{"id":1764,"date":"2020-07-28T20:06:13","date_gmt":"2020-07-28T18:06:13","guid":{"rendered":"https:\/\/elvis.linuxles.be\/?p=1764"},"modified":"2021-09-01T20:53:32","modified_gmt":"2021-09-01T18:53:32","slug":"1764","status":"publish","type":"post","link":"https:\/\/elvis.linuxles.be\/?p=1764","title":{"rendered":"Opnames In studio B Nashville"},"content":{"rendered":"\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

June 4 \/ 5 1970 (Thursday \/ Friday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Mystery Train \/ Tiger Man (jam)<\/p>\n<\/td>\n

\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\n

Twenty Days And Twenty Nights<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1593-09<\/p>\n<\/td>\n<\/tr>\n

\n

I’ve Lost You<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1594-07<\/p>\n<\/td>\n<\/tr>\n

\n

I Was Born About Ten Thousand Years Ago<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1595-01<\/p>\n<\/td>\n<\/tr>\n

\n

The Sound Of Your Cry<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1596-11<\/p>\n<\/td>\n<\/tr>\n

\n

Faded Love (country version)<\/p>\n<\/td>\n

\n

WPA5<\/p>\n<\/td>\n

\n

2584-01<\/p>\n<\/td>\n<\/tr>\n

\n

The Fool<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1597-02<\/p>\n<\/td>\n<\/tr>\n

\n

A Hundred Years From Now<\/p>\n<\/td>\n

\n

WPA5<\/p>\n<\/td>\n

\n

2569-SP<\/p>\n<\/td>\n<\/tr>\n

\n

Little Cabin On The Hill<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1598-02<\/p>\n<\/td>\n<\/tr>\n

\n

Cindy, Cindy<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1599-03<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

June 5 \/ 6 1970 (Friday \/ Saturday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Bridge Over Troubled Water<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1600-08<\/p>\n<\/td>\n<\/tr>\n

\n

Got My Mojo Working \/ Keep Your Hands Off Of It<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1601-01<\/p>\n<\/td>\n<\/tr>\n

\n

How The Web Was Woven<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1602-03<\/p>\n<\/td>\n<\/tr>\n

\n

It’s Your Baby, You Rock It<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1603-05<\/p>\n<\/td>\n<\/tr>\n

\n

Stranger In The Crowd<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1604-09<\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Never Know<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1605-07<\/p>\n<\/td>\n<\/tr>\n

\n

Mary In The Morning<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1606-05<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

June 6 \/ 7 1970 (Saturday \/ Sunday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I Didn’t Make It On Playing Guitar (jam)<\/p>\n<\/td>\n

\n

WPA5<\/p>\n<\/td>\n

\n

2583<\/p>\n<\/td>\n<\/tr>\n

\n

It Ain’t No Big Thing (But It’s Growing)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1607-09<\/p>\n<\/td>\n<\/tr>\n

\n

You Don’t Have To Say You Love Me<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1608-03<\/p>\n<\/td>\n<\/tr>\n

\n

Just Pretend<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1609-03<\/p>\n<\/td>\n<\/tr>\n

\n

This Is Our Dance<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1610-11<\/p>\n<\/td>\n<\/tr>\n

\n

Life<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1613-20<\/p>\n<\/td>\n<\/tr>\n

\n

Heart Of Rome<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1614-03<\/p>\n<\/td>\n<\/tr>\n

\n

Heart Of Rome (work part)<\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-01<\/p>\n<\/td>\n<\/tr>\n

\n

Heart Of Rome (composite)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1614-SP<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

June 7 \/ 8 1970 (Sunday \/ Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

When I’m Over You<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1615-01<\/p>\n<\/td>\n<\/tr>\n

\n

I Really Don’t Want To Know<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1616-04<\/p>\n<\/td>\n<\/tr>\n

\n

Faded Love<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1617-01<\/p>\n<\/td>\n<\/tr>\n

\n

Tomorrow Never Comes<\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-13<\/p>\n<\/td>\n<\/tr>\n

\n

Tomorrow Never Comes (work part – ending)<\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-01<\/p>\n<\/td>\n<\/tr>\n

\n

Tomorrow Never Comes (composite)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1618-SP<\/p>\n<\/td>\n<\/tr>\n

\n

The Next Step Is Love<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1619-11<\/p>\n<\/td>\n<\/tr>\n

\n

Make The World Go Away<\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-03<\/p>\n<\/td>\n<\/tr>\n

\n

Make The World Go Away (work part – ending)<\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-01<\/p>\n<\/td>\n<\/tr>\n

\n

Make The World Go Away (composite)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1620-SP<\/p>\n<\/td>\n<\/tr>\n

\n

Funny How Time Slips Away (remake)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1621-01<\/p>\n<\/td>\n<\/tr>\n

\n

I Washed My Hands In Muddy Water<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1622-01<\/p>\n<\/td>\n<\/tr>\n

\n

Love Letters (remake)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1623-05<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

June 8 \/ 9 1970 (Monday \/ Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

There Goes My Everything<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1624-03<\/p>\n<\/td>\n<\/tr>\n

\n

If I Were You<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1625-09<\/p>\n<\/td>\n<\/tr>\n

\n

Only Believe<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1626-04<\/p>\n<\/td>\n<\/tr>\n

\n

Sylvia<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1627-08<\/p>\n<\/td>\n<\/tr>\n

\n

Patch It Up<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1628-08<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

June 9 1970 (Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I’ve Lost You (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1594<\/p>\n<\/td>\n<\/tr>\n

\n

Bridge Over Troubled Water (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1600<\/p>\n<\/td>\n<\/tr>\n

\n

Just Pretend (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1609 (?)<\/p>\n<\/td>\n<\/tr>\n

\n

The Next Step Is Love (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1619<\/p>\n<\/td>\n<\/tr>\n

\n

Sylvia (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1627<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

June 22 1970 (Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Twenty Days And Twenty Nights (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1593<\/p>\n<\/td>\n<\/tr>\n

\n

I’ve Lost You (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1594 (?)<\/p>\n<\/td>\n<\/tr>\n

\n

The Sound Of Your Cry (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1596<\/p>\n<\/td>\n<\/tr>\n

\n

Cindy, Cindy (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1599<\/p>\n<\/td>\n<\/tr>\n

