2024<\/p>\n<\/td>\n

\n

506020-975188<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

272<\/td>\nThe Girl Happy Sessions<\/a><\/td>\n\n

3CD 8″<\/p>\n<\/td>\n

\n

12\/2024<\/p>\n<\/td>\n

\n

506020-975191<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

273<\/td>\nThe Making of King Creole<\/a><\/td>\n\n

Book+2CD+10″ LP<\/p>\n<\/td>\n

\n

12\/2024<\/p>\n<\/td>\n

\n

506020-975192<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

274<\/td>\nThe Last Tours volume 2<\/a><\/td>\n\n

3CD 5″<\/p>\n<\/td>\n

\n

12\/2024<\/p>\n<\/td>\n

\n

506020-975193<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

275<\/td>\nJune ’75<\/a><\/td>\n\n

4CD 5″<\/p>\n<\/td>\n

\n

02\/2025<\/p>\n<\/td>\n

\n

506020-975194<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

276<\/td>\nGirl Happy<\/td>\n\n

2LP<\/p>\n<\/td>\n

\n

05\/2025<\/p>\n<\/td>\n

\n

506020-<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

277<\/td>\nElvis ’57 \u2013 The Final Fifties Tours<\/a><\/td>\n\n

book+EP<\/p>\n<\/td>\n

\n

06\/2025<\/p>\n<\/td>\n

\n

506020-<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

278<\/td>\nHarum Scarum<\/a><\/td>\n\n

3CD 8″<\/p>\n<\/td>\n

\n

06\/2025<\/p>\n<\/td>\n

\n

506020-975196<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

279<\/td>\nHarem Holiday<\/a><\/td>\n\n

2LP<\/p>\n<\/td>\n

\n

09\/2025<\/p>\n<\/td>\n

\n

506020-975198<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

280<\/td>\nThe Last Tours volume 3<\/a><\/td>\n\n

3CD 5″<\/p>\n<\/td>\n

\n

09\/2025<\/p>\n<\/td>\n

\n

506020-975201<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

281<\/td>\nThe Making of G.I. Blues<\/a><\/td>\n\n

BOOK+5CD+EP<\/p>\n<\/td>\n

\n

12\/2025<\/p>\n<\/td>\n

\n

506020-975202<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

282<\/td>\nGood Times, The Outtakes<\/td>\n\n

2LP (coloured)<\/p>\n<\/td>\n

\n

12\/2025<\/p>\n<\/td>\n

\n

506020-975200<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

283<\/td>\nThe Last Concert<\/a><\/td>\n3CD 5″<\/td>\n04\/2026<\/td>\n506020-975205<\/td>\n\u00a0<\/td>\n<\/tr>\n
284<\/td>\nClambake<\/a><\/td>\n\n

2LP<\/p>\n<\/td>\n

\n

04\/2026<\/p>\n<\/td>\n

\n

506020-975204<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

285<\/td>\nThe Paradise Hawaiian Style Sessions<\/a><\/td>\n\n

CD 8″<\/p>\n<\/td>\n

\n

08\/2026<\/p>\n<\/td>\n

\n

506020-975206<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

286<\/td>\nPromised Land (2nd 2LP)<\/a><\/td>\n\n

2LP<\/p>\n<\/td>\n

\n

07\/2026<\/p>\n<\/td>\n

\n

506020-975210<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

287<\/td>\nSummer Nights<\/a><\/td>\n\n

4CD 5″<\/p>\n<\/td>\n

\n

08\/2026<\/p>\n<\/td>\n

\n

506020-975203<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

288<\/td>\nSoldier Boy<\/a><\/td>\n\n

Book +4CD<\/p>\n<\/td>\n

\n

08\/2026<\/p>\n<\/td>\n

\n

506020 975207<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/td>\nParadise, Hawaiian Style (FTD-2LP)<\/a><\/td>\n2LP<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\n

 <\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/td>\nFranky and Johnny Sessions (FTD-3CD)<\/a><\/td>\n3CD 8″<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\n

 <\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/td>\nMemphis March 1974 (FTD-3CD)<\/a><\/td>\n3CD 5″<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\n

 <\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/td>\nCelluloid Sell-Out 1968-1969 (FTD Book+2CD)<\/a><\/td>\nBook +2CD<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\n

 <\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Deel 6 van de lijst of FTD-uitgaven.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2525","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2525","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2525"}],"version-history":[{"count":2,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2525\/revisions"}],"predecessor-version":[{"id":3249,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/2525\/revisions\/3249"}],"wp:attachment":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2525"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2525"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}