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November 17, 18 & 21 1966
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(+ means you need both ~ means same material °° means stereo or binaural ° means mono)
(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take) |
| MGM Sound Stage – Hollywood, California |
| Scoring Session for MGM’s Double Trouble |
| MGM Producer : Jeffrey Alexander |
| Engineers : Aaron Rochin / Lyle Burbridge |
| Orchestra: | ||
| Manager: | Gerald Whelan | Violin: Lou Raderman; Sally Raderman; Bernard Kundell; Joy Lyle; |
| Horn: | Jack Cave | _A. Lustgarten; Harry Bluestone; Murray Kellner; Kurt Dieterle; Anatol |
| Piano: | Artie Kane | _Kaminsky; Ambrose Russo; Arnold Jurasky; Jerome Kasin; |
| Accordian: | Carl Fortina | Viola: V. Majewski; Cecil Figelski; Reuben Marcus; Myra Kestenbaum |
| Bass: | Keith Mitchell; Ray Siegal | Cello: Raphael Kramer; F. Seykora; G. Strassner; Lucien LaPorte |
| Oboe: | Arnold Koblentz | Trumpet: Uan Rasey; George Werth |
| Flute: | Ted Nash | Trombone: Richard Noel; Randall Miller; George Roberts |
| Drums: | Frank Carlson | Clarinet: Don Lodice; Hugo Raimondi |
| Flute: | Ronald Langinger | Harp: C. Gotthoffer |
| Bassoon: | Fowler Friedlander |
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End Title
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2501 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | ||||||
| Take 4 | ||||||
| Take 5 | (M) | 0:11 | Soundtrack° (0:04) | |||
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On To Antwerp
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2502 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:18 | Soundtrack° (0:10) | |||
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From Left To Right
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2503 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:10 | Soundtrack° | |||
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Piggy Back March
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2504 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:05 | Soundtrack° | |||
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Bearded Mother #1
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2505 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:13 | Soundtrack° | |||
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Sweet Seventeen
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2506 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:53 | Soundtrack°(0:50) | |||
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Girl In His Life (Jill & Guy’s Theme)
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2507 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 1:33 | Soundtrack° (1:14 & 1:28) | |||
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Struck Out
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2508 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | ||||||
| Take 4 | (M) | 0:41 | Soundtrack° | |||
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Bearded Mother #2
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2509 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:07 | Soundtrack° | |||
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Girl In His Life Melody
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2510 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | ||||||
| Take 4 | ||||||
| Take 5 | (M) | 1:38 | Soundtrack° (1:19) | |||
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Black Hand #1
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2511 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:08 | Soundtrack° | |||
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Black Hand #2
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2512 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | ||||||
| Take 4 | (M) | 0:10 | Soundtrack° | |||
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Iceman #1
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2513 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:33 | Soundtrack° (0:04) | |||
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Black Hand #3
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2514 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:06 | Soundtrack° | |||
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Black Hand #4
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2515 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:08 | Soundtrack° | |||
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Karate
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2516 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | (M) | 0:34 | Soundtrack° (0:30) | |||
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Prolog To Main Title
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2517 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:12 | Soundtrack° | |||
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Brussels
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2518 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:16 | Soundtrack° | |||
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Iceman #3
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2519 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:40 | Soundtrack° (0:14) | |||
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Iceman #2
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2520 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:16 | Soundtrack° | |||
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Cooky Costume
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2521 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:14 | Soundtrack° | |||
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More Girl In His Life
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2522 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:32 | Soundtrack° (0:28) | |||
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Wine Biz
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2523 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:05 | Soundtrack° (0:18 & 0:06) | |||
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There Is So Much World To See (overdub)
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UPA3 3941 | 2524 | November 17 1966 (Thur) | |||
| Take 1 | Score overdubbed to 2004-01 | |||||
| Take 2 | M | 1:53 | Movie version | Comp. Elvis Presley Masters 14 (Sony)°°~Around The World (Franklin Mint Complete Masters Collection 20)°°~Double Trouble (FTD)°° ~Double Features – Spinout / Double Trouble°°~Celluloid Rock 2-3°° |
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Could I Fall In Love
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2525 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 2:02 | ||||
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Could I Fall In Love (pickup – 1st 10 bars)
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2526 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:23 | ||||
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Could I Fall In Love (movie version)
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| Overdub | (M) | 2:02 | 2525 & 2526 overdubbed to 2012-01 – edited |
Soundtrack° (1:27) | ||
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Fine British Oil
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2527 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:11 | Soundtrack° | |||
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Enter Jill
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2528 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:12 | Soundtrack° | |||
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Main Title (Sec. 1)
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2529 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | ||||||
| Take 4 | (M) | 1:32 | Soundtrack° | |||
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Main Title (Sec. 2)
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2530 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:06 | Soundtrack° | |||
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I Love Only One Girl #1
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2531 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 1:12 | ||||
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I Love Only One Girl #2
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2532 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:12 | ||||
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Little Girl Polka
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2533 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:08 | ||||
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Little Fraulien
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2534 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:09 | ||||
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I Love Only One Girl #3
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2535 | November 17 1966 (Thur) | |||
| Take 1 | (M) | 0:09 | ||||
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Malaga
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2536 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:25 | ||||
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Belly Dancers & Clown
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2537 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | (M) | 0:34 | ||||
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Clown Chase