\n

Bridge Over Troubled Water (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1600<\/p>\n<\/td>\n<\/tr>\n

\n

Got My Mojo Working \/ Keep Your Hands Off Of It (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1601<\/p>\n<\/td>\n<\/tr>\n

\n

How The Web Was Woven (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1602 (?)<\/p>\n<\/td>\n<\/tr>\n

\n

It’s Your Baby, You Rock It (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1603<\/p>\n<\/td>\n<\/tr>\n

\n

Stranger In The Crowd (Overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1604 (?)<\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Never Know (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1605<\/p>\n<\/td>\n<\/tr>\n

\n

It Ain’t No Big Thing (But It’s Growing) (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1607<\/p>\n<\/td>\n<\/tr>\n

\n

Just Pretend (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1609<\/p>\n<\/td>\n<\/tr>\n

\n

This Is Our Dance (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1610<\/p>\n<\/td>\n<\/tr>\n

\n

Life (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1613<\/p>\n<\/td>\n<\/tr>\n

\n

The Next Step Is Love (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1619<\/p>\n<\/td>\n<\/tr>\n

\n

Sylvia (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1627<\/p>\n<\/td>\n<\/tr>\n

\n

Patch It Up (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1628<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

June 23 1970 (Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Bridge Over Troubled Water (vocal replacement & harmony vocal overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1600<\/p>\n<\/td>\n<\/tr>\n

\n

There Goes My Everything (harmony vocal overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1624<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

June 30 1970 (Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Twenty Days And Twenty Nights (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1593<\/p>\n<\/td>\n<\/tr>\n

\n

I’ve Lost You (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1594<\/p>\n<\/td>\n<\/tr>\n

\n

The Sound Of Your Cry (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1596<\/p>\n<\/td>\n<\/tr>\n

\n

Bridge Over Troubled Water (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1600<\/p>\n<\/td>\n<\/tr>\n

\n

Got My Mojo Working \/ Keep Your Hands Off Of It (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1601-<\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Never Know (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1605<\/p>\n<\/td>\n<\/tr>\n

\n

It Ain’t No Big Thing (But It’s Growing) (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1607<\/p>\n<\/td>\n<\/tr>\n

\n

You Don’t Have To Say You Love Me (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1608<\/p>\n<\/td>\n<\/tr>\n

\n

Just Pretend (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1609<\/p>\n<\/td>\n<\/tr>\n

\n

This Is Our Dance (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1610<\/p>\n<\/td>\n<\/tr>\n

\n

Life (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1613<\/p>\n<\/td>\n<\/tr>\n

\n

I Really Don’t Want To Know (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1616<\/p>\n<\/td>\n<\/tr>\n

\n

Faded Love (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1617<\/p>\n<\/td>\n<\/tr>\n

\n

Tomorrow Never Comes (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1618<\/p>\n<\/td>\n<\/tr>\n

\n

The Next Step Is Love (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1619<\/p>\n<\/td>\n<\/tr>\n

\n

There Goes My Everything (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1624<\/p>\n<\/td>\n<\/tr>\n

\n

If I Were You (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1625<\/p>\n<\/td>\n<\/tr>\n

\n

Only Believe (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1626<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

July 20 1970 (Monday Afternoon)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Heart Of Rome (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1614<\/p>\n<\/td>\n<\/tr>\n

\n

Mary In The Morning (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1606<\/p>\n<\/td>\n<\/tr>\n

\n

I Washed My Hands In Muddy Water (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1622 (?)<\/p>\n<\/td>\n<\/tr>\n

\n

Sylvia (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1627<\/p>\n<\/td>\n<\/tr>\n

\n

Stranger In The Crowd (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1604<\/p>\n<\/td>\n<\/tr>\n

\n

How The Web Was Woven (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1602<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

July 20 1970 (Monday Evening)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Cindy, Cindy (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1599<\/p>\n<\/td>\n<\/tr>\n

\n

Got My Mojo Working \/ Keep Your Hands Off Of It (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1601<\/p>\n<\/td>\n<\/tr>\n

\n

How The Web Was Woven (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1602<\/p>\n<\/td>\n<\/tr>\n

\n

Patch It Up (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1628<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

July 22 1970 (Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Little Cabin On The Hill (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1598<\/p>\n<\/td>\n<\/tr>\n

\n

How The Web Was Woven (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1602<\/p>\n<\/td>\n<\/tr>\n

\n

Sylvia (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1627<\/p>\n<\/td>\n<\/tr>\n

\n

Patch It Up (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1628<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

September 21 1970 (Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Make The World Go Away (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1620<\/p>\n<\/td>\n<\/tr>\n

\n

Funny How Time Slips Away (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1621<\/p>\n<\/td>\n<\/tr>\n

\n

There Goes My Everything (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1624<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

September 22 1970 (Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Snowbird<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1797-06<\/p>\n<\/td>\n<\/tr>\n

\n

Where Did They Go, Lord<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1798-06<\/p>\n<\/td>\n<\/tr>\n

\n

Whole Lotta Shakin’ Goin’ On<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1799-02<\/p>\n<\/td>\n<\/tr>\n

\n

Rags To Riches<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1800-03<\/p>\n<\/td>\n<\/tr>\n

\n

Rags To Riches (composite)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1800-SP<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

September 22 1970 (Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Where Did They Go, Lord (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1798<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

September 23 1970 (Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Snowbird (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1797<\/p>\n<\/td>\n<\/tr>\n

\n

Where Did They Go, Lord (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1798<\/p>\n<\/td>\n<\/tr>\n

\n

Rags To Riches (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1800<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

October 1 1970 (Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

The Sound Of Your Cry (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1596<\/p>\n<\/td>\n<\/tr>\n

\n

The Fool (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1597<\/p>\n<\/td>\n<\/tr>\n

\n

Cindy, Cindy (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1599<\/p>\n<\/td>\n<\/tr>\n

\n

Bridge Over Troubled Water (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1600<\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Never Know (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1605<\/p>\n<\/td>\n<\/tr>\n

\n

Mary In The Morning (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1606<\/p>\n<\/td>\n<\/tr>\n

\n

It Ain’t No Big Thing (But It’s Growing) overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1607 (?)<\/p>\n<\/td>\n<\/tr>\n

\n

When I’m Over You (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1615<\/p>\n<\/td>\n<\/tr>\n

\n

I Really Don’t Want To Know (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1616<\/p>\n<\/td>\n<\/tr>\n

\n

Tomorrow Never Comes (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1618<\/p>\n<\/td>\n<\/tr>\n

\n

Make The World Go Away (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1620<\/p>\n<\/td>\n<\/tr>\n

\n

Funny How Time Slips Away (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1621<\/p>\n<\/td>\n<\/tr>\n

\n

There Goes My Everything (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1624<\/p>\n<\/td>\n<\/tr>\n

\n

If I Were You (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1625<\/p>\n<\/td>\n<\/tr>\n

\n

Only Believe (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1626<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

October 12 1970 (Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Whole Lotta Shakin’ Goin’ On (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1799<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

October 27 1970 (Tuesday Afternoon)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Snowbird (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1797 (?)<\/p>\n<\/td>\n<\/tr>\n

\n

It Ain’t No Big Thing (But It’s Growing) (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1607<\/p>\n<\/td>\n<\/tr>\n

\n

Make The World Go Away (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1620<\/p>\n<\/td>\n<\/tr>\n

\n

Funny How Time Slips Away (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1621<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

October 27 1970 (Tuesday Evening)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

This Is Our Dance (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1610<\/p>\n<\/td>\n<\/tr>\n

\n

Life (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1613<\/p>\n<\/td>\n<\/tr>\n

\n

When I’m Over You (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1615<\/p>\n<\/td>\n<\/tr>\n

\n

Love Letters (overdub)<\/p>\n<\/td>\n

\n

ZPA4<\/p>\n<\/td>\n

\n

1623<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

March 15 1971 (Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

The First Time Ever I Saw Your Face (duet with Ginger Holladay)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1255-12<\/p>\n<\/td>\n<\/tr>\n

\n

The First Time Ever I Saw Your Face<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1255-12<\/p>\n<\/td>\n<\/tr>\n

\n

Amazing Grace<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1256-05<\/p>\n<\/td>\n<\/tr>\n

\n

Early Mornin’ Rain<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1257-SP<\/p>\n<\/td>\n<\/tr>\n

\n

(That’s What You Get) For Lovin’ Me<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1258-12<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

March 16 1971 (Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

March 17 1971 (Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

March 18 1971 (Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

March 18 1971 (Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

The First Time Ever I Saw Your Face (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1255<\/p>\n<\/td>\n<\/tr>\n

\n

Amazing Grace (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1256<\/p>\n<\/td>\n<\/tr>\n

\n

Early Mornin’ Rain (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1257<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

May 15 \/ 16 1971 (Saturday \/ Sunday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Miracle Of The Rosary<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1259-04<\/p>\n<\/td>\n<\/tr>\n

\n

It Won’t Seem Like Christmas (Without You)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1260-07<\/p>\n<\/td>\n<\/tr>\n

\n

If I Get Home On Christmas Day<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1261-08<\/p>\n<\/td>\n<\/tr>\n

\n

Padre<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1262-SP<\/p>\n<\/td>\n<\/tr>\n

\n

Holly Leaves And Christmas Trees<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1263-10<\/p>\n<\/td>\n<\/tr>\n

\n

Merry Christmas Baby<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1264-01<\/p>\n<\/td>\n<\/tr>\n

\n

Merry Christmas Baby<\/p>\n<\/td>\n

\n

MWA5<\/p>\n<\/td>\n

\n

9086-01<\/p>\n<\/td>\n<\/tr>\n

\n

Silver Bells<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1265-02<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

May 16 \/ 17 1971 (Sunday \/ Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Be Home On Christmas Day<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1266-04<\/p>\n<\/td>\n<\/tr>\n

\n

The Lord’s Prayer (informal jam)<\/p>\n<\/td>\n

\n

WPA5<\/p>\n<\/td>\n

\n

2571<\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Be Home On Christmas Day<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1266-08<\/p>\n<\/td>\n<\/tr>\n

\n

On A Snowy Christmas Night<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1267-NA<\/p>\n<\/td>\n<\/tr>\n

\n

Winter Wonderland<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1268-10<\/p>\n<\/td>\n<\/tr>\n

\n

Don’t Think Twice, It’s All Right (jam)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1269-01<\/p>\n<\/td>\n<\/tr>\n

\n

O Come, All Ye Faithful<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1270-01<\/p>\n<\/td>\n<\/tr>\n

\n

O Come, All Ye Faithful<\/p>\n<\/td>\n

\n

MWA5<\/p>\n<\/td>\n

\n

9085-02<\/p>\n<\/td>\n<\/tr>\n

\n

The First Noel<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1271-NA<\/p>\n<\/td>\n<\/tr>\n

\n

The Wonderful World Of Christmas<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1272-NA<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

May 17 \/ 18 1971 (Monday \/ Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Don’t Think Twice, It’s All Right (jam)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1269-02<\/p>\n<\/td>\n<\/tr>\n

\n

Help Me Make It Through The Night<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1273-SP<\/p>\n<\/td>\n<\/tr>\n

\n

Until It’s Time For You To Go<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1274-08<\/p>\n<\/td>\n<\/tr>\n

\n

Lady Madonna (informal recording)<\/p>\n<\/td>\n

\n

WPA5<\/p>\n<\/td>\n

\n

2572<\/p>\n<\/td>\n<\/tr>\n

\n

Lead Me, Guide Me<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1275-06<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

May 18 \/ 19 1971 (Tuesday \/ Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Fools Rush In (Where Angels Fear To Tread)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1276-24<\/p>\n<\/td>\n<\/tr>\n

\n

He Touched Me<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1277-04<\/p>\n<\/td>\n<\/tr>\n

\n

Johnny B. Goode (jam)<\/p>\n<\/td>\n

\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\n

I’ve Got Confidence<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1278-02<\/p>\n<\/td>\n<\/tr>\n

\n

An Evening Prayer<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1279-10<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

May 19 \/ 20 1971 (Wednesday \/ Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Miracle Of The Rosary (harmony vocal overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1259<\/p>\n<\/td>\n<\/tr>\n

\n

Seeing Is Believing<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1280-14<\/p>\n<\/td>\n<\/tr>\n

\n

A Thing Called Love<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1281-09<\/p>\n<\/td>\n<\/tr>\n

\n

It’s Still Here<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1282-05<\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Take You Home Again Kathleen<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1283-01<\/p>\n<\/td>\n<\/tr>\n