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2538 | November 17 1966 (Thur) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | (M) | 0:08 | ||||
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I Love Only One Girl (Reprise)
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2539 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | (M) | 0:50 | ||||
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Lock Step March
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2540 | November 18 1966 (Fri) | |||
| Take 1 | (M) | 0:07 | Soundtrack° | |||
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Jazz Leading To Playback
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2541 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:10 | Soundtrack° | |||
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Weir Bros. Finale
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2542 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:22 | Soundtrack° (0:11) | |||
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End Cast
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2543 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:22 | Soundtrack° | |||
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Croaks Shnooks #1
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2544 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:13 | Soundtrack° (0:10) | |||
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Over Carousel Music #2
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2545 | November 18 1966 (Fri) | |||
| Take 1 | (M) | 0:24 | Soundtrack° (0:39 & 0:25) | |||
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The Goyem Gavotte
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2546 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:29 | Soundtrack° (0:09) | |||
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Claire & Babcock & Brown
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2547 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:59 | Soundtrack° | |||
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Over Carousel Music #1
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2548 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | (M) | 0:12 | Soundtrack° (0:37) | |||
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The Iceman Goeth
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2549 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:16 | Soundtrack° | |||
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Croaks Shnooks #2
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2550 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | (M) | 0:25 | Soundtrack° (0:19) | |||
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Iceman #4
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2551 | November 18 1966 (Fri) | |||
| Take 1 | (M) | 0:24 | Soundtrack° (0:06) | |||
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Mendlebaum Spring Song
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2552 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:16 | Soundtrack° (0:05) | |||
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Graceless Exit
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2553 | November 18 1966 (Fri) | |||
| Take 1 | (M) | 0:14 | Soundtrack° | |||
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Vicuna (Claire’s Theme)
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2554 | November 18 1966 (Fri) | |||
| Take 1 | (Originally recorded as ‘Fast Discotheque’ on July 14) |
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| Take 2 | ||||||
| Take 3 | (M) | 1:19 | Soundtrack° | |||
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V.W. Chase
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2555 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:43 | Soundtrack° | |||
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Weir Chase
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2556 | November 18 1966 (Fri) | |||
| Take 1 | (M) | 0:19 | Soundtrack° | |||
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Chase Devine 1
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2557 | November 18 1966 (Fri) | |||
| Take 1 | (M) | 0:25 | Soundtrack° | |||
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Chase Devine 2
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2558 | November 18 1966 (Fri) | |||
| Take 1 | (M) | 0:16 | Soundtrack° | |||
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Chase Devine 3
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2559 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:19 | Soundtrack° | |||
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Antwerp Carousel (Wild)
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2560 | November 18 1966 (Fri) | |||
| Take 1 | (M) | 1:44 | Soundtrack° (0:16) | |||
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Brussels Carousel (Wild)
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2561 | November 18 1966 (Fri) | |||
| Take 1 | (M) | 1:24 | (not used) | |||
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Bruges Carousel (Wild)
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2562 | November 18 1966 (Fri) | |||
| Take 1 | (M) | 1:25 | (not used) | |||
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Pickup From Bar #9
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2563 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:11 | (not used) | |||
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Bruges Carousel
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2564 | November 18 1966 (Fri) | |||
| Take 1 | (M) | 0:32 | (not used) | |||
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Chase Interlude 1, 2, 3 & 4
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2565 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | ||||||
| Take 4 | (M) | 0:30 | Soundtrack° | |||
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Chase Interlude #5
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2566 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:17 | Soundtrack° | |||
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For Backplay On Boat
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2567 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:11 | Soundtrack° | |||
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Small March
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2568 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:23 | Soundtrack° | |||
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Small March #2
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2569 | November 18 1966 (Fri) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:44 | Soundtrack° | |||
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I Love Only One Girl
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2569 | November 21 1966 (Mon) | |||
| Take 1 | 14 singers to track | |||||
| Take 2 | (M) | (used for spliced master) | ||||
| Take 3 | (M) | (used for spliced master) | ||||
| Spliced | (M) | 3:00 | Spliced from 2569-02 & 2569-03 | |||
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I Love Only One Girl (Short)
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2570 | November 21 1966 (Mon) | |||
| Take 1 | ||||||
| Take 2 | (M) | 0:46 | ||||
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I Love Only One Girl (movie version)
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| Overdub | (M) | 3:37 | 2531, 2532, 2533, 2534, 2535, 2536, 2537, 2538, 2539, 2569 & 2570 overdubbed to 2008-02 |
Soundtrack° | ||
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Main Title Sweetener
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2571 | November 21 1966 (Mon) | |||
| Take 1 | ||||||
| Take 2 | ||||||
| Take 3 | ||||||
| Take 4 | (M) | 0:10 | 5 male singers | |||
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Double Trouble (overdub)
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UPA3 3934 | |||||
| Overdub | M | 1:40 | 2571 overdubbed to revised composite |
Comp. Elvis Presley Masters 14 (Sony)°°~Around The World (Franklin Mint Complete Masters Collection 20)°°~Double Trouble (FTD)°°~Double Features – Spinout / Double Trouble°°~Celluloid Rock 2-3°° (faded) |
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This is a scoring session for the movie Double Trouble. Strings are overdubbed to the master take (2004-01) of ‘There Is So Much World To See’ – originally recorded on June 28 1966. It is this movie version that RCA originally chose to release on the Double Trouble album, rather than the intended record version (2003-10), which was in fact not used. The released master of ‘Double Trouble’ was also overdubbed during this scoring session. Except for masters and alternate masters – all original 3-Track tapes are lost. Celluloid Rock Volume 2 (Cool Romeo) has a binaural mix used for the masters. An approximation of how the musical score fits into the movie is shown below, but this is just an educated guess as some timings of tracks do not match timings on MGM’s Daily Music Reports from the scoring sessions. All timings in the ‘Musical Breakdown’ below are taken from the DVD release of the movie. In March of 2007, Sony decided to go through all of Elvis’ masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy releases, the 30 disc Complete Elvis Presley Masters collection and the Franklin Mint package. Thanks to DarkShade on FECC for providing information on the production numbers. |