\n

I Will Be True<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1284-03<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

May 20 \/ 21 1971 (Thursday \/ Friday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I’m Leavin’<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1285-NA<\/p>\n<\/td>\n<\/tr>\n

\n

We Can Make The Morning<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1286-NA<\/p>\n<\/td>\n<\/tr>\n

\n

It’s Only Love<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1287-04<\/p>\n<\/td>\n<\/tr>\n

\n

I Shall Be Released (informal rehearsal)<\/p>\n<\/td>\n

\n

WPA5<\/p>\n<\/td>\n

\n

2573<\/p>\n<\/td>\n<\/tr>\n

\n

It’s Only Love<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1287-10<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

May 21 1971 (Friday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

It’s Only Love (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1287<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

May 21 \/ 22 1971 (Friday \/ Saturday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Love Me, Love The Life I Lead<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1288-12<\/p>\n<\/td>\n<\/tr>\n

\n

The First Time Ever I Saw Your Face (duet with Temple Riser)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1255-01<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

May 24 1971 (Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

It Won’t Seem Like Christmas (Without You) (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1260<\/p>\n<\/td>\n<\/tr>\n

\n

If I Get Home On Christmas Day (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1261<\/p>\n<\/td>\n<\/tr>\n

\n

Holly Leaves And Christmas Trees (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1263<\/p>\n<\/td>\n<\/tr>\n

\n

Silver Bells (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1265<\/p>\n<\/td>\n<\/tr>\n

\n

On A Snowy Christmas Night (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1267<\/p>\n<\/td>\n<\/tr>\n

\n

The First Noel (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1271<\/p>\n<\/td>\n<\/tr>\n

\n

The Wonderful World Of Christmas (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1272<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

May 25 1971 (Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

We Can Make The Morning (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1286<\/p>\n<\/td>\n<\/tr>\n

\n

It’s Only Love (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1287<\/p>\n<\/td>\n<\/tr>\n

\n

I’m Leavin’ (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1285<\/p>\n<\/td>\n<\/tr>\n

\n

Miracle Of The Rosary (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1259<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

June 8 \/ 9 1971 (Tuesday \/ Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Until It’s Time For You To Go (remake)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1289-10<\/p>\n<\/td>\n<\/tr>\n

\n

Put Your Hand In The Hand<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1290-02<\/p>\n<\/td>\n<\/tr>\n

\n

Reach Out To Jesus<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1291-10<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

June 9 \/ 10 1971 (Wednesday \/ Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

He Is My Everything<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1292-NA<\/p>\n<\/td>\n<\/tr>\n

\n

There Is No God But God<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1293-05<\/p>\n<\/td>\n<\/tr>\n

\n

I, John<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1294-02<\/p>\n<\/td>\n<\/tr>\n

\n

Bosom Of Abraham<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1295-06<\/p>\n<\/td>\n<\/tr>\n

\n

The First Time Ever I Saw Your Face (vocal repairs)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1255<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

June 10 \/ 11 1971 (Thursday \/ Friday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

My Way<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1296-03<\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Be Home On Christmas Day (remake)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1297-NA<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

June 11 1971 (Friday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio’s – Hollywood, California (overdub session)<\/strong><\/p>\n<\/td>\n

\n

June 21 1971 (Monday Afternoon)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

O Come, All Ye Faithful (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1270<\/p>\n<\/td>\n<\/tr>\n

\n

The First Time Ever I Saw Your Face (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1255<\/p>\n<\/td>\n<\/tr>\n

\n

The Wonderful World Of Christmas (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1272<\/p>\n<\/td>\n<\/tr>\n

\n

If I Get Home On Christmas Day (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1261<\/p>\n<\/td>\n<\/tr>\n

\n

It’s Only Love (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1287<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
\n

RCA Studio’s – Hollywood, California (overdub session)<\/strong><\/p>\n<\/td>\n

\n

June 21 1971 (Monday Evening)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Love Me, Love The Life I Lead (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1288<\/p>\n<\/td>\n<\/tr>\n

\n

A Thing Called Love (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1281<\/p>\n<\/td>\n<\/tr>\n

\n

Padre (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1262<\/p>\n<\/td>\n<\/tr>\n

\n

We Can Make The Morning (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1286<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio’s – Hollywood, California (overdub session)<\/strong><\/p>\n<\/td>\n

\n

June 22 1971 (Tuesday Afternoon)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Silver Bells (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1265<\/p>\n<\/td>\n<\/tr>\n

\n

Holly Leaves And Christmas Trees (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1263<\/p>\n<\/td>\n<\/tr>\n

\n

Miracle Of The Rosary (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1259<\/p>\n<\/td>\n<\/tr>\n

\n

On A Snowy Christmas Night (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1267<\/p>\n<\/td>\n<\/tr>\n

\n

Help Me Make It Through The Night (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1273<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
\n

RCA Studio’s – Hollywood, California (overdub session)<\/strong><\/p>\n<\/td>\n

\n

June 22 1971 (Tuesday Evening)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

He Is My Everything (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1292<\/p>\n<\/td>\n<\/tr>\n

\n

Until It’s Time For You To Go (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1289<\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Be Home On Christmas Day (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1266<\/p>\n<\/td>\n<\/tr>\n

\n

It Won’t Seem Like Christmas (Without You) (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1260<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

RCA Studio’s – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

July 26 1971 (Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Merry Christmas Baby (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1264<\/p>\n<\/td>\n<\/tr>\n

\n

Silver Bells (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1265<\/p>\n<\/td>\n<\/tr>\n

\n

O Come, All Ye Faithful (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1270<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

February 8 1972 (Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I, John (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1294<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

February 21 1972 (Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I, John (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1294<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

RCA Studio C – Hollywood, California<\/strong><\/p>\n<\/td>\n

\n

March 27 \/ 28 1972 (Monday \/ Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Separate Ways<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1149-21<\/p>\n<\/td>\n<\/tr>\n

\n

For The Good Times<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1150-04<\/p>\n<\/td>\n<\/tr>\n

\n

Where Do I Go From Here<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1151-08<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

RCA Studio C – Hollywood, California<\/strong><\/p>\n<\/td>\n

\n

March 28 \/ 29 1972 (Tuesday \/ Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Burning Love<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1257-06<\/p>\n<\/td>\n<\/tr>\n

\n

Fool<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1258-02<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

RCA Studio C – Hollywood, California<\/strong><\/p>\n<\/td>\n

\n

March 29 \/ 30 1972 (Wednesday \/ Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Always On My Mind<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1259-01<\/p>\n<\/td>\n<\/tr>\n

\n

It’s A Matter Of Time<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1260-05<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio C – Hollywood, California<\/strong><\/p>\n<\/td>\n

\n

March 30 1972 (Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

(Mock ‘Studio’ Session)<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

\n

Burning Love<\/p>\n<\/td>\n

\n

HRA1<\/p>\n<\/td>\n

\n

8619-03<\/p>\n<\/td>\n<\/tr>\n

\n

For The Good Times<\/p>\n<\/td>\n

\n

HRA1<\/p>\n<\/td>\n

\n

8620-07<\/p>\n<\/td>\n<\/tr>\n

\n

El Paso<\/p>\n<\/td>\n

\n

HRA1<\/p>\n<\/td>\n

\n

8621<\/p>\n<\/td>\n<\/tr>\n

\n

Johnny B. Goode<\/p>\n<\/td>\n

\n

HRA1<\/p>\n<\/td>\n

\n

8622-03<\/p>\n<\/td>\n<\/tr>\n

\n

A Big Hunk O’ Love<\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-01<\/p>\n<\/td>\n<\/tr>\n

\n

Always On My Mind<\/p>\n<\/td>\n

\n

LPA5<\/p>\n<\/td>\n

\n

5821-03<\/p>\n<\/td>\n<\/tr>\n

\n

Separate Ways<\/p>\n<\/td>\n

\n

HRA1<\/p>\n<\/td>\n

\n

8623-02<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

RCA Studio A – Hollywood, California<\/strong><\/p>\n<\/td>\n

\n

March 31 1972 (Friday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

(Studio Rehearsal)<\/p>\n<\/td>\n

\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

RCA Studio B – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

April 27 1972 (Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Burning Love (overdub)<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1257<\/p>\n<\/td>\n<\/tr>\n

\n

Always On My Mind (overdub)<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1259<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio’s – Hollywood, California (overdub session)<\/strong><\/p>\n<\/td>\n

\n

May 8 1972 (Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

For The Good Times (overdub)<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1150<\/p>\n<\/td>\n<\/tr>\n

\n

Separate Ways (overdub)<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1149<\/p>\n<\/td>\n<\/tr>\n

\n

Where Do I Go From Here (overdub)<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1151<\/p>\n<\/td>\n<\/tr>\n

\n

Fool (overdub)<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1258<\/p>\n<\/td>\n<\/tr>\n

\n

Always On My Mind (overdub)<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1259<\/p>\n<\/td>\n<\/tr>\n

\n

It’s A Matter Of Time (overdub)<\/p>\n<\/td>\n

\n

BPA3<\/p>\n<\/td>\n

\n

1260<\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Take You Home Again Kathleen (overdub)<\/p>\n<\/td>\n

\n

APA4<\/p>\n<\/td>\n

\n

1283<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

Honolulu International Center – Honolulu, Hawaii<\/strong><\/p>\n<\/td>\n

\n

January 14 1973 (Sunday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Blue Hawaii<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4756-02<\/p>\n<\/td>\n<\/tr>\n

\n

Ku-U-I-Po<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4757-04<\/p>\n<\/td>\n<\/tr>\n

\n

No More<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4758-02<\/p>\n<\/td>\n<\/tr>\n

\n

Hawaiian Wedding Song<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4759-02<\/p>\n<\/td>\n<\/tr>\n

\n

Early Mornin’ Rain<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4760-02<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

July 20 \/ 21 1973 (Friday \/ Saturday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

July 21 \/ 22 1973 (Saturday \/ Sunday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

If You Don’t Come Back<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4761-09<\/p>\n<\/td>\n<\/tr>\n

\n

It’s Diff’rent Now (rehearsal)<\/p>\n<\/td>\n

\n

WPA5<\/p>\n<\/td>\n

\n

2574-01<\/p>\n<\/td>\n<\/tr>\n

\n

Three Corn Patches<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4762-15<\/p>\n<\/td>\n<\/tr>\n

\n

Take Good Care Of Her<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4763-06<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

July 22 \/ 23 1973 (Sunday \/ Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Find Out What’s Happening<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4764-09<\/p>\n<\/td>\n<\/tr>\n

\n

I’ve Got A Thing About You Baby<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4765-15<\/p>\n<\/td>\n<\/tr>\n

\n

Just A Little Bit<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4766-02<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

July 23 \/ 24 1973 (Monday \/ Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Raised On Rock<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4767-10<\/p>\n<\/td>\n<\/tr>\n

\n

For Ol’ Times Sake<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4768-08<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

July 24 \/ 25 1973 (Tuesday \/ Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Girl Of Mine<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4769-11<\/p>\n<\/td>\n<\/tr>\n

\n

Good, Bad But Beautiful (track)<\/span><\/p>\n<\/td>\n

\n

CPA5 <\/span><\/p>\n<\/td>\n

\n

4770-NA<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

July 25 \/ 26 1973 (Wednesday \/ Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Color My Rainbow (track)<\/span><\/p>\n<\/td>\n

\n

CPA5 <\/span><\/p>\n<\/td>\n

\n

4771-NA<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Sweet Angeline (track)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4772-15<\/p>\n<\/td>\n<\/tr>\n

\n

The Wonders You Perform (track)<\/span><\/p>\n<\/td>\n

\n

CPA5<\/span><\/p>\n<\/td>\n

\n

4773-NA<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

Elvis Presley’s Residence – Palm Springs, California<\/strong><\/p>\n<\/td>\n

\n

September 22 \/ 23 1973 (Saturday \/ Sunday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Sweet Angeline (vocal overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4772-NA<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n
\n

Elvis Presley’s Residence – Palm Springs, California<\/strong><\/p>\n<\/td>\n

\n

September 23 \/ 24 1973 (Sunday \/ Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I Miss You<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4774-15<\/p>\n<\/td>\n<\/tr>\n

\n

Killing Me Softly (Voice)<\/span><\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-01 <\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Why Me Lord (Voice)<\/span><\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-10<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

In The Sweet By And By (Voice)<\/span><\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-NA<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Are You Sincere<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4775-04<\/p>\n<\/td>\n<\/tr>\n

\n

Danny’s Song (Voice)<\/span><\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-NA<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Aubrey (Voice)<\/span><\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-NA<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

September 28 1973 (Friday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Take Good Care Of Her (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4763<\/p>\n<\/td>\n<\/tr>\n

\n

I’ve Got A Thing About You Baby (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4765<\/p>\n<\/td>\n<\/tr>\n

\n

Girl Of Mine (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4769<\/p>\n<\/td>\n<\/tr>\n

\n

Sweet Angeline (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

4772<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

RCA Studio’s – Hollywood, California (demo session)<\/strong><\/p>\n<\/td>\n

\n

September 29 1973 (Saturday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I’m Gonna Write A Song (Voice)<\/span><\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-NA<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

In The Sweet By And By (remake – Voice)<\/span><\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-NA<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Aubrey (remake – Voice)<\/span><\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-NA<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

December 10 \/ 11 1973 (Monday \/ Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I Got A Feelin’ In My Body<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1617-03<\/p>\n<\/td>\n<\/tr>\n

\n

It’s Midnight<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1618-19<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

December 11 \/ 12 1973 (Tuesday \/ Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

You Asked Me To<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1619-06<\/p>\n<\/td>\n<\/tr>\n

\n

If You Talk In Your Sleep<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1620-09<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

December 12 \/ 13 1973 (Wednesday \/ Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Mr. Songman<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1621-06<\/p>\n<\/td>\n<\/tr>\n

\n

Thinking About You<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1622-08<\/p>\n<\/td>\n<\/tr>\n

\n

Love Song Of The Year<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1623-08<\/p>\n<\/td>\n<\/tr>\n

\n

Help Me<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1624-01<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

December 13 \/ 14 1973 (Thursday \/ Friday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

My Boy<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1625-03<\/p>\n<\/td>\n<\/tr>\n

\n

Loving Arms<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1626-03<\/p>\n<\/td>\n<\/tr>\n

\n

Good Time Charlie’s Got The Blues<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1627-09<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

December 14 \/ 15 1973 (Friday \/ Saturday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Talk About The Good Times<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1628-04<\/p>\n<\/td>\n<\/tr>\n

\n

We Had It All (rehearsal)<\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-NA<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

December 15 \/ 16 1973 (Saturday \/ Sunday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Promised Land<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1629-06<\/p>\n<\/td>\n<\/tr>\n

\n

Your Love’s Been A Long Time Coming<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1630-09<\/p>\n<\/td>\n<\/tr>\n

\n

There’s A Honky Tonk Angel (Who Will Take Me Back In)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1631-08<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

Stax Studio – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

December 16 \/ 17 1973 (Sunday \/ Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

If That Isn’t Love<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1632-04<\/p>\n<\/td>\n<\/tr>\n

\n

Spanish Eyes<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1633-04<\/p>\n<\/td>\n<\/tr>\n

\n

She Wears My Ring<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1634-10<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

January 2 1974 (Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I Got A Feelin’ In My Body (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1617<\/p>\n<\/td>\n<\/tr>\n

\n

If You Talk In Your Sleep (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1620<\/p>\n<\/td>\n<\/tr>\n

\n

Talk About The Good Times (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1628<\/p>\n<\/td>\n<\/tr>\n

\n

I Got A Feelin’ In My Body (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1617<\/p>\n<\/td>\n<\/tr>\n

\n

Promised Land (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1629<\/p>\n<\/td>\n<\/tr>\n

\n

You Asked Me To (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1619<\/p>\n<\/td>\n<\/tr>\n

\n

Love Song Of The Year (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1623<\/p>\n<\/td>\n<\/tr>\n

\n

Good Time Charlie’s Got The Blues (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1627<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio’s – Hollywood, California (overdub session)<\/strong><\/p>\n<\/td>\n

\n

January 10 1974 (Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

It’s Midnight (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1618<\/p>\n<\/td>\n<\/tr>\n

\n

If You Talk In Your Sleep (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1620<\/p>\n<\/td>\n<\/tr>\n

\n

My Boy (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1625<\/p>\n<\/td>\n<\/tr>\n

\n

Loving Arms (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1626<\/p>\n<\/td>\n<\/tr>\n

\n

Spanish Eyes (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1633<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n
\n

RCA Studio’s – Hollywood, California (overdub session)<\/strong><\/p>\n<\/td>\n

\n

January 11 1974 (Friday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Mr. Songman (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1621<\/p>\n<\/td>\n<\/tr>\n

\n

Thinking About You (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1622<\/p>\n<\/td>\n<\/tr>\n

\n

Love Song Of The Year (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1623<\/p>\n<\/td>\n<\/tr>\n

\n

Help Me (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1624<\/p>\n<\/td>\n<\/tr>\n

\n

Good Time Charlie’s Got The Blues (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1627<\/p>\n<\/td>\n<\/tr>\n

\n

Your Love’s Been A Long Time Coming (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1630<\/p>\n<\/td>\n<\/tr>\n

\n

There’s A Honky Tonk Angel (Who Will Take Me Back In) (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1631<\/p>\n<\/td>\n<\/tr>\n

\n

If That Isn’t Love (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1632<\/p>\n<\/td>\n<\/tr>\n

\n

She Wears My Ring (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1634<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

RCA Studio A – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

January 15 1974 (Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

My Boy (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1625<\/p>\n<\/td>\n<\/tr>\n

\n

If You Talk In Your Sleep (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1620<\/p>\n<\/td>\n<\/tr>\n

\n

Promised Land (overdub)<\/p>\n<\/td>\n

\n

CPA5<\/p>\n<\/td>\n

\n

1629<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n
\n

RCA Studio C – Hollywood, California<\/strong><\/p>\n<\/td>\n

\n

March 10 \/ 11 1975 (Monday \/ Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Fairytale<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1594-03<\/p>\n<\/td>\n<\/tr>\n

\n

Green, Green Grass Of Home<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1595-05<\/p>\n<\/td>\n<\/tr>\n

\n

I Can Help<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1596-02<\/p>\n<\/td>\n<\/tr>\n

\n

And I Love You So<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1597-05<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

RCA Studio C – Hollywood, California<\/strong><\/p>\n<\/td>\n

\n

March 11 \/ 12 1975 (Tuesday \/ Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Susan When She Tried<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1598-06<\/p>\n<\/td>\n<\/tr>\n

\n

T-R-O-U-B-L-E<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1599-04<\/p>\n<\/td>\n<\/tr>\n

\n

Tiger Man (jam)<\/p>\n<\/td>\n

\n

WPA5<\/p>\n<\/td>\n

\n

2575-01<\/p>\n<\/td>\n<\/tr>\n

\n

Woman Without Love<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1600-01<\/p>\n<\/td>\n<\/tr>\n

\n

Shake A Hand<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1601-03<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

RCA Studio C – Hollywood, California<\/strong><\/p>\n<\/td>\n

\n

March 12 \/ 13 1975 (Wednesday \/ Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Bringin’ It Back<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1602-04<\/p>\n<\/td>\n<\/tr>\n

\n

Pieces Of My Life<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1603-04<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

Quadrofonic Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

April 8 1975 (Tuesday Morning)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Fairytale (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1594<\/p>\n<\/td>\n<\/tr>\n

\n

I Can Help (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1596<\/p>\n<\/td>\n<\/tr>\n

\n

Shake A Hand (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1601<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n
\n

Quadrofonic Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

April 8 1975 (Tuesday Afternoon \/ Evening)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Fairytale (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1594<\/p>\n<\/td>\n<\/tr>\n

\n

Green, Green Grass Of Home (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1595<\/p>\n<\/td>\n<\/tr>\n

\n

Woman Without Love (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1600<\/p>\n<\/td>\n<\/tr>\n

\n

Pieces Of My Life (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1603<\/p>\n<\/td>\n<\/tr>\n

\n

And I Love You So (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1597<\/p>\n<\/td>\n<\/tr>\n

\n

Susan When She Tried (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1598<\/p>\n<\/td>\n<\/tr>\n

\n

Bringin’ It Back (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1602<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n
\n

Quadrofonic Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

April 9 1975 (Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Fairytale (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1594<\/p>\n<\/td>\n<\/tr>\n

\n

Green, Green Grass Of Home (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1595<\/p>\n<\/td>\n<\/tr>\n

\n

I Can Help (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1596<\/p>\n<\/td>\n<\/tr>\n

\n

And I Love You So (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1597<\/p>\n<\/td>\n<\/tr>\n

\n

Woman Without Love (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1600<\/p>\n<\/td>\n<\/tr>\n

\n

Shake A Hand (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1601<\/p>\n<\/td>\n<\/tr>\n

\n

Bringin’ It Back (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1602<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

Quadrofonic Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

April 10 1975 (Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I Can Help (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1596<\/p>\n<\/td>\n<\/tr>\n

\n

And I Love You So (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1597<\/p>\n<\/td>\n<\/tr>\n

\n

Shake A Hand (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1601<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n
\n

Quadrofonic Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

April 14 1975 (Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Fairytale (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1594<\/p>\n<\/td>\n<\/tr>\n

\n

Green, Green Grass Of Home (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1595<\/p>\n<\/td>\n<\/tr>\n

\n

And I Love You So (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1597<\/p>\n<\/td>\n<\/tr>\n

\n

Woman Without Love (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1600<\/p>\n<\/td>\n<\/tr>\n

\n

Bringin’ It Back (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1602<\/p>\n<\/td>\n<\/tr>\n

\n

Pieces Of My Life (overdub)<\/p>\n<\/td>\n

\n

EPA3<\/p>\n<\/td>\n

\n

1603<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

The Jungle Room, Graceland – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

February 2 \/ 3 1976 (Monday \/ Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Bitter They Are, Harder They Fall<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0665-07<\/p>\n<\/td>\n<\/tr>\n

\n

She Thinks I Still Care<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0666-17<\/p>\n<\/td>\n<\/tr>\n

\n

The Last Farewell<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0667-SP<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

The Jungle Room, Graceland – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

February 3 \/ 4 1976 (Tuesday \/ Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Solitaire<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0668-11<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

The Jungle Room, Graceland – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

February 4 \/ 5 1976 (Wednesday \/ Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Never Fall In Love Again<\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-05<\/p>\n<\/td>\n<\/tr>\n

\n

Moody Blue<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0669-10<\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Never Fall In Love Again<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0670-09<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

The Jungle Room, Graceland – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

February 5 \/ 6 1976 (Thursday \/ Friday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

For The Heart<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0671-NA<\/p>\n<\/td>\n<\/tr>\n

\n

Hurt<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0672-07<\/p>\n<\/td>\n<\/tr>\n

\n

Danny Boy<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0673-10<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

The Jungle Room, Graceland – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

February 6 \/ 7 1976 (Friday \/ Saturday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Never Again<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0674-14<\/p>\n<\/td>\n<\/tr>\n

\n

Love Coming Down<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0675-05<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

The Jungle Room, Graceland – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

February 7 \/ 8 1976 (Saturday \/ Sunday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Feelings (rehearsal)<\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-NA<\/p>\n<\/td>\n<\/tr>\n

\n

America<\/p>\n<\/td>\n

\u00a0<\/td>\n\n

\/\/\/\/\/\/\/\/<\/span>-02<\/p>\n<\/td>\n<\/tr>\n

\n

Blue Eyes Crying In The Rain<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0676-05<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

The Jungle Room, Graceland – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

February 8 \/ 9 1976 (Sunday \/ Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/p>\n<\/td>\n

\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

The Jungle Room, Graceland – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

February 11 \/ 12 1976 (Wednesday \/ Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/p>\n<\/td>\n

\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

Young’un Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

February 15 1976 (Sunday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

For The Heart (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0671<\/p>\n<\/td>\n<\/tr>\n

\n

Moody Blue (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0669<\/p>\n<\/td>\n<\/tr>\n

\n

Love Coming Down (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0675<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n
\n

Young’un Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

February 16 1976 (Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

For The Heart (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0671<\/p>\n<\/td>\n<\/tr>\n

\n

Hurt (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0672<\/p>\n<\/td>\n<\/tr>\n

\n

Never Again (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0674<\/p>\n<\/td>\n<\/tr>\n

\n

Love Coming Down (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0675<\/p>\n<\/td>\n<\/tr>\n

\n

Blue Eyes Crying In The Rain (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0676<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

Young’un Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

February 17 1976 (Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Moody Blue (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0669<\/p>\n<\/td>\n<\/tr>\n

\n

Hurt (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0672<\/p>\n<\/td>\n<\/tr>\n

\n

Never Again (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0674<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

Young’un Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

February 24 1976 (Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

She Thinks I Still Care (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0666<\/p>\n<\/td>\n<\/tr>\n

\n

Moody Blue (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0669<\/p>\n<\/td>\n<\/tr>\n

\n

Love Coming Down (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0675<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

Young’un Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

February ? 1976<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Bitter They Are, Harder They Fall (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0665<\/p>\n<\/td>\n<\/tr>\n

\n

The Last Farewell (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0667<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n
\n

Young’un Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

March 24 1976 (Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Bitter They Are, Harder They Fall (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0665<\/p>\n<\/td>\n<\/tr>\n

\n

She Thinks I Still Care (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0666<\/p>\n<\/td>\n<\/tr>\n

\n

The Last Farewell (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0667<\/p>\n<\/td>\n<\/tr>\n

\n

Solitaire (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0668<\/p>\n<\/td>\n<\/tr>\n

\n

Moody Blue (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0669<\/p>\n<\/td>\n<\/tr>\n

\n

I’ll Never Fall In Love Again (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0670<\/p>\n<\/td>\n<\/tr>\n

\n

Never Again (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0674<\/p>\n<\/td>\n<\/tr>\n

\n

Love Coming Down (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

0675<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

The Jungle Room, Graceland – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

October 29 \/ 30 1976 (Friday \/ Saturday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

It’s Easy For You<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

1048-02<\/p>\n<\/td>\n<\/tr>\n

\n

Way Down<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

1049-02<\/p>\n<\/td>\n<\/tr>\n

\n

Pledging My Love<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

1050-06<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

The Jungle Room, Graceland – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

October 30 \/ 31 1976 (Saturday \/ Sunday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

There’s A Fire Down Below (track)<\/span><\/p>\n<\/td>\n

\n

FWA5 <\/span><\/p>\n<\/td>\n

\n

1051-14<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

He’ll Have To Go (track)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

1052-02<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

The Jungle Room, Graceland – Memphis, Tennessee<\/strong><\/p>\n<\/td>\n

\n

October 31 1976 (Sunday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

He’ll Have To Go (vocal overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

1052-NA<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

Creative Workshop – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

January 20 \/ 21 1977 (Thursday \/ Friday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

Creative Workshop – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

January 21 \/ 22 1977 (Friday \/ Saturday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n
\n

Creative Workshop – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

January 22 1977 (Saturday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Way Down (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

1049<\/p>\n<\/td>\n<\/tr>\n

\n

Pledging My Love (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

1050<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

Creative Workshop – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

January 23 \/ 24 1977 (Sunday \/ Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

Creative Workshop – Nashville, Tennessee<\/strong><\/p>\n<\/td>\n

\n

January 24 \/ 25 1977 (Monday \/ Tuesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

Young’un Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

April 6 1977 (Wednesday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

It’s Easy For You (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

1048<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

Young’un Sound Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

April 7 1977 (Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

He’ll Have To Go (overdub)<\/p>\n<\/td>\n

\n

FWA5<\/p>\n<\/td>\n

\n

1052<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n
\n

Soundmaster Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

May 9 1977 (Monday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

If You Love Me (Let Me Know) (overdub)<\/p>\n<\/td>\n

\n

GWA5<\/p>\n<\/td>\n

\n

2574<\/p>\n<\/td>\n<\/tr>\n

\n

Little Darlin’ (overdub)<\/p>\n<\/td>\n

\n

GWA5<\/p>\n<\/td>\n

\n

2575<\/p>\n<\/td>\n<\/tr>\n

\n

Unchained Melody (overdub)<\/p>\n<\/td>\n

\n

GWA5<\/p>\n<\/td>\n

\n

2576<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n
\n

Soundmaster Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

June 9 1977 (Thursday)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Unchained Melody (overdub)<\/p>\n<\/td>\n

\n

GWA5<\/p>\n<\/td>\n

\n

2576<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

Soundmaster Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

August 29 1977 (Monday Morning)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

I Got A Woman \/ Amen (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0424<\/p>\n<\/td>\n<\/tr>\n

\n

Are You Lonesome Tonight? (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0426<\/p>\n<\/td>\n<\/tr>\n

\n

Love Me (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0427<\/p>\n<\/td>\n<\/tr>\n

\n

If You Love Me (Let Me Know) (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0428<\/p>\n<\/td>\n<\/tr>\n

\n

It’s Now Or Never (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0431<\/p>\n<\/td>\n<\/tr>\n

\n

Early Mornin’ Rain (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0437<\/p>\n<\/td>\n<\/tr>\n

\n

What’d I Say (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0438<\/p>\n<\/td>\n<\/tr>\n

\n

Unchained Melody (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0443<\/p>\n<\/td>\n<\/tr>\n

\n

Fairytale (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0445<\/p>\n<\/td>\n<\/tr>\n

\n

And I Love You So (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0447<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/p>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n
\n

Soundmaster Studio – Nashville, Tennessee (overdub session)<\/strong><\/p>\n<\/td>\n

\n

August 29 1977 (Monday Evening)<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Unchained Melody (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0443<\/p>\n<\/td>\n<\/tr>\n

\n

Love Me (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0427<\/p>\n<\/td>\n<\/tr>\n

\n

It’s Now Or Never (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0431<\/p>\n<\/td>\n<\/tr>\n

\n

Hawaiian Wedding Song (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0433<\/p>\n<\/td>\n<\/tr>\n

\n

Early Mornin’ Rain (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0437<\/p>\n<\/td>\n<\/tr>\n

\n

Fairytale (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0445<\/p>\n<\/td>\n<\/tr>\n

\n

And I Love You So (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0447<\/p>\n<\/td>\n<\/tr>\n

\n

Little Sister (overdub)<\/p>\n<\/td>\n

\n

GPA5<\/p>\n<\/td>\n

\n

0426<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

RCA Studio B – Nashville, Tennessee June 4 \/ 5 1970 (Thursday \/ Friday) Mystery Train \/ Tiger Man (jam) \u00a0 \u00a0 Twenty Days And Twenty Nights ZPA4 1593-09 I’ve Lost You […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-1764","post","type-post","status-publish","format-standard","hentry","category-1969-1977"],"acf":[],"_links":{"self":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/1764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1764"}],"version-history":[{"count":0,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=\/wp\/v2\/posts\/1764\/revisions"}],"wp:attachment":[{"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elvis.linuxles.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